<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-2538</journal-id>
<journal-title><![CDATA[Valenciana]]></journal-title>
<abbrev-journal-title><![CDATA[Valenciana]]></abbrev-journal-title>
<issn>2007-2538</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Guanajuato, Departamentos de Filosofía y de Letras Hispánicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-25382022000100031</article-id>
<article-id pub-id-type="doi">10.15174/rv.v14i29.525</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Entre el orden y la disrupción: la escritura de Clarice Lispector en &#8216;A menor mulher do mundo&#8217;]]></article-title>
<article-title xml:lang="en"><![CDATA[Between Order and Disruption: the Writing of Clarice Lispector in &#8220;A menor mulher do mundo&#8221;]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Choi]]></surname>
<given-names><![CDATA[Eunha]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Pistacchio Hernández]]></surname>
<given-names><![CDATA[Romina]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Legislatura del Estado de California  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>USA</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad de Chile  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Chile</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<volume>15</volume>
<numero>29</numero>
<fpage>31</fpage>
<lpage>55</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-25382022000100031&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-25382022000100031&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-25382022000100031&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen La obra de Clarice Lispector ha sido calificada como posmoderna, modernista, metaliteraria y vanguardista, denominaciones que resaltan el carácter transgresor de los juegos lingüísticos y estilísticos que prevalecen en su ficción. Muchos han enfatizado cómo su estética tiende a desdibujar los límites de lo representable, a quebrar el decir y su sentido. Si bien este trabajo no objeta estas perspectivas críticas pretende ampliarlas enfocándose en la constitución material y sensible de su escritura. Este estudio se centra en &#8220;A menor mulher do mundo&#8221; para demostrar cómo la escritura de Lispector se estructura a partir de un ejercicio de acoplamiento en el que continuidades y disrupciones insisten sobre el carácter vacilante de su estética. Nuestro análisis examina cuatro momentos del cuento donde la dinámica de la vacilación permite a su escritura no solo configurarse como un espacio en el que el significado es desafiado sino, sobre todo, constituirse como un montaje de elementos sensibles que expresan sin necesariamente decir.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Clarice Lispector&#8217;s work has been described as postmodern, modernist, materialist, avant-garde: classifications that highlight how transgressive the language and stylistic play in her fiction has proven. Many have emphasized how her aesthetics tends to efface the limits of what can be represented, to fracture what can be said and its meaning. While this article doesn&#8217;t object to the predominant critique of Lispector&#8217;s work, it seeks to amplify it by focusing on the material and sensuous constitution of her writing. The analysis concentrates on &#8220;A menor mulher do mundo&#8221; to show how Lispector&#8217;s writing is predicated on assembling continuities and disruptions that insist on the vacillating quality of her aesthetics. Thus, we examine four key moments in the short story in which vacillation configures her writing as a space in which meaning is no only defied, but also constituted as an assemblage of sensuous elements that express without necessarily saying.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Clarice Lispector]]></kwd>
<kwd lng="es"><![CDATA[&#8220;A menor mulher do mundo&#8221;]]></kwd>
<kwd lng="es"><![CDATA[la escritura de lo sensible]]></kwd>
<kwd lng="es"><![CDATA[materialidad de la escritura]]></kwd>
<kwd lng="es"><![CDATA[voz enunciativa]]></kwd>
<kwd lng="en"><![CDATA[Clarice Lispector]]></kwd>
<kwd lng="en"><![CDATA[&#8220;A meno mulher do mundo&#8221;]]></kwd>
<kwd lng="en"><![CDATA[The writing of the sensible]]></kwd>
<kwd lng="en"><![CDATA[The materiality of writing]]></kwd>
<kwd lng="en"><![CDATA[Speaking voice]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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