<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-2538</journal-id>
<journal-title><![CDATA[Valenciana]]></journal-title>
<abbrev-journal-title><![CDATA[Valenciana]]></abbrev-journal-title>
<issn>2007-2538</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Guanajuato, Departamentos de Filosofía y de Letras Hispánicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-25382009000200069</article-id>
<article-id pub-id-type="doi">10.15174/rv.v0i4.244</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Tinísima como collage lingüístico: la estética dialógica de Elena Poniatowska]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Loisel]]></surname>
<given-names><![CDATA[Clary]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Montana  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>USA</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2009</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2009</year>
</pub-date>
<volume>2</volume>
<numero>4</numero>
<fpage>69</fpage>
<lpage>85</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-25382009000200069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-25382009000200069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-25382009000200069&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En la primera parte de este artículo se comenta la multiplicidad lingüística y formal de Tinísima, de Elena Poniatowska. En la segunda, se analiza cómo las secuelas de la vida caótica de Tina Modotti, como una mujer seductora, carismática y trabajadora, la dejan vacía y sin un verdadero sentido de sí misma. Asimismo se cuestiona la reinvención repetida de Modotti, su auto-identificación mediante su amor, y el control y sentido de identidad que establece temporalmente por medio de la fotografía.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The first part of this article explores the multiplicity of language and form in the novel Tinísima, by Elena Poniatowska. The second half will explore how the aftermath of Tina Modotti&#8217;s chaotic life as a seductive, charismatic, workaholic young woman, as reflected in Poniatowska&#8217;s narrative choices, leaves Modotti empty and lacking a true sense of self. It will also question Modotti&#8217;s repeated reinvention of herself, her self-identification through her love, and the control and sense of identity she temporarily achieves through photography.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Tinísima]]></kwd>
<kwd lng="es"><![CDATA[Poniatowska]]></kwd>
<kwd lng="es"><![CDATA[Bajtín]]></kwd>
<kwd lng="es"><![CDATA[Modotti]]></kwd>
<kwd lng="es"><![CDATA[multiplicidad]]></kwd>
<kwd lng="en"><![CDATA[Tinísima]]></kwd>
<kwd lng="en"><![CDATA[Poniatowska]]></kwd>
<kwd lng="en"><![CDATA[Bajtín]]></kwd>
<kwd lng="en"><![CDATA[Modotti]]></kwd>
<kwd lng="en"><![CDATA[multiplicity]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
