<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-8110</journal-id>
<journal-title><![CDATA[Cultura y representaciones sociales]]></journal-title>
<abbrev-journal-title><![CDATA[Cultura representaciones soc]]></abbrev-journal-title>
<issn>2007-8110</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Sociales]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-81102010000100070</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La Ciudad de México en Ojerosa y pintada, de Agustín Yañez, 50 años después]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Guzmán Díaz]]></surname>
<given-names><![CDATA[José Manuel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,UNAM Facultad de Arquitectura ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2010</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2010</year>
</pub-date>
<volume>4</volume>
<numero>8</numero>
<fpage>70</fpage>
<lpage>110</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-81102010000100070&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-81102010000100070&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-81102010000100070&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este análisis está basado en la teoría socio-crítica según Claude Duchet y se propone responder a la pregunta: ¿cómo describen, cómo viven y cómo se representan el espacio de la ciudad de México los personajes centrales y los narradores de esta novela? El planteamiento me permite mostrar la eficacia de la novela para conocer la realidad de la ciudad de México de los años cincuenta y el poder de la teoría socio-crítica para interpretar la obra. Por otra parte, la novela muestra una historia de engañosa simpleza en cuyo fondo está cifrada una enérgica denuncia de la putrefacción social que impregnó el imaginario de la capital del país bajo el discurso oficialista de la Revolución; así como la necia aspiración de modernidad centrada en la burocracia de la nueva institucionalidad, donde la trampa de los nuevos mitos urbanos (poder, dinero, fama y placeres) fueron poderosos focos de atracción para la masa empobrecida que veía en la migración a la ciudad su única posibilidad de ascenso social. Ojerosa y pintada constituye una profunda y conmovedora coincidencia con la historia y con la realidad de la capital mexicana de hoy. Justo a medio siglo de que fue publicada.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This analysis is based in Claude Duchet's socio-criticism theory, and it is intended to provide an answer to the question: How do the central characters and novel narrators describe, live, and represent themselves the space of Mexico City? The approach allows me to show the effectiveness of the novel in order to know Mexico City's reality during the 1950s, and the power of socio-criticism theory for interpreting the book. On the other hand, the novel shows a story of a misleading simplicity in which it is encrypted a vigorous denunciation of the social putrefaction that impregnated the imagery of the country's capital city under the governmental official discourse of the Mexican Revolution. It shows as well the foolish aspiration of modernity of the newly institutionalized bureaucracy in which the trap of new urban myths (power, money, fame, and pleasures) powerfully attracted the impoverished masses that saw migration to the city their only possibility for social advancement. Ojerosa y pintada shows a profound and moving coincidence with history and with the reality of the Mexican capital-city today, even half-a-century after it was published.]]></p></abstract>
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<kwd lng="es"><![CDATA[Ojerosa y pintada]]></kwd>
<kwd lng="es"><![CDATA[La ciudad de México en su novela]]></kwd>
<kwd lng="es"><![CDATA[teoría socio-crítica]]></kwd>
<kwd lng="es"><![CDATA[Agustín Yáñez]]></kwd>
</kwd-group>
</article-meta>
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