<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0188-2546</journal-id>
<journal-title><![CDATA[Literatura mexicana]]></journal-title>
<abbrev-journal-title><![CDATA[Lit. mex]]></abbrev-journal-title>
<issn>0188-2546</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Filológicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0188-25462021000100069</article-id>
<article-id pub-id-type="doi">10.19130/iifl.litmex.2021.1.26853</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Del dominio de los fundamentos de la comedia de buenas costumbres a la práctica exitosa: Contigo pan y cebolla (1833) de Manuel Eduardo de Gorostiza]]></article-title>
<article-title xml:lang="en"><![CDATA[From the mastery of the foundations of the comedy of good manners to the succesful practice: Contigo pan y cebolla (1833) by Manuel Eduardo de Gorostiza]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Cantero García]]></surname>
<given-names><![CDATA[Víctor]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Pablo de Olavide  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2021</year>
</pub-date>
<volume>32</volume>
<numero>1</numero>
<fpage>69</fpage>
<lpage>95</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0188-25462021000100069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0188-25462021000100069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0188-25462021000100069&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Hasta el presente, tanto los estudiosos del teatro español del siglo XVIII como la crítica teatral, han considerado a Manuel Eduardo de Gorostiza (1789-1857) un dramaturgo menor. En la presente colaboración pretendemos demostrar que tal aserto no se atiene a la verdad. Mediante un estudio contrastivo entre El señorito mimado (1787) de Tomás de Iriarte y Contigo pan y cebolla (1833) de Gorostiza, evidenciamos que éste alcanzó renombre como autor de comedias de buenas costumbres por méritos propios, y no por ser un mero seguidor de las pautas de la comedia neoclásica establecidas por Nicolás Fernández de Moratín y afianzadas por Tomás de Iriarte. En esencia, los contenidos y argumentos expuestos en el presente artículo son una prueba manifiesta de que Gorostiza dio a luz comedias que alcanzaron un éxito de público y crítica que le hacen merecedor de ocupar un puesto relevante tanto entre los ilustrados liberales de origen hispano como entre los autores de comedias de buenas costumbres.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: Until now, eighteenth-century Spanish theater scholars and critics have considered Manuel Eduardo de Gorostiza (1789-1857) a minor playwright. In the present collaboration we intend to demonstrate that such an assertion does not conform to the truth. Through a contrastive study between El señorito mimado (1787) by Tomás de Iriarte and Contigo pan y cebolla (1833) by Gorostiza, we mean to show that the latter one became a renowned author of comedies of good manners on his own merits and not for being a mere follower of the guidelines of the neoclassical comedy established by Nicolás Fernandez de Moratín and consolidated by Tomás de Iriarte. In essence, the contents and arguments set forth in this article are clear evidence that Gorostiza conceived comedies that achieved a public and critical acclaim and made him worthy of occupying a relevant position both among the enlightened liberals of Hispanic origin as well as among the authors of comedies of good manners.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[comedia]]></kwd>
<kwd lng="es"><![CDATA[buenas costumbres]]></kwd>
<kwd lng="es"><![CDATA[teatro neoclásico]]></kwd>
<kwd lng="es"><![CDATA[análisis contrastivo]]></kwd>
<kwd lng="en"><![CDATA[Good manners]]></kwd>
<kwd lng="en"><![CDATA[Neoclasiccal theater]]></kwd>
<kwd lng="en"><![CDATA[Constrastive analysis]]></kwd>
</kwd-group>
</article-meta>
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