<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-249X</journal-id>
<journal-title><![CDATA[Intervención (México DF)]]></journal-title>
<abbrev-journal-title><![CDATA[Intervención (Méx. DF)]]></abbrev-journal-title>
<issn>2007-249X</issn>
<publisher>
<publisher-name><![CDATA[Instituto Nacional de Antropología e Historia, Escuela Nacional de Conservación, Restauración y Museografía]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-249X2018000200006</article-id>
<article-id pub-id-type="doi">10.30763/intervencion.2018.17.196</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El fragmento, la memoria y el disegno en I quattro libri dell&#8217;architettura de Andrea Palladio: tradición, invención e innovación]]></article-title>
<article-title xml:lang="en"><![CDATA[The Fragment, Memory and Disegno in Andrea Palladio&#8217;s I quattro libri dell&#8217;architettura: Tradition, Invention and Innovation]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Solís Rebolledo]]></surname>
<given-names><![CDATA[Gabriela]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México Facultad de Arquitectura Centro de Investigaciones en Arquitectura, Urbanismo y Paisaje]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2018</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2018</year>
</pub-date>
<volume>9</volume>
<numero>18</numero>
<fpage>6</fpage>
<lpage>20</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-249X2018000200006&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-249X2018000200006&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-249X2018000200006&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: En la teoría arquitectónica del Cinquecento se fundamentó el proceso creativo a partir del principio italiano de disegno. Con base en ello, el propósito de este estudio se centra en la reflexión de dicha concepción en la teoría, arquitectura y dibujos de Andrea Palladio, con énfasis en el estrecho vínculo entre tradición e innovación. Ese aspecto ha sido poco estudiado respecto de la noción humanista del disegno, por lo que es necesario llevar a cabo no sólo una investigación bajo el marco de la teoría arquitectónica palladiana, sino también un estudio sobre el legado de la Antigüedad en dicho arquitecto como patrimonio material e inmaterial en relación con la trascendencia de las ideas y como referencia conceptual para su pensamiento y su arquitectura. Con ello se indagará si el concepto de disegno puede plantearse como modelo paradigmático del proceso proyectual de la forma respecto de la invención arquitectónica, la afinidad electiva y la estética de la empatía en la arquitectura.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: In Cinquecento architectural theory, the creative process was based on the Italian principle of disegno. On this basis, the purpose of this study is to reflect on this conception in the theory, architecture, and drawings of Andrea Palladio, placing emphasis on the narrow link between tradition and innovation. There are few studies regarding this aspect concerning the humanist notion of disegno. Thus, it is not only necessary to carry out research in the framework of Palladian architectural theory, but also a study on the legacy of Antiquity in said architect as tangible and intangible heritage related to the transcendence of ideas and as conceptual reference for his thinking and architecture. With this, we will investigate whether the concept of disegno can be considered a paradigmatic model of the design process of form with respect to architectural invention, elective affinity, and the aesthetics of empathy in architecture.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Andrea Palladio]]></kwd>
<kwd lng="es"><![CDATA[arquitectura]]></kwd>
<kwd lng="es"><![CDATA[diseño]]></kwd>
<kwd lng="es"><![CDATA[fragmento]]></kwd>
<kwd lng="es"><![CDATA[memoria]]></kwd>
<kwd lng="es"><![CDATA[Italia]]></kwd>
<kwd lng="en"><![CDATA[Andrea Palladio]]></kwd>
<kwd lng="en"><![CDATA[architecture]]></kwd>
<kwd lng="en"><![CDATA[design]]></kwd>
<kwd lng="en"><![CDATA[fragment]]></kwd>
<kwd lng="en"><![CDATA[memory]]></kwd>
<kwd lng="en"><![CDATA[Italy]]></kwd>
</kwd-group>
</article-meta>
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