<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1665-1200</journal-id>
<journal-title><![CDATA[Tópicos del Seminario]]></journal-title>
<abbrev-journal-title><![CDATA[Tóp. Sem]]></abbrev-journal-title>
<issn>1665-1200</issn>
<publisher>
<publisher-name><![CDATA[Benemérita Universidad Autónoma de Puebla, Seminario de Estudios de la Significación]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1665-12002023000200161</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Bildwissenschaft y cultura visual digital]]></article-title>
<article-title xml:lang="en"><![CDATA[Bildwissenschaft and Digital Visual Culture]]></article-title>
<article-title xml:lang="fr"><![CDATA[Bildwissenschaft et la culture visuelle numérique]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Martínez Luna]]></surname>
<given-names><![CDATA[Sergio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional de Educación a Distancia  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2023</year>
</pub-date>
<numero>50</numero>
<fpage>161</fpage>
<lpage>178</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S1665-12002023000200161&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S1665-12002023000200161&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S1665-12002023000200161&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El artículo analiza algunas de las principales líneas de investigación de la ciencia de la imagen alemana (Bildwissenschaft) en el contexto de las transformaciones de la cultura digital y su impacto en la condición actual de la imagen. Después de hacer una comparación entre las aproximaciones de los estudios visuales anglosajones y de la Bildwissenschaft a la cultura visual y a la imagen, se resumen los enfoques de tres de los teóricos más destacados de este campo de estudio: Gottfried Boehm, Horst Bredekamp y Hans Belting. Finalmente se estudia el alcance de los desarrollos teóricos de estos pensadores para abordar la cultura visual digital, atendiendo a las cuestiones del concepto de imagen, de la agencia icónica y de los medios.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article analyses some of the main lines of research in German image science (Bildwissenschaft) in the context of the transformations of digital culture and their impact on the contemporary status of the image. After a comparison between the approaches of Anglo-Saxon visual studies and Bildwissenschaft to visual culture and image, the approaches of three of the most prominent theorists in this field of study - Gottfried Boehm, Horst Bredekamp and Hans Belting - are summarized. Finally, the scope of the theoretical developments of these thinkers for dealing with digital visual culture is assessed, by addressing the questions of the concept of image, iconic agency, and media.]]></p></abstract>
<abstract abstract-type="short" xml:lang="fr"><p><![CDATA[Résumé L'article analyse certains des principaux axes de recherche de la science allemande de l'image (Bildwissenschaft) dans le contexte des transformations de la culture numérique et de leur impact sur le statut actuel de l'image. Après une comparaison entre les approches de la culture visuelle et de l'image des études visuelles anglo-saxonnes et de la Bildwissenschaft, les approches de trois des théoriciens les plus éminents de ce domaine d'étude - Gottfried Boehm, Horst Bredekamp et Hans Belting - sont résumées. Enfin, la portée des développements théoriques de ces penseurs pour traiter de la culture visuelle numérique est explorée, en abordant les questions du concept d'image, de l'agence iconique et des médias.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Bildwissenschaft]]></kwd>
<kwd lng="es"><![CDATA[cultura digital]]></kwd>
<kwd lng="es"><![CDATA[imagen]]></kwd>
<kwd lng="es"><![CDATA[agencia icónica]]></kwd>
<kwd lng="es"><![CDATA[medios]]></kwd>
<kwd lng="en"><![CDATA[Bildwissenschaft]]></kwd>
<kwd lng="en"><![CDATA[digital culture]]></kwd>
<kwd lng="en"><![CDATA[image]]></kwd>
<kwd lng="en"><![CDATA[iconic agency]]></kwd>
<kwd lng="en"><![CDATA[media]]></kwd>
<kwd lng="fr"><![CDATA[Bildwissenschaft]]></kwd>
<kwd lng="fr"><![CDATA[culture numérique]]></kwd>
<kwd lng="fr"><![CDATA[image]]></kwd>
<kwd lng="fr"><![CDATA[agence iconique]]></kwd>
<kwd lng="fr"><![CDATA[médias]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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