<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0188-252X</journal-id>
<journal-title><![CDATA[Comunicación y sociedad]]></journal-title>
<abbrev-journal-title><![CDATA[Comun. soc]]></abbrev-journal-title>
<issn>0188-252X</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Guadalajara, Departamento de Estudios de la Comunicación Social]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0188-252X2022000100302</article-id>
<article-id pub-id-type="doi">10.32870/cys.v2022.8299</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Activismo del fandom Limantha en Twitter: análisis de la competencia mediática en la discusión de las causas sociales]]></article-title>
<article-title xml:lang="en"><![CDATA[Limantha fandom activism on Twitter: media competence analysis about social issues discussions]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Borges]]></surname>
<given-names><![CDATA[Gabriela]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Sigiliano]]></surname>
<given-names><![CDATA[Daiana]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad del Algarve  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad Federal de Juiz de Fora  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<volume>19</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0188-252X2022000100302&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0188-252X2022000100302&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0188-252X2022000100302&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo busca discutir la relación entre competencia mediática y cultura fan, teniendo como objeto de análisis las producciones del ship Limantha de la telenovela brasileña Malhação: Viva a Diferença en Twitter. Para reflexionar sobre cómo se exploraron los temas sociales de la telenovela en el contenido compartido en Twitter, adoptamos el concepto de competencia mediática de Ferrés y Piscitelli. Concluimos que, además de profundizar en los temas abordados en la trama, los fanáticos expandieron y resignificaron las discusiones a partir de correlaciones con relatos personales.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo procura discutir as relações entre a competência midiática e a cultura de fãs tendo como objeto de análise as produções compartilhadas no Twitter pelos fãs do ship Limantha, telenovela brasileira Malhação: Viva a Diferença. Para refletirmos como as causas sociais abordadas na trama estiveram presentes com conteúdos publicados no Twitter adotamos o enquadramento teórico-metodológico de análise das dimensões da competência midiática proposto por Ferrés e Piscitelli. Concluímos que além de aprofundar os temas tratados na trama, os fãs ampliavam e ressignificavam as discussões a partir correlações com relatos pessoais.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This paper intends to discuss the relationship between media competence and fan culture, focusing on content creation shared on Twitter by fans of the Limantha ship, from the Brazilian telenovela Young Hearts (Malhação: Viva a Diferença). In order to reflect on how telenovela social issues were explored in the content shared on Twitter, we adopted Ferrés and Piscitelli&#8217;s concept of media competence. We concluded that, in addition to deepening themes dealt within the plot, fans expanded and resignified discussions based on correlations with personal reports.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Cultura de fans]]></kwd>
<kwd lng="es"><![CDATA[competencia mediática]]></kwd>
<kwd lng="es"><![CDATA[activismo]]></kwd>
<kwd lng="es"><![CDATA[telenovela]]></kwd>
<kwd lng="es"><![CDATA[público infantil y juvenil]]></kwd>
<kwd lng="pt"><![CDATA[Cultura de fãs]]></kwd>
<kwd lng="pt"><![CDATA[competência midiática]]></kwd>
<kwd lng="pt"><![CDATA[ativismo]]></kwd>
<kwd lng="pt"><![CDATA[telenovela]]></kwd>
<kwd lng="pt"><![CDATA[público infanto-juvenil]]></kwd>
<kwd lng="en"><![CDATA[Fan Culture]]></kwd>
<kwd lng="en"><![CDATA[media competence]]></kwd>
<kwd lng="en"><![CDATA[activism]]></kwd>
<kwd lng="en"><![CDATA[telenovela]]></kwd>
<kwd lng="en"><![CDATA[children and youth audience]]></kwd>
</kwd-group>
</article-meta>
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