<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0188-2546</journal-id>
<journal-title><![CDATA[Literatura mexicana]]></journal-title>
<abbrev-journal-title><![CDATA[Lit. mex]]></abbrev-journal-title>
<issn>0188-2546</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Filológicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0188-25462016000200073</article-id>
<article-id pub-id-type="doi">10.19130/iifl.litmex.27.2.2016.922</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Octavio Paz y el Surrealismo]]></article-title>
<article-title xml:lang="en"><![CDATA[Octavio Paz and Surrealism]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Meyer-Minnemann]]></surname>
<given-names><![CDATA[Klaus]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universität Hamburg  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Germany</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2016</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2016</year>
</pub-date>
<volume>27</volume>
<numero>2</numero>
<fpage>73</fpage>
<lpage>95</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0188-25462016000200073&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0188-25462016000200073&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0188-25462016000200073&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: La aproximación de Octavio Paz al Surrealismo, la que, después de un primer rechazo total, empieza a manifestarse en el poemario Libertad bajo palabra, de 1949, es bien sabida. Esta aproximación, que por un momento se convierte en adhesión al grupo parisino de André Breton, llega a un punto culminante con la publicación del ensayo "El surrealismo" en Las peras del olmo, de 1957. El presente trabajo se propone esclarecer las características tanto ideológicas como teórico-literarias de esta aproximación en el pensamiento de Paz sobre la base de los conceptos de libertad, amor y poesía, los que Paz hace suyos, recurriendo al ensayo Arcano 17 de Breton. No obstante, la aproximación de Paz al Surrealismo no se da sin algunas reservas, de las cuales destacan la crítica de la exaltación de la figura del marqués de Sade y de la concepción de la escritura automática, en la cual Paz advierte una destrucción de la instancia del yo poético que haría obsoleto el ejercicio de la actividad poética.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The approach of Octavio Paz to Surrealism, which initially after a total disapproval becomes evident in the book of poems of Libertad bajo palabra from 1949, is well known. This approach, turning for a moment into an adherence to the group of André Breton in Paris, culminates in the publication of the essay "El surrealismo" in Las peras del olmo from 1957. The present article aims to illuminate the ideological as well as theoretical-literary characteristics of this approach in the thinking of Paz on the ground of the concepts of freedom, love and poetry, which Paz adopts from the essay Arcane 17 by Breton. However, the approach to Surrealism by Paz does not take place without some reticence, which can be seen clearly in the criticism of the exaltation of the person of the Marquis de Sade and the concept of automatic writing, in which Paz recognizes a destruction of the idea of the poetic self, capable to make the practice of poetic activity obsolete.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Octavio Paz]]></kwd>
<kwd lng="es"><![CDATA[aproximación al Surrealismo]]></kwd>
<kwd lng="es"><![CDATA[libertad, amor, poesía]]></kwd>
<kwd lng="es"><![CDATA[marqués de Sade]]></kwd>
<kwd lng="es"><![CDATA[escritura automática]]></kwd>
<kwd lng="en"><![CDATA[Octavio Paz]]></kwd>
<kwd lng="en"><![CDATA[approach to Surrealism]]></kwd>
<kwd lng="en"><![CDATA[freedom, love, poetry]]></kwd>
<kwd lng="en"><![CDATA[Marquis de Sade]]></kwd>
<kwd lng="en"><![CDATA[automatic writing]]></kwd>
</kwd-group>
</article-meta>
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