<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0188-2546</journal-id>
<journal-title><![CDATA[Literatura mexicana]]></journal-title>
<abbrev-journal-title><![CDATA[Lit. mex]]></abbrev-journal-title>
<issn>0188-2546</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Filológicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0188-25462015000100011</article-id>
<article-id pub-id-type="doi">10.19130/iifl.litmex.26.1.2015.777</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El modelo de la espiral armónica de sor Juana: entre el pitagorismo y la modernidad]]></article-title>
<article-title xml:lang="en"><![CDATA[The model of the Harmonic Spiral of Sor Juana: between Pythagorism and Modernity]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Olivares Zorrilla]]></surname>
<given-names><![CDATA[Rocío]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="A01">
<institution><![CDATA[,UNAM Facultad de Filosofía y Letras ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2015</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2015</year>
</pub-date>
<volume>26</volume>
<numero>1</numero>
<fpage>11</fpage>
<lpage>39</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0188-25462015000100011&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0188-25462015000100011&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0188-25462015000100011&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[El universo vivo del Renacimiento, con todo su legado de la Antigüedad y de la Edad Media, tuvo una expresión novohispana en las postrimerías de su extensión barroca: sor Juana Inés de la Cruz. En este trabajo se ensayará una semblanza del magisterio de Marsilio Ficino sobre la concepción universal simpática y pneumática de sor Juana, sus sentidos ocultos y las resonancias en su obra de otros ingenios de los siglos XV al XVII, que no fueron sólo poetas, filósofos o teólogos, sino también músicos y compositores. Si bien gozamos ya de excelentes estudios sobre este aspecto musical de sor Juana, todavía hay zonas inexploradas de la relación filosófica y espiritual que sor Juana estableció con el arte musical. Además de pasajes no comentados en relación con ella de Pietro Cerone, exploraré también sus paralelos con Franchino Gaffurio y Bartolomé Ramos Pareja.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[The living universe of Renaissance, with its legacy from the Antiquity and the Middle Ages, had an Early Mexican expression in the late Renaissance or Baroque period: sor Juana Inés de la Cruz. In this paper I will essay an account of Marsilio Ficino's teachings on sor Juana's concept of a sympathetic and pneumatic universe, and of the hidden meanings and echoes in her writings from other accomplished creators from the 15th to the 17th centuries who were not only poets, philosophers or theologians, but also musicians and composers. Although we have already been able to read excellent essays on the musical features in sor Juana's work, there are still uninvestigated areas concerning the philosophical and spiritual relationship that she established with the musical art. Besides commenting overlooked passages by Pietro Cerone which are relevant regarding sor Juana, I will also explore the parallels between her and Franchino Gaffurio and Bartolomé Ramos Pareja.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Sor Juana Inés de la Cruz]]></kwd>
<kwd lng="es"><![CDATA[música]]></kwd>
<kwd lng="es"><![CDATA[armonía]]></kwd>
<kwd lng="es"><![CDATA[pitagorismo]]></kwd>
<kwd lng="es"><![CDATA[universo]]></kwd>
<kwd lng="es"><![CDATA[pneuma]]></kwd>
<kwd lng="es"><![CDATA[Jámblico]]></kwd>
<kwd lng="es"><![CDATA[Ficino]]></kwd>
<kwd lng="es"><![CDATA[Ramos Pareja]]></kwd>
<kwd lng="es"><![CDATA[Gaffurio]]></kwd>
<kwd lng="es"><![CDATA[Francisco Salinas]]></kwd>
<kwd lng="es"><![CDATA[Cerone]]></kwd>
<kwd lng="es"><![CDATA[temperamentos]]></kwd>
<kwd lng="en"><![CDATA[Sor Juana Inés de la Cruz]]></kwd>
<kwd lng="en"><![CDATA[music]]></kwd>
<kwd lng="en"><![CDATA[harmony]]></kwd>
<kwd lng="en"><![CDATA[pythagorism]]></kwd>
<kwd lng="en"><![CDATA[universe]]></kwd>
<kwd lng="en"><![CDATA[pneuma]]></kwd>
<kwd lng="en"><![CDATA[Iamblichus]]></kwd>
<kwd lng="en"><![CDATA[Ficino]]></kwd>
<kwd lng="en"><![CDATA[Ramos Pareja]]></kwd>
<kwd lng="en"><![CDATA[Gaffurio]]></kwd>
<kwd lng="en"><![CDATA[Francisco Salinas]]></kwd>
<kwd lng="en"><![CDATA[Cerone]]></kwd>
<kwd lng="en"><![CDATA[temperaments]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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