<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1665-1200</journal-id>
<journal-title><![CDATA[Tópicos del Seminario]]></journal-title>
<abbrev-journal-title><![CDATA[Tóp. Sem]]></abbrev-journal-title>
<issn>1665-1200</issn>
<publisher>
<publisher-name><![CDATA[Benemérita Universidad Autónoma de Puebla, Seminario de Estudios de la Significación]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1665-12002020000200029</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Posmemoria, traducción y montaje del recuerdo]]></article-title>
<article-title xml:lang="en"><![CDATA[Post-memory, translation and the montage of memory]]></article-title>
<article-title xml:lang="fr"><![CDATA[Postmémoire, traduction et construction du souvenir]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Panico]]></surname>
<given-names><![CDATA[Mario]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Bolonia  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Italy</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<numero>44</numero>
<fpage>29</fpage>
<lpage>49</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S1665-12002020000200029&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S1665-12002020000200029&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S1665-12002020000200029&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El objetivo de este trabajo es mostrar cómo la posmemoria, es decir, el proceso de transmisión generacional de un recuerdo, está estrechamente ligado a los conceptos de traducción y de reescritura. Para confirmar esta tesis el autor se sirve del análisis del documental El silencio es un cuerpo que cae (2017), escrito y dirigido por la cineasta argentina Agustina Comedi. El producto, un ejemplo de found footage, que utiliza como material de partida las filmaciones familiares amateurs, entrelaza memorias privadas y memorias colectivas con reflexiones sobre las distintas modalidades &#8212;no clásicamente familiares&#8212; de la transmisión generacional en torno a la memoria de la homosexualidad.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The aim of this article is to demonstrate how post-memory, that is, the process of generational transmission of memory, is closely linked to the concepts of translation and re-writing. To confirm this argumentation, the author analyses the documentary El silencio es un cuerpo que cae (2017), written and directed by the Argentinian filmmaker Agustina Comedi. The movie, an example of found footage, using amateur home movies of her family, intertwines private and collective memories with reflections on the new, possible and different modalities to transmit the memory of homosexuality across generations.]]></p></abstract>
<abstract abstract-type="short" xml:lang="fr"><p><![CDATA[Résumé L&#8217;objectif de cet article est de montrer que la post-mémoire, en tant que processus de transmission transgénérationnelle d&#8217;un souvenir, est étroitement liée aux concepts de traduction et de réécriture. Pour étayer cette hypothèse, l&#8217;auteur propose une analyse du documentaire El silencio es un cuerpo que cae (2017), de la réalisatrice argentine Agustina Comedi. Ce film, un exemple de found footage, qui utilise comme matériau de base des enregistrements familiaux amateurs, associe les mémoires individuelles et collectives à une réflexion sur les différentes modalités &#8212;non nécessairement familiales, contrairement à la conception traditionnelle&#8212; de la transmission générationnelle autour de la mémoire de l&#8217;homosexualité.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[posmemoria]]></kwd>
<kwd lng="es"><![CDATA[filmaciones de familia]]></kwd>
<kwd lng="es"><![CDATA[traducción]]></kwd>
<kwd lng="en"><![CDATA[postmemory]]></kwd>
<kwd lng="en"><![CDATA[home movies]]></kwd>
<kwd lng="en"><![CDATA[translation]]></kwd>
<kwd lng="fr"><![CDATA[post-mémoire]]></kwd>
<kwd lng="fr"><![CDATA[vidéos de famille]]></kwd>
<kwd lng="fr"><![CDATA[traduction]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Amado]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[La imagen justa: cine argentino y política (1980-2007)]]></source>
<year>2009</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Colihue]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bertozzi]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Recycled cinema. Immagini perdute, visioni ritrovate]]></source>
<year>2012</year>
<publisher-loc><![CDATA[Venecia ]]></publisher-loc>
<publisher-name><![CDATA[Marsilio]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bertrand]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<source><![CDATA[Basi di semiotica letteraria]]></source>
<year>2002</year>
<publisher-loc><![CDATA[Roma ]]></publisher-loc>
<publisher-name><![CDATA[Meltemi]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bourdieu]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La definizione sociale della fotografia]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Bourdieu]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[La fotografia. Usi e funzioni sociali di un&#8217;arte media]]></source>
<year>1972</year>
<publisher-loc><![CDATA[Rimini ]]></publisher-loc>
<publisher-name><![CDATA[Guaraldi]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cati]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Immagini della memoria. Teorie e Pratiche del ricordo tra testimonianza, genealogia, documentari]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Milán ]]></publisher-loc>
<publisher-name><![CDATA[Mimesis Edizioni]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[De Lauretis]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Queer Theory: Lesbian and Gay Sexualities - An Introduction]]></article-title>
<source><![CDATA[Differences: a Journal of Feminist Cultural Studies]]></source>
<year>1991</year>
<volume>3</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>iii-xviii</page-range></nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Demaria]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Semiotica e Memoria. Analisi del post-conflitto]]></source>
<year>2006</year>
<publisher-loc><![CDATA[Roma ]]></publisher-loc>
<publisher-name><![CDATA[Carocci]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Demaria]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Documentary turn? La cultura visuale, il documentario e la testimonianza del &#8220;reale&#8221;]]></article-title>
<source><![CDATA[Studi Culturali]]></source>
<year>2011</year>
<volume>7</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>155-76</page-range></nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Demaria]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Il trauma, l&#8217;archivio e il testimone. La semiotica, il documentario e la rappresentazione del &#8220;reale&#8221;]]></source>
<year>2012</year>
<publisher-loc><![CDATA[Bolonia ]]></publisher-loc>
<publisher-name><![CDATA[BUP]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Dusi]]></surname>
<given-names><![CDATA[N.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Introduzione. Per una ridefinizione della traduzione intersemiotica]]></article-title>
<source><![CDATA[Versus. Quaderni di studi semiotici, monografico: La traduzione intersemiotica]]></source>
<year>2000</year>
<numero>85-86-87</numero>
<issue>85-86-87</issue>
<page-range>3-54</page-range></nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Eco]]></surname>
<given-names><![CDATA[U.]]></given-names>
</name>
</person-group>
<source><![CDATA[Trattato di Semiotica Generale]]></source>
<year>1975</year>
<publisher-loc><![CDATA[Milán ]]></publisher-loc>
<publisher-name><![CDATA[Bompiani]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Eco]]></surname>
<given-names><![CDATA[U.]]></given-names>
</name>
</person-group>
<source><![CDATA[Semiotica e filosofia del linguaggio]]></source>
<year>1984</year>
<publisher-loc><![CDATA[Turín ]]></publisher-loc>
<publisher-name><![CDATA[Einaudi]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Eco]]></surname>
<given-names><![CDATA[U.]]></given-names>
</name>
</person-group>
<source><![CDATA[Kant e l&#8217;ornitorinco]]></source>
<year>1997</year>
<publisher-loc><![CDATA[Milán ]]></publisher-loc>
<publisher-name><![CDATA[Bompiani]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Eco]]></surname>
<given-names><![CDATA[U.]]></given-names>
</name>
</person-group>
<source><![CDATA[Dire quasi la stessa cosa]]></source>
<year>2003</year>
<publisher-loc><![CDATA[Milán ]]></publisher-loc>
<publisher-name><![CDATA[Bompiani]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Eco]]></surname>
<given-names><![CDATA[U.]]></given-names>
</name>
</person-group>
<source><![CDATA[A passo di Gambero]]></source>
<year>2006</year>
<publisher-loc><![CDATA[Milán ]]></publisher-loc>
<publisher-name><![CDATA[Bompiani]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Eco]]></surname>
<given-names><![CDATA[U.]]></given-names>
</name>
</person-group>
<source><![CDATA[Dall&#8217;albero al Labirinto Studi Storici sul Segno e l&#8217;Interpretazione]]></source>
<year>2007</year>
<publisher-loc><![CDATA[Milán ]]></publisher-loc>
<publisher-name><![CDATA[Bompiani]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Estay Stange]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
</person-group>
<source><![CDATA[Semiótica y Postmemoria]]></source>
<year>2018</year>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Goldfine]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La postmemoria del silencio: Transmisio&#769;n truncada y elipsis tangibles en la obra de Manuela Fingueret y Sergio Chejfec]]></article-title>
<source><![CDATA[E.I.A.L.]]></source>
<year>2015</year>
<volume>26</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>91-110</page-range></nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Halbwachs]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Les cadres sociaux de la mémoire]]></source>
<year>1925</year>
<publisher-loc><![CDATA[París ]]></publisher-loc>
<publisher-name><![CDATA[Alcan]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Halbwachs]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[La mémoire collective]]></source>
<year>1950</year>
<publisher-loc><![CDATA[París ]]></publisher-loc>
<publisher-name><![CDATA[PUF]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hirsch]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Family Frames: Photography, Narrative, and Postmemory]]></source>
<year>2002</year>
<publisher-loc><![CDATA[Cambridge, Mass ]]></publisher-loc>
<publisher-name><![CDATA[Harvard University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hirsch]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Generation of Postmemory: Writing and Visual Culture After the Holocaust]]></source>
<year>2012</year>
<publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[CUP]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jakobson]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[Essais de linguistique générale]]></source>
<year>1963</year>
<publisher-loc><![CDATA[París ]]></publisher-loc>
<publisher-name><![CDATA[Editions de Minuit]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kuhn]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Memory Texts and Memory Work: Performances of Memory in and with Visual Media]]></article-title>
<source><![CDATA[Memory Studies]]></source>
<year>2010</year>
<volume>3</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>298-313</page-range></nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Landsberg]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Prosthetic Memory. The Transformation of American Remembrance in the Age of Mass Culture]]></source>
<year>2004</year>
<publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Columbia University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lazzara]]></surname>
<given-names><![CDATA[M. J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Pinochet&#8217;s Cadaver as Ruin and Palimpsest]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Lazzara]]></surname>
<given-names><![CDATA[M. J.]]></given-names>
</name>
<name>
<surname><![CDATA[Unruh]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
</person-group>
<source><![CDATA[Tellin Ruins in Latin America]]></source>
<year>2009</year>
<page-range>121-34</page-range><publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Palgrave Macmillan]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lorusso]]></surname>
<given-names><![CDATA[A. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Semiotica della Cultura]]></source>
<year>2010</year>
<publisher-loc><![CDATA[Roma; Bari ]]></publisher-loc>
<publisher-name><![CDATA[Laterza]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lotman]]></surname>
<given-names><![CDATA[J. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Introduzione alla semiotica del cinema]]></source>
<year>1979</year>
<publisher-loc><![CDATA[Roma ]]></publisher-loc>
<publisher-name><![CDATA[Officina]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lotman]]></surname>
<given-names><![CDATA[J. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[La semiosfera. L&#8217;asimmetria e il dialogo nelle strutture pensanti]]></source>
<year>1985</year>
<publisher-loc><![CDATA[Venecia ]]></publisher-loc>
<publisher-name><![CDATA[Marsilio]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lotman]]></surname>
<given-names><![CDATA[J. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[La cultura e l&#8217;esplosione]]></source>
<year>1993</year>
<publisher-loc><![CDATA[Milán ]]></publisher-loc>
<publisher-name><![CDATA[Feltrinelli]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lotman]]></surname>
<given-names><![CDATA[J. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Cercare la strada. Modelli della cultura]]></source>
<year>1994</year>
<publisher-loc><![CDATA[Venecia ]]></publisher-loc>
<publisher-name><![CDATA[Marsilio]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lotman]]></surname>
<given-names><![CDATA[J. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Tesi per una semiotica delle culture. A cura di Franciscu Sedda]]></source>
<year>2006</year>
<publisher-loc><![CDATA[Roma ]]></publisher-loc>
<publisher-name><![CDATA[Meltemi]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lotman]]></surname>
<given-names><![CDATA[J. M.]]></given-names>
</name>
<name>
<surname><![CDATA[Uspenskij]]></surname>
<given-names><![CDATA[Boris A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Tipologia della cultura]]></source>
<year>1975</year>
<publisher-loc><![CDATA[Milán ]]></publisher-loc>
<publisher-name><![CDATA[Bompiani]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Maguire]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Politics of Postmemory: Violence and Victimhood in Contemporary Argentine Culture]]></source>
<year>2017</year>
<publisher-loc><![CDATA[Basingstoke ]]></publisher-loc>
<publisher-name><![CDATA[Palgrave Macmillan]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Marrone]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[L&#8217;invenzione del testo]]></source>
<year>2010</year>
<publisher-loc><![CDATA[Roma; Bari ]]></publisher-loc>
<publisher-name><![CDATA[Laterza]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Marin]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<source><![CDATA[Politiques de la repre&#769;sentation]]></source>
<year>2005</year>
<publisher-loc><![CDATA[París ]]></publisher-loc>
<publisher-name><![CDATA[Kime&#769;]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mazzucchelli]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<source><![CDATA[Urbicidio. Il senso dei luoghi tra distruzioni e ricostruzioni in ex-Jugoslavia]]></source>
<year>2010</year>
<publisher-loc><![CDATA[Bolonia ]]></publisher-loc>
<publisher-name><![CDATA[BUP]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nouzeilles]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Postmemory Cinema and the Future of the Past in Albertina Carri&#8217;s Los Rubios]]></article-title>
<source><![CDATA[Journal of Latin American Cultural Studies]]></source>
<year>2005</year>
<volume>14</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>263-78</page-range></nlm-citation>
</ref>
<ref id="B39">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Osimo]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
</person-group>
<source><![CDATA[Manuale di Traduzione di Juri Lotman]]></source>
<year>2018</year>
<publisher-loc><![CDATA[Pavia ]]></publisher-loc>
<publisher-name><![CDATA[Blonk]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B40">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pezzini]]></surname>
<given-names><![CDATA[I.]]></given-names>
</name>
</person-group>
<source><![CDATA[Immagini quotidiane. Sociosemiotica visuale]]></source>
<year>2008</year>
<publisher-loc><![CDATA[Roma ]]></publisher-loc>
<publisher-name><![CDATA[Laterza]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B41">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Raczymow]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Memory Shot Through with Holes]]></article-title>
<source><![CDATA[Yale French Studies]]></source>
<year>1994</year>
<volume>85</volume>
<page-range>98-105</page-range></nlm-citation>
</ref>
<ref id="B42">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ric&#339;ur]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Ricordare, dimenticare, perdonare. L&#8217;enigma del passato]]></source>
<year>2004</year>
<publisher-loc><![CDATA[Bolonia ]]></publisher-loc>
<publisher-name><![CDATA[Il Mulino]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B43">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ros]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Post-Dictatorship Generation in Argentina, Chile, and Uruguay: Collective Memory and Cultural Production]]></source>
<year>2012</year>
<publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Palgrave Macmillan]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B44">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Salerno]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Closet, the Terror, the Archive: Confession and Testimony in LGTB Memories of Argentine State Terrorism]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Sharman]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Grass Kleiner]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Lorusso]]></surname>
<given-names><![CDATA[A. M.]]></given-names>
</name>
<name>
<surname><![CDATA[Savoini]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<source><![CDATA[MemoSur/MemoSouth. Memory, Commemoration and Trauma in Post-Dictatorship Argentina and Chile]]></source>
<year>2017</year>
<page-range>181-94</page-range><publisher-loc><![CDATA[Londres ]]></publisher-loc>
<publisher-name><![CDATA[Critical, Cultural and Communication Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B45">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Salerno]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Per una semiotica degli eventi. Analisi del caso &#8220;Ustica&#8221;]]></article-title>
<source><![CDATA[Ocula]]></source>
<year>2018</year>
<numero>19</numero>
<issue>19</issue>
</nlm-citation>
</ref>
<ref id="B46">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sarlo]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
</person-group>
<source><![CDATA[Tiempo pasado. Cultura de la memoria y giro subjetivo. Una discusión]]></source>
<year>2005</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Siglo XXI]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B47">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sedda]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Introduzione. Imperfette traduzioni]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Sedda]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<source><![CDATA[Lotman, J.M. Tesi per una semiotica delle culture]]></source>
<year>2006</year>
<page-range>7-68</page-range><publisher-loc><![CDATA[Roma ]]></publisher-loc>
<publisher-name><![CDATA[Meltemi]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B48">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sosa]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Queering Acts of Mourning in the Aftermath of Argentina&#8217;s Dictatorship: The Mothers of Plaza de Mayo and Los Rubios (2003)]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Druliolle]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
<name>
<surname><![CDATA[Lessa]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Memory of State Terrorism in the Southern Cone: Argentina, Chile, and Uruguay]]></source>
<year>2011</year>
<page-range>63-85</page-range><publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Palgrave Macmillan]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B49">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Violi]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Narrazioni del se&#769; fra autobiografia e testimonianza]]></article-title>
<source><![CDATA[E/C, Rivista on-line dell&#8217;AISS]]></source>
<year>2009</year>
<page-range>1-17</page-range></nlm-citation>
</ref>
<ref id="B50">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Violi]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Paesaggi della Memoria. Il Trauma, lo Spazio, la Storia]]></source>
<year>2014</year>
<publisher-loc><![CDATA[Milán ]]></publisher-loc>
<publisher-name><![CDATA[Bompiani]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B51">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Volli]]></surname>
<given-names><![CDATA[U.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Dalla censura alla semioetica]]></article-title>
<source><![CDATA[Lexia. Rivista di semiotica]]></source>
<year>2015</year>
<numero>21-22</numero>
<issue>21-22</issue>
<page-range>15-31</page-range></nlm-citation>
</ref>
<ref id="B52">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Young]]></surname>
<given-names><![CDATA[J.E.]]></given-names>
</name>
</person-group>
<source><![CDATA[Memory&#8217;s Edge]]></source>
<year>2000</year>
<publisher-loc><![CDATA[New Haven ]]></publisher-loc>
<publisher-name><![CDATA[Yale University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B53">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Zucconi]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Dagli home movies al found footage cinema. Sulle tracce della cultura visuale domestica]]></article-title>
<source><![CDATA[Lares]]></source>
<year>2014</year>
<volume>80</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>569-82</page-range></nlm-citation>
</ref>
<ref id="B54">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Carri]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Ellsworth]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
<name>
<surname><![CDATA[Céspedes]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Los rubios]]></source>
<year>2003</year>
<publisher-loc><![CDATA[Argentina; Estados Unidos ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B55">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Comedi]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Maristany]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[El silencio es un cuerpo que cae]]></source>
<year>2017</year>
<publisher-loc><![CDATA[Argentina ]]></publisher-loc>
<publisher-name><![CDATA[El Calefón]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B56">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Di Tella]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Ditella]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Di Tella]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<source><![CDATA[La televisión y yo (notas en una libreta)]]></source>
<year></year>
<publisher-loc><![CDATA[Argentina ]]></publisher-loc>
<publisher-name><![CDATA[Cine Ojo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B57">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Roqué]]></surname>
<given-names><![CDATA[M. I.]]></given-names>
</name>
<name>
<surname><![CDATA[Montiel]]></surname>
<given-names><![CDATA[Gustavo]]></given-names>
</name>
</person-group>
<source><![CDATA[Papá Iván]]></source>
<year>2000</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Centro de Capacitación Cinematográfica]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
