<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0188-252X</journal-id>
<journal-title><![CDATA[Comunicación y sociedad]]></journal-title>
<abbrev-journal-title><![CDATA[Comun. soc]]></abbrev-journal-title>
<issn>0188-252X</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Guadalajara, Departamento de Estudios de la Comunicación Social]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0188-252X2022000100505</article-id>
<article-id pub-id-type="doi">10.32870/cys.v2022.8312</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Feminidad y neoliberalismo en las series televisivas españolas de éxito durante la crisis económica (2008-2015)]]></article-title>
<article-title xml:lang="en"><![CDATA[Femininity and neoliberalism in popular Spanish television series during the economic recession (2008-2015)]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Gómez-Puertas]]></surname>
<given-names><![CDATA[Lorena]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Besaú Casademont]]></surname>
<given-names><![CDATA[Reinald]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Pompeu Fabra  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad Pompeu Fabra  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<volume>19</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0188-252X2022000100505&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0188-252X2022000100505&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0188-252X2022000100505&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo evalúa los modelos de subjetividad femenina en las series españolas más vistas en el periodo de crisis económica como relatos interpretativos de las tensiones ideológicas subyacentes a un contexto donde se replantea el rol de la mujer. El análisis cualitativo, aplicado a diez coprotagonistas de estas ficciones, muestra personajes femeninos carentes de liderazgo y proactividad en la esfera pública, cuyas competencias naturales se circunscriben a la resiliencia para adaptarse a la austeridad sobrevenida, y que actúan como contraposición moral del emprendedor masculino, reactualizando estereotipos de género en el imaginario neoliberal.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo avalia os modelos de subjetividade feminina nas séries espanholas mais assistidas no período de crise econômica, como histórias interpretativas das tensões ideológicas subjacentes em um contexto em que o papel da mulher é reconsiderado. A análise qualitativa aplicada a dez co-estrelas dessas ficções mostra personagens femininas carentes de liderança e proatividade na esfera pública, cujas habilidades naturais se limitam à resiliência para se adaptar à austeridade superveniente, e que atuam como contraponto moral ao empresário masculino, atualização de estereótipos de gênero no imaginário neoliberal.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article studies the models of female subjectivity in the most viewed Spanish TV series during the period of economic recession, as interpretive accounts of the ideological tensions underlying a context that rethinks the role of women. The qualitative analysis, applied to ten coprotagonists of these fictions, shows that female characters lack leadership and proactivity in the public sphere, their natural competencies are limited to resilience for adapting to the applied austerity measures, and they act as a moral contrast to the male entrepreneur as gender stereotypes are updated in the neoliberal imaginary.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Ficción televisiva]]></kwd>
<kwd lng="es"><![CDATA[género]]></kwd>
<kwd lng="es"><![CDATA[neoliberalismo]]></kwd>
<kwd lng="es"><![CDATA[crisis]]></kwd>
<kwd lng="es"><![CDATA[España]]></kwd>
<kwd lng="pt"><![CDATA[Ficção televisiva]]></kwd>
<kwd lng="pt"><![CDATA[gênero]]></kwd>
<kwd lng="pt"><![CDATA[neoliberalismo]]></kwd>
<kwd lng="pt"><![CDATA[crise]]></kwd>
<kwd lng="pt"><![CDATA[Espanha]]></kwd>
<kwd lng="en"><![CDATA[TV fiction]]></kwd>
<kwd lng="en"><![CDATA[gender]]></kwd>
<kwd lng="en"><![CDATA[neoliberalism]]></kwd>
<kwd lng="en"><![CDATA[recession]]></kwd>
<kwd lng="en"><![CDATA[Spain]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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