<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2007-249X</journal-id>
<journal-title><![CDATA[Intervención (México DF)]]></journal-title>
<abbrev-journal-title><![CDATA[Intervención (Méx. DF)]]></abbrev-journal-title>
<issn>2007-249X</issn>
<publisher>
<publisher-name><![CDATA[Instituto Nacional de Antropología e Historia, Escuela Nacional de Conservación, Restauración y Museografía]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2007-249X2015000200101</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Coleccionar para construir nación. Una reseña del libro Collecting Mexico: Museums, Monuments, and the Creation of National Identity, de Shelley E. Garrigan]]></article-title>
<article-title xml:lang="en"><![CDATA[Collecting to Build Nation. A Review of Collecting Mexico: Museums, Monuments, and the Creation of National Identity, by Shelley Garrigan]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rincón Pantano]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="A01">
<institution><![CDATA[,Instituto Nacional de Antropología e Historia Escuela Nacional de Conservación, Restauración y Museografía ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2015</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2015</year>
</pub-date>
<volume>6</volume>
<numero>12</numero>
<fpage>101</fpage>
<lpage>106</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2007-249X2015000200101&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2007-249X2015000200101&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2007-249X2015000200101&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Reseña del libro Collecting Mexico: Museums, Monuments, and the Creation of National Identity, de Shelley E. Garrigan (2012), publicado por la University of Minnesota Press (UMN, Universidad de Minesota, Estados Unidos de América [EUA]), el cual explora los mecanismos de representación de lo nacional asociados con la consolidación de colecciones, la producción de objetos artísticos, el estudio de piezas arqueológicas y su relación dialéctica con los paradigmas eurocéntricos de la modernidad y los valores del mercado -esto es, la existente entre mercado y patrimonio-, la cual constituye el núcleo central de la obra. A lo largo de los primeros cuatro capítulos, desentraña las lógicas que configuraron el canon pictórico oficial, un conjunto de estatuaria pública, una feria comercial y -fundamental- el aprovechamiento de la estadística (que se revisa en el capítulo final), todo ello para generar un paradigma social y político que vino a rematar el proceso de construcción de la identidad nacional mexicana emprendido durante el Porfiriato. La argumentación se dirige a demostrar cómo México se reinventó desde la cultura y el patrimonio - evidenciando, como he dicho, la relación intrínseca entre estos dos valores-, en un movimiento que a un tiempo representa una afirmación hegemónica hacia el interior y una articulación con el mercado internacional.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The book Collecting México: Museums, Monuments, and the Creation of National Identity by Shelley Garrigan (2012), published by the University of Minnesota Press (UMN, United States of America [USA]) explores the mechanisms of representation of the Mexican national spirit associated with the construction of public collections, the production of art pieces, the study of archaeological objects and its relationship with Eurocentric paradigms of modernity and market values. This dialectic relationship between heritage and market is the key idea of the text, which is elaborated throughout four chapters that unravel the logics underlying the construction of four phenomena: an official artistic canon, a group of public statues, a commercial world fair, and -in the final chapter- the assembly of a body of statistical data. All these cases show the construction of a new social-political paradigm that concluded the national-identity building process implemented by the Porfirian regime. The author seeks to demonstrate how Mexico reinvented itself through culture and heritage by a twofold movement of -inwards- hegemonic affirmation and of -outwards- linking with the global market. This movement reflects the intrinsic relationship between cultural and commercial values.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[museos]]></kwd>
<kwd lng="es"><![CDATA[colecciones públicas]]></kwd>
<kwd lng="es"><![CDATA[identidad nacional]]></kwd>
<kwd lng="es"><![CDATA[mercado internacional]]></kwd>
<kwd lng="es"><![CDATA[México]]></kwd>
<kwd lng="en"><![CDATA[museums]]></kwd>
<kwd lng="en"><![CDATA[public collections]]></kwd>
<kwd lng="en"><![CDATA[national identity]]></kwd>
<kwd lng="en"><![CDATA[international market]]></kwd>
<kwd lng="en"><![CDATA[Mexico]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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