<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1665-1200</journal-id>
<journal-title><![CDATA[Tópicos del Seminario]]></journal-title>
<abbrev-journal-title><![CDATA[Tóp. Sem]]></abbrev-journal-title>
<issn>1665-1200</issn>
<publisher>
<publisher-name><![CDATA[Benemérita Universidad Autónoma de Puebla, Seminario de Estudios de la Significación]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1665-12002019000200125</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Del manierismo epistemológico al manierismo estético. Algunas propuestas y ejemplos para una exploración fenomenológica del espacio del juego artístico]]></article-title>
<article-title xml:lang="fr"><![CDATA[Du maniérisme épistémologique au maniérisme esthétique. Plusieurs propositions et exemples pour une exploration phénoménologique de l&#8217;espace du jeu artistique]]></article-title>
<article-title xml:lang="en"><![CDATA[From Epistemological to Aesthetic Mannerism. Some Propositions and a Few Examples for a Phenomenological Investigation of the Artistic Space]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Lobo]]></surname>
<given-names><![CDATA[Carlos Alberto]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Colegio Internacional de Filosofía de París  ]]></institution>
<addr-line><![CDATA[Paris ]]></addr-line>
<country>Francia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2019</year>
</pub-date>
<numero>42</numero>
<fpage>125</fpage>
<lpage>164</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S1665-12002019000200125&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S1665-12002019000200125&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S1665-12002019000200125&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Partiendo del concepto de manierismo epistemológico y matemático, en este artículo se desarrolla la idea de que esta denominación puede ser aplicada no sólo a la fenomenología de la conciencia de la imagen, sino a la experiencia estética misma, en particular la pictórica. Se aborda particularmente el pensamiento de Riemann sobre el espacio y el concepto de variedad del mismo autor, el cual se pone en relación con las modalidades en sentido fenomenológico. De particular interés son el sentido de variación y transformación. Después se discute la conciencia de un objeto estético en la fenomenología husserliana a partir del concepto de inactualidad, mediante el cual se suspende radicalmente la toma de posición.]]></p></abstract>
<abstract abstract-type="short" xml:lang="fr"><p><![CDATA[Résumé : En partant du concept du maniérisme épistémologique et mathématique, cet article développe l&#8217;idée que cette dénomination puisse être appliquée non seulement à la phénoménologie de la conscience de l&#8217;image, mais encore à l&#8217;expérience esthétique même, spécialement à l&#8217;expérience picturale. On y aborde en particulier la pensée de Riemann sur l&#8217;espace et le concept de variété du même auteur qui se met lui-même en relation avec les modalités au sens phénoménologique. Un intérêt tout particulier sera porté au sens de variation et de transformation. Postérieurement, la discussion traitera la conscience d&#8217;un objet esthétique dans la phénoménologie husserlienne à partir du concept d&#8217;inactualité par lequel la prise de position est radicalement suspendue.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: Starting from the concept of epistemological and mathematical Mannerism developed in a previous work, I postulate that this denomination can be applied fruitfully not only to the phenomenology of image-consciousness, but also to the phenomenology of aesthetic experience itself, and more specifically of pictorial experience. As suggested by Husserl, the concepts of variety of modes, of variation and of transformation must be understood indeed in connection with Riemann&#8217;s thought about space and the concept of manifold? By doing so, we get a better understanding of the manifolds of modalities or manners explored by phenomenology. By exploring the manifolds of modes or manners, their correlative modifications and the way they are combined with a specific modification of neutrality through which the affective and belief position-takings are suspended, we step into the phenomenology of aesthetic consciousness.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[manera]]></kwd>
<kwd lng="es"><![CDATA[manierismo]]></kwd>
<kwd lng="es"><![CDATA[modo]]></kwd>
<kwd lng="es"><![CDATA[modalidad]]></kwd>
<kwd lng="es"><![CDATA[fenomenología]]></kwd>
<kwd lng="es"><![CDATA[variedad]]></kwd>
<kwd lng="es"><![CDATA[Riemann]]></kwd>
<kwd lng="es"><![CDATA[experiencia estética]]></kwd>
<kwd lng="fr"><![CDATA[manière]]></kwd>
<kwd lng="fr"><![CDATA[maniérisme]]></kwd>
<kwd lng="fr"><![CDATA[mode]]></kwd>
<kwd lng="fr"><![CDATA[modalité]]></kwd>
<kwd lng="fr"><![CDATA[phénoménologie]]></kwd>
<kwd lng="fr"><![CDATA[variété]]></kwd>
<kwd lng="fr"><![CDATA[Riemann]]></kwd>
<kwd lng="fr"><![CDATA[expérience esthétique]]></kwd>
<kwd lng="en"><![CDATA[manner]]></kwd>
<kwd lng="en"><![CDATA[mannerism]]></kwd>
<kwd lng="en"><![CDATA[mode]]></kwd>
<kwd lng="en"><![CDATA[modality]]></kwd>
<kwd lng="en"><![CDATA[phenomenology]]></kwd>
<kwd lng="en"><![CDATA[variety]]></kwd>
<kwd lng="en"><![CDATA[Riemann]]></kwd>
<kwd lng="en"><![CDATA[aesthetic experience]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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