<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-249X</journal-id>
<journal-title><![CDATA[Intervención (México DF)]]></journal-title>
<abbrev-journal-title><![CDATA[Intervención (Méx. DF)]]></abbrev-journal-title>
<issn>2007-249X</issn>
<publisher>
<publisher-name><![CDATA[Instituto Nacional de Antropología e Historia, Escuela Nacional de Conservación, Restauración y Museografía]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-249X2025000100047</article-id>
<article-id pub-id-type="doi">10.30763/intervencion.310.v1n31.89.2025</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Desarrollo de estilos tecnológicos para la producción de esculturas ecuestres monumentales]]></article-title>
<article-title xml:lang="en"><![CDATA[Development of Technological Styles to Produce Monumental Equestrian Sculptures]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Contreras Vargas]]></surname>
<given-names><![CDATA[Jannen]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Instituto Nacional de Antropología e Historia Escuela Nacional de Conservación, Restauración y Museografía ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2025</year>
</pub-date>
<volume>16</volume>
<numero>31</numero>
<fpage>47</fpage>
<lpage>105</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-249X2025000100047&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-249X2025000100047&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-249X2025000100047&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Con base en información de archivos, fuentes historiográficas, bibliografía y caracterizaciones realizadas en proyectos profesionales de conservación -en particular, El Caballito (escultura ecuestre de Carlos IV ubicada en Ciudad de México), obra del escultor y arquitecto Manuel Tolsá-, este texto examina la evolución de los estilos tecnológicos empleados en la producción de esculturas ecuestres monumentales de aleaciones de cobre mediante la técnica de fundición a la cera perdida en Occidente, desde el Renacimiento hasta el siglo XIX. Analiza los orígenes de la cera perdida, la producción en partes, la consolidación de la fundición en una sola colada como estilo tecnológico dominante (1699 hasta inicios del siglo XIX) y, de forma breve, el inicio de la producción ensamblada en México y los Estados Unidos, así como el desarrollo de la soldadura, durante el siglo XIX. El objetivo es evitar suposiciones equivocadas que puedan afectar la evaluación, interpretación histórica y construcción de decisiones relacionadas de conservación-restauración para estas esculturas.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Based on archival information, historiographic sources, bibliography, and characterizations carried out in professional conservation projects -in particular, El Caballito, by sculptor and architect Manuel Tolsá- this article examines the evolution of the technological styles used in the production of monumental equestrian sculptures made of copper alloys using the lost-wax casting technique in the Western world, from the Renaissance to the 19th century. It analyzes the origins of lost wax, piece molding, and the consolidation of the single-casting technique as the dominant technological style (1699 to early 19th century). It also briefly looks at the introduction of assembled production in Mexico and the United States, and the development of welding during the 19th century. It aims to avoid mistaken assumptions that may compromise the evaluation, historical interpretation, and decision-making related to the conservation and restoration of these sculptures.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[estilo tecnológico]]></kwd>
<kwd lng="es"><![CDATA[fundición]]></kwd>
<kwd lng="es"><![CDATA[escultura ecuestre]]></kwd>
<kwd lng="es"><![CDATA[cera perdida]]></kwd>
<kwd lng="es"><![CDATA[Tolsá]]></kwd>
<kwd lng="en"><![CDATA[technological style]]></kwd>
<kwd lng="en"><![CDATA[casting]]></kwd>
<kwd lng="en"><![CDATA[equestrian sculpture]]></kwd>
<kwd lng="en"><![CDATA[lost wax]]></kwd>
<kwd lng="en"><![CDATA[Tolsá]]></kwd>
</kwd-group>
</article-meta>
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