<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-5308</journal-id>
<journal-title><![CDATA[México y la cuenca del pacífico]]></journal-title>
<abbrev-journal-title><![CDATA[Méx.cuenca pac]]></abbrev-journal-title>
<issn>2007-5308</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Guadalajara, Centro Universitario de Ciencias Sociales y Humanidades, Departamento de Estudios del Pacífico]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-53082022000100063</article-id>
<article-id pub-id-type="doi">10.32870/mycp.v11i31.770</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Autoficción y decadencia: un diálogo con la escuela buraiha japonesa, en &#8220;Manos de diamante&#8221; de Andrés Felipe Solano]]></article-title>
<article-title xml:lang="en"><![CDATA[Autofiction and Decandence: A Dialogue with Japanese Buraiha School, in &#8220;Manos de diamante&#8221; by Andrés Felipe Solano]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Macías]]></surname>
<given-names><![CDATA[María Claudia]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Gómez Michel]]></surname>
<given-names><![CDATA[Gerardo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Seoul National University  ]]></institution>
<addr-line><![CDATA[Seúl ]]></addr-line>
<country>South Korea</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Busan University of Foreign Studies  ]]></institution>
<addr-line><![CDATA[Busan ]]></addr-line>
<country>República de Corea</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>04</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>04</month>
<year>2022</year>
</pub-date>
<volume>11</volume>
<numero>31</numero>
<fpage>63</fpage>
<lpage>89</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-53082022000100063&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-53082022000100063&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-53082022000100063&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En este artículo se examina el cuento &#8220;Manos de diamante&#8221; de Andrés Felipe Solano, analizando la configuración del diálogo entre el narrador autobiográfico y el concepto de decadencia de la escuela japonesa buraiha, mediante el cual se estructura una narrativa del yo en confrontación con los signos de los tiempos de la modernidad actual. Se revisa, primeramente, la trayectoria y el contexto histórico de los escritores buraiha para comprender, en un segundo momento, cómo el autor colombiano construye en el relato un pacto ambiguo de lectura que transita entre una ficción al estilo buraiha y una crónica de la deriva existencial del narrador-autor. Finalmente, se expone de qué manera los elementos propios de la autoficción permiten revelar en el cuento la desintegración del yo y la deriva identitaria en nuestra época.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article examines the short story &#8220;Manos de diamante&#8221; by Andrés Felipe Solano, pointing out the dialogue constructed between an autobiographical narrator and the concept of decadence of the Japanese school of the buraiha, which constitute a oneself-writing in confrontation with the modernity signs of our time. First, the trajectory and historical context of the buraiha writers are reviewed to understand, in a second moment, how the Colombian author configures an unstable reader-writer pact in the story that moves between a buraiha-style fiction and the chronicle of the author-narrator&#8217;s existential drift. Finally, it is exposed how these elements of the autofiction genre allow the story to reveal the self-disintegration and the loss of identity in our present times.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Buraiha]]></kwd>
<kwd lng="es"><![CDATA[decadencia]]></kwd>
<kwd lng="es"><![CDATA[autoficción]]></kwd>
<kwd lng="es"><![CDATA[pacto ambiguo de lectura]]></kwd>
<kwd lng="es"><![CDATA[desintegración del yo]]></kwd>
<kwd lng="en"><![CDATA[Buraiha]]></kwd>
<kwd lng="en"><![CDATA[decadence]]></kwd>
<kwd lng="en"><![CDATA[autofiction]]></kwd>
<kwd lng="en"><![CDATA[readerwriter pact]]></kwd>
<kwd lng="en"><![CDATA[self-disintegration]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Alberca]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[¿Existe la autoficción hispanoamericana?]]></article-title>
<source><![CDATA[Cuadernos del CILHA]]></source>
<year>2006</year>
<volume>7</volume>
<numero>7-8</numero>
<issue>7-8</issue>
<page-range>115-27</page-range></nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Chia]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Dazai Osamu: Life and Art]]></source>
<year>1988</year>
<publisher-name><![CDATA[National University of Singapore]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Comperatore]]></surname>
<given-names><![CDATA[J. F.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[El signo de los tiempos]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Oda]]></surname>
<given-names><![CDATA[Sakunosuke]]></given-names>
</name>
</person-group>
<source><![CDATA[El Diletante]]></source>
<year>2020</year>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Crespo]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[). El signo de los tiempos]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Oda]]></surname>
<given-names><![CDATA[Sakunosuke]]></given-names>
</name>
</person-group>
<source><![CDATA[Otra Parte]]></source>
<year>2020</year>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cronin]]></surname>
<given-names><![CDATA[M. P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[City, empire and flow: Osaka and the Philippines in Oda Sakunosuke&#8217;s Wagamachi]]></article-title>
<source><![CDATA[Japan Forum]]></source>
<year>2013</year>
<volume>25</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>67-86</page-range></nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Doubrovsky]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Fils]]></source>
<year>2001</year>
<publisher-name><![CDATA[Gallimard]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Falero]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Hacia una historiografía literaria en Japón]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Aullón de Haro]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Historiografía y teoría de la historia del pensamiento, la literatura y el arte]]></source>
<year>2015</year>
<page-range>525-65</page-range><publisher-name><![CDATA[Dykinson]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="journal">
<article-title xml:lang=""><![CDATA[Meoto Zenzai]]></article-title>
<source><![CDATA[Filmaffinity]]></source>
<year>2021</year>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[García Parra]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Dawn to the West, Japanese Literature of the Modern Era by Donald Keen [Review]]]></article-title>
<source><![CDATA[Estudios de Asia y África]]></source>
<year>1986</year>
<volume>21</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>349-52</page-range></nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[García Canclini]]></surname>
<given-names><![CDATA[N.]]></given-names>
</name>
</person-group>
<source><![CDATA[La globalización imaginada]]></source>
<year>1999</year>
<publisher-name><![CDATA[Paidós]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="">
<source><![CDATA[GetTextbooks, Japan]]></source>
<year>2021</year>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Grimes]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Burton Watson, 91, Influential Translator of Classical Asian Literature, Dies]]></article-title>
<source><![CDATA[The New York Times]]></source>
<year>2017</year>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gossweiler]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La cultura japonesa está llena de matices y de elementos que parecen incluso contradictorios]]></article-title>
<source><![CDATA[Ámbito]]></source>
<year>2019</year>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kamei]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Kiss and Japanese Culture After World War II]]></article-title>
<source><![CDATA[Comparative Literature Studies]]></source>
<year>1981</year>
<volume>18</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>114-23</page-range></nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kato]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Modern Japanese Literature]]></article-title>
<source><![CDATA[Books Abroad. An International Literary Quaterly]]></source>
<year>1954</year>
<volume>28</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>6 y 290-7</page-range></nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Keene]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<source><![CDATA[Dawn to the West, Japanese Literature of the Modern Era. Fiction]]></source>
<year>1984</year>
<publisher-name><![CDATA[Holt-Rinehart and Winston]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kingsberg]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Methamphetamine Solution: Drugs and the Reconstruction of Nation in Postwar Japan]]></article-title>
<source><![CDATA[The Journal of Asian Studies]]></source>
<year>2013</year>
<volume>72</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>141-62</page-range></nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lowitz]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Towards a Literature of the Periphery]]></article-title>
<source><![CDATA[M&#257;noa. A Pacific Journal of International Writing]]></source>
<year>1995</year>
<volume>7</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>50-3</page-range></nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Musitano]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La autoficción: una aproximación teórica. Entre la retórica de la memoria y la escritura de recuerdos]]></article-title>
<source><![CDATA[Acta Literaria]]></source>
<year>2016</year>
<volume>52</volume>
<page-range>103-23</page-range></nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Oda]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
<name>
<surname><![CDATA[Kano]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Alonso]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Worsnop]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[El signo de los tiempos]]></source>
<year>2020</year>
<publisher-name><![CDATA[También El Caracol]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Oh]]></surname>
<given-names><![CDATA[K. H.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A Study on &#8216;Literature as a possibility&#8217; of Oda Sakunosuke]]></article-title>
<source><![CDATA[Japanese Cultural Studies]]></source>
<year>2008</year>
<volume>27</volume>
<page-range>281-96</page-range></nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Orbaugh]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Stories of Osaka Life, by Oda Sakunosuke]]></article-title>
<source><![CDATA[Journal of the Association of Teachers of Japanese]]></source>
<year>1992</year>
<volume>26</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>69-72</page-range></nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Orbaugh]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Part II. Japan]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Mostow]]></surname>
<given-names><![CDATA[J. S.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Columbia Companion to Modern East Asian Literature]]></source>
<year>2003</year>
<page-range>19-284</page-range><publisher-name><![CDATA[Columbia University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Patiño]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#8220;Escribir es mi gimnasio&#8221;. Entrevista con Andrés Felipe Solano]]></article-title>
<source><![CDATA[Jairitoe]]></source>
<year>2020</year>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="">
<collab>Sajalín Editores</collab>
<source><![CDATA[Sajalín presenta]]></source>
<year>2020</year>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sakaguchi]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La tesis decadente]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Onís Conde]]></surname>
<given-names><![CDATA[J. A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Tadaima]]></source>
<year>2012</year>
<page-range>1-17</page-range></nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sakakibara]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Dazai Osamu, Sakaguchi Ango, and the Burai School]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Orbaugh]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Columbia Companion to Modern East Asian Literature]]></source>
<year>2003</year>
<publisher-name><![CDATA[Columbia University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sas]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Chambered Nautilus: The Fiction of Ishikawa Jun]]></article-title>
<source><![CDATA[The Journal of Japanese Studies]]></source>
<year>1998</year>
<volume>24</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>35-58</page-range></nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sharp]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[70 Years of Rashomon. A New Look at Akira Kurosawa&#8217;s Cinematic Milestone of Post-truth]]></source>
<year>2020</year>
<publisher-name><![CDATA[British Film Institute]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Shields]]></surname>
<given-names><![CDATA[J. M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Smashing the Mirror of Yamato: Sakaguchi Ango, Decadence and a (Post-metaphysical). Buddhist Critique of Culture]]></article-title>
<source><![CDATA[Japan Review]]></source>
<year>2011</year>
<volume>23</volume>
<page-range>225-46</page-range></nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solano]]></surname>
<given-names><![CDATA[A. F.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Pig Skin]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Igarashi]]></surname>
<given-names><![CDATA[Y.]]></given-names>
</name>
</person-group>
<source><![CDATA[Granta 127: Japan]]></source>
<year>2014</year>
<page-range>157-72</page-range><publisher-name><![CDATA[Granta Books]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solano]]></surname>
<given-names><![CDATA[A. F.]]></given-names>
</name>
</person-group>
<source><![CDATA[Corea: apuntes desde la cuerda floja]]></source>
<year>2014</year>
<publisher-name><![CDATA[Universidad Diego Portales]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solano]]></surname>
<given-names><![CDATA[A. F.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Manos de diamante]]></article-title>
<source><![CDATA[Buen Salvaje]]></source>
<year>2015</year>
<volume>2</volume>
<page-range>24-7</page-range></nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solano]]></surname>
<given-names><![CDATA[A. F.]]></given-names>
</name>
</person-group>
<source><![CDATA[Cementerios de neón]]></source>
<year>2016</year>
<publisher-name><![CDATA[Tusquets-Planeta]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solano]]></surname>
<given-names><![CDATA[A. F.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Manos de diamante]]></article-title>
<source><![CDATA[Universo Centro]]></source>
<year>2018</year>
<volume>102</volume>
<page-range>20-3</page-range></nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solano]]></surname>
<given-names><![CDATA[A. F.]]></given-names>
</name>
</person-group>
<source><![CDATA[Los días de la fiebre: Corea del Sur, el país que desafió al virus]]></source>
<year>2020</year>
<publisher-name><![CDATA[Planeta]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Tripodi]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Leer y escribir a contrapelo]]></article-title>
<source><![CDATA[Perfil]]></source>
<year>2020</year>
<page-range>10-1</page-range></nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Watkins]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Introducción]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Dazai]]></surname>
<given-names><![CDATA[O.]]></given-names>
</name>
</person-group>
<source><![CDATA[El ocaso]]></source>
<year>2004</year>
<page-range>7-9</page-range><publisher-name><![CDATA[Txalaparta]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B39">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wolfe]]></surname>
<given-names><![CDATA[A. S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Suicidal Narrative in Modern Japan: The Case of Dazai Osamu]]></source>
<year>1990</year>
<publisher-name><![CDATA[Princeton University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B40">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Yamagiwa]]></surname>
<given-names><![CDATA[J. K.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Fiction in Post-War Japan]]></article-title>
<source><![CDATA[The Far Eastern Quarterly]]></source>
<year>1953</year>
<volume>13</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>3-22</page-range></nlm-citation>
</ref>
<ref id="B41">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Yamagiwa]]></surname>
<given-names><![CDATA[J. K.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Old and New in Twentieth Century Japanese Literature]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Frenz]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
<name>
<surname><![CDATA[Anderson]]></surname>
<given-names><![CDATA[G. L.]]></given-names>
</name>
</person-group>
<source><![CDATA[Indiana University Conference on Oriental-Western Literary Relations]]></source>
<year>1955</year>
<page-range>87-104</page-range><publisher-name><![CDATA[The University of North Carolina]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B42">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Yiu]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Okuizumi Hikaru and the Mystery of War Memory]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Stahl]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
<name>
<surname><![CDATA[Williams]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Imag(in)ing the War in Japan: Representing and Responding to Trauma in Postwar Literature and Film]]></source>
<year>2010</year>
<page-range>137-59</page-range><publisher-name><![CDATA[Brill]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
