<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-2538</journal-id>
<journal-title><![CDATA[Valenciana]]></journal-title>
<abbrev-journal-title><![CDATA[Valenciana]]></abbrev-journal-title>
<issn>2007-2538</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Guanajuato, Departamentos de Filosofía y de Letras Hispánicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-25382015000100083</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[De cómo y cuándo el arte dejó de ser sólido]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Cohen Dabah]]></surname>
<given-names><![CDATA[Esther]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>MX</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2015</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2015</year>
</pub-date>
<volume>8</volume>
<numero>15</numero>
<fpage>83</fpage>
<lpage>96</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-25382015000100083&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-25382015000100083&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-25382015000100083&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[El presente trabajo parte de la noción de "modernidad líquida" de Zygmunt Bauman para proponer que el periodo de las vanguardias del siglo XX es el punto de partida de la liquidificación de las condiciones del arte.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[This paper departs from the notion of "liquid modernity" of Zygmunt Bauman to suggest that the avant-garde period of the twentieth century is the starting point of the liquidification of art conditions.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[modernidad líquida]]></kwd>
<kwd lng="es"><![CDATA[vanguardias]]></kwd>
<kwd lng="es"><![CDATA[violencia]]></kwd>
<kwd lng="es"><![CDATA[desperdicio humano]]></kwd>
<kwd lng="en"><![CDATA[Liquid modernity]]></kwd>
<kwd lng="en"><![CDATA[Avant-garde]]></kwd>
<kwd lng="en"><![CDATA[Violence]]></kwd>
<kwd lng="en"><![CDATA[Human waste]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
