<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0188-6649</journal-id>
<journal-title><![CDATA[Tópicos (México)]]></journal-title>
<abbrev-journal-title><![CDATA[Tópicos (México)]]></abbrev-journal-title>
<issn>0188-6649</issn>
<publisher>
<publisher-name><![CDATA[Universidad Panamericana, Facultad de Filosofía]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0188-66492021000200195</article-id>
<article-id pub-id-type="doi">10.21555/top.v0i61.1181</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Antes del aura: el fundamento de la pintura según Walter Benjamin]]></article-title>
<article-title xml:lang="en"><![CDATA[Before Aura: The Foundation of Painting According to Walter Benjamin]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Luelmo Jareño]]></surname>
<given-names><![CDATA[José María de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universitat Politècnica de València  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2021</year>
</pub-date>
<numero>61</numero>
<fpage>195</fpage>
<lpage>225</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0188-66492021000200195&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0188-66492021000200195&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0188-66492021000200195&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Aunque en su obra tardía Walter Benjamin parece emplear la pintura de manera accesoria -ya como contrafigura aurática, ya como víctima propiciatoria de la imagen técnica-, las alusiones al medio que pautan su trayectoria evidencian la importancia que posee en el conjunto de su reflexión estética e incluso en la configuración de su teoría del lenguaje. De especial relevancia para fijar la cuestión es el ensayo inédito de juventud &#8220;Sobre la pintura, o: el signo y la mancha&#8221;, donde se establecen los rasgos generales de su idea de la pintura, pero también otros escritos del mismo periodo que, aun abordando tangencialmente la materia, la modelan en mayor o menor grado y determinan su alcance general.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract While in his late works Walter Benjamin seems to employ painting in an accessory way -either as an auratic counterfigure, or as a propitiatory victim of the technical image-, the allusions to the medium that guide his trajectory show its importance in the whole of his aesthetic reflection and even in the development of his theory of language. Especially relevant to understanding the general features of his idea of painting is the unpublished youth essay &#8220;On Painting, or Sign and Mark&#8221;, as well as other writings of the same period that, although address the matter tangentially, shape it to a greater or lesser degree and determine its general scope.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Walter Benjamin]]></kwd>
<kwd lng="es"><![CDATA[pintura]]></kwd>
<kwd lng="es"><![CDATA[lenguaje]]></kwd>
<kwd lng="es"><![CDATA[imagen]]></kwd>
<kwd lng="es"><![CDATA[aura]]></kwd>
<kwd lng="en"><![CDATA[Walter Benjamin]]></kwd>
<kwd lng="en"><![CDATA[painting]]></kwd>
<kwd lng="en"><![CDATA[language]]></kwd>
<kwd lng="en"><![CDATA[image]]></kwd>
<kwd lng="en"><![CDATA[aura]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Framing Pictures, Transcending Marks: Walter Benjamin&#8217;s Paintings, or Signs and Marks]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Rice]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Walter Benjamin and the Architecture of Modernity]]></source>
<year>2009</year>
<page-range>229-43</page-range><publisher-name><![CDATA[Re-press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<source><![CDATA[Haschisch]]></source>
<year>1974</year>
<publisher-name><![CDATA[Taurus]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ammerkungen der Herausgeber]]></article-title>
<source><![CDATA[Gesammelte Schriften]]></source>
<year>1977</year>
<page-range>1412-5</page-range><publisher-name><![CDATA[Suhrkamp]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
<name>
<surname><![CDATA[Scholem]]></surname>
<given-names><![CDATA[I. G.]]></given-names>
</name>
<name>
<surname><![CDATA[Adorno]]></surname>
<given-names><![CDATA[T. W.]]></given-names>
</name>
</person-group>
<source><![CDATA[Briefe]]></source>
<year>1978</year>
<publisher-name><![CDATA[Suhrkamp]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
<name>
<surname><![CDATA[Tiedemann]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Schweppenhäuser]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<source><![CDATA[Gesammelte Schriften]]></source>
<year>1991</year>
<publisher-name><![CDATA[Suhrkamp]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
<name>
<surname><![CDATA[Oyarzún]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[La dialéctica en suspenso. Fragmentos sobre la historia]]></source>
<year>1997</year>
<publisher-name><![CDATA[ARCIS]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
<name>
<surname><![CDATA[Fernández]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
<name>
<surname><![CDATA[Herrera]]></surname>
<given-names><![CDATA[I.]]></given-names>
</name>
<name>
<surname><![CDATA[Guerrero]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<source><![CDATA[Libro de los Pasajes]]></source>
<year>2005</year>
<publisher-name><![CDATA[Akal]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[El concepto de crítica de arte en el Romanticismo alemán]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Brotons]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro I]]></source>
<year>2006</year>
<page-range>7-122</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<source><![CDATA[Walter Benjamins Archive. Bilder, Texte und Zeichen]]></source>
<year>2006</year>
<publisher-name><![CDATA[Suhrkamp]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Hacia la crítica de la violencia]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro II]]></source>
<year>2007</year>
<page-range>183-206</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sobre el lenguaje en cuanto tal y sobre el lenguaje del hombre]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro II]]></source>
<year>2007</year>
<page-range>144-62</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sobre la facultad mimética]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro II]]></source>
<year>2007</year>
<page-range>213-6</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La obra de arte en la época de su reproductibilidad técnica]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Brotons]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro I]]></source>
<year>2008</year>
<page-range>11-85</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Pintura y dibujo]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro II]]></source>
<year>2009</year>
<page-range>211</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sobre la pintura, o: el signo y la mancha]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro II]]></source>
<year>2009</year>
<page-range>212-6</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Calle de dirección única]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro IV]]></source>
<year>2010</year>
<page-range>23-89</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Infancia en Berlín hacia el mil novecientos]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Navarro]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro IV]]></source>
<year>2010</year>
<page-range>177-247</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Benjamin]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sobre la estética (1919-36)]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Brotons]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Obras. Libro VI]]></source>
<year>2017</year>
<page-range>141-67</page-range><publisher-name><![CDATA[Abada]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bois]]></surname>
<given-names><![CDATA[Y.-A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Painting as Model]]></source>
<year>1990</year>
<publisher-name><![CDATA[MIT Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bruno]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
<name>
<surname><![CDATA[Granada]]></surname>
<given-names><![CDATA[M. A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Expulsión de la bestia triunfante]]></source>
<year>1989</year>
<publisher-name><![CDATA[Alianza]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bulthaup]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Materialen zu Benjamins Über den Begriff der Geschichte. Beitrage und Interpretationen]]></source>
<year>1975</year>
<publisher-name><![CDATA[Suhrkamp]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cheng]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
<name>
<surname><![CDATA[Hernández]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Delmont]]></surname>
<given-names><![CDATA[J. L.]]></given-names>
</name>
</person-group>
<source><![CDATA[Vacío y plenitud. El lenguaje de la pintura china]]></source>
<year>2004</year>
<publisher-name><![CDATA[Siruela]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cixous]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
<name>
<surname><![CDATA[Bassas]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
<name>
<surname><![CDATA[Masó]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Poetas en pintura]]></source>
<year>2010</year>
<publisher-name><![CDATA[Ellago]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Deleuze]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Pintura. El concepto de diagrama]]></source>
<year>2007</year>
<publisher-name><![CDATA[Cactus]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[De Luelmo]]></surname>
<given-names><![CDATA[J. M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Carl Einstein y el umbral heurístico de la pintura]]></article-title>
<source><![CDATA[Daimon. Revista Internacional de Filosofía]]></source>
<year>2014</year>
<numero>61</numero>
<issue>61</issue>
<page-range>23-37</page-range></nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[De Luelmo]]></surname>
<given-names><![CDATA[J. M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Desvelar lo visible. Merleau-Ponty y el aprendizaje por la pintura]]></article-title>
<source><![CDATA[Arte, Individuo y Sociedad]]></source>
<year>2018</year>
<volume>1</volume>
<numero>30</numero>
<issue>30</issue>
<page-range>29-41</page-range></nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Einstein]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
<name>
<surname><![CDATA[Kahnweiler]]></surname>
<given-names><![CDATA[D.-H.]]></given-names>
</name>
</person-group>
<source><![CDATA[Correspondance. 1921-1939]]></source>
<year>1993</year>
<publisher-name><![CDATA[André Dimanche]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Eggelhöfer]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
<name>
<surname><![CDATA[Keller]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Teoría de la configuración pictórica]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Eggelhöfer]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
<name>
<surname><![CDATA[Keller]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Paul Klee. Maestro de la Bauhaus]]></source>
<year>2013</year>
<publisher-name><![CDATA[Fundación Juan March]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gelhard]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<source><![CDATA[Ist die Kultur erwacht? Benjamin und die Malerei]]></source>
<year>2014</year>
<publisher-name><![CDATA[Passagen]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jennings]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Dialectical Images. Walter Benjamin&#8217;s Theory of Literary Criticism]]></source>
<year>1987</year>
<publisher-name><![CDATA[Cornell University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jullien]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
<name>
<surname><![CDATA[Galvany]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[La gran imagen no tiene forma, o: del no-objeto por la pintura]]></source>
<year>2008</year>
<publisher-name><![CDATA[Alpha Decay]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kandinsky]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
<name>
<surname><![CDATA[Palma]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<source><![CDATA[De lo espiritual en el arte]]></source>
<year>1979</year>
<publisher-name><![CDATA[Premià]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kobry]]></surname>
<given-names><![CDATA[Y.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Walter Benjamin et le langage]]></article-title>
<source><![CDATA[Revue d&#8217;esthétique]]></source>
<year>1990</year>
<page-range>175-80</page-range></nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lindner]]></surname>
<given-names><![CDATA[B.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Alegoría]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Opitz]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Wizisla]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
<name>
<surname><![CDATA[Belforte]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Vedda]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Conceptos de Walter Benjamin]]></source>
<year>2014</year>
<page-range>17-82</page-range><publisher-name><![CDATA[Las cuarenta]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Löwy]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Pons]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<source><![CDATA[Walter Benjamin. Aviso de incendio]]></source>
<year>2003</year>
<publisher-name><![CDATA[Fondo de Cultura Económica]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Scholem]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
<name>
<surname><![CDATA[Jarque]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
</person-group>
<source><![CDATA[Walter Benjamin. Historia de una amistad]]></source>
<year>1987</year>
<publisher-name><![CDATA[Península]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Scholem]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Tagebücher: nebst Aufsätzen und Entwürfen bis 1923]]></source>
<year>2000</year>
<publisher-name><![CDATA[Jüdischer Verlag]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Scholem]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
<name>
<surname><![CDATA[Ibarlucía]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
<name>
<surname><![CDATA[Carugati]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<source><![CDATA[Walter Benjamin y su ángel]]></source>
<year>2003</year>
<publisher-name><![CDATA[.). Fondo de Cultura Económica]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B39">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Von Goethe]]></surname>
<given-names><![CDATA[J. W.]]></given-names>
</name>
</person-group>
<source><![CDATA[Johann Wolfgang von Goethe. Paisajes]]></source>
<year>2008</year>
<publisher-name><![CDATA[Círculo de Bellas Artes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B40">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Weigel]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
<name>
<surname><![CDATA[Amícola]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Cuerpo, imagen y espacio en Walter Benjamin. Una relectura]]></source>
<year>1999</year>
<publisher-name><![CDATA[Paidós]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
