<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0188-252X</journal-id>
<journal-title><![CDATA[Comunicación y sociedad]]></journal-title>
<abbrev-journal-title><![CDATA[Comun. soc]]></abbrev-journal-title>
<issn>0188-252X</issn>
<publisher>
<publisher-name><![CDATA[Universidad de Guadalajara, Departamento de Estudios de la Comunicación Social]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0188-252X2020000100118</article-id>
<article-id pub-id-type="doi">10.32870/cys.v2020.7561</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Fanfiction como adaptación: el caso de El Fantasma de la Ópera]]></article-title>
<article-title xml:lang="en"><![CDATA[Fanfic as adaptation: The Phantom of the Opera case]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Greco]]></surname>
<given-names><![CDATA[Clarice]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Lopes]]></surname>
<given-names><![CDATA[Maria Immacolata Vassallo de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Paulista  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade de São Paulo  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<volume>17</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0188-252X2020000100118&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0188-252X2020000100118&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0188-252X2020000100118&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo discute las fronteras teóricas que separan las adaptaciones de textos literarios (por escritores profesionales) y las actividades de los fans, especialmente las fanfictions de El Fantasma de la Ópera. El enfoque teórico trae consigo la noción de &#8220;transcreación&#8221; y autores del campo de fan studies. Los resultados incluyen el reconocimiento de las fanfictions como una forma de adaptación literaria y la noción de El Fantasma de la Ópera como archivo o como &#8220;literatura arcóntica&#8221;.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article discusses the theoretical borders that separate adaptations of literary texts (by professional writers) and the activities of fans, especially fanfictions of The Phantom of the Opera. The theoretical approach brings the notion of &#8220;transcreation&#8221; and authors from the field of fan studies. The results include the recognition of fanfictions as a type of literary adaptation, and the notion of The Phantom of the Opera as an archive or as &#8220;archontic literature&#8221;.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Fanfiction]]></kwd>
<kwd lng="es"><![CDATA[El Fantasma de la Ópera]]></kwd>
<kwd lng="es"><![CDATA[fan studies]]></kwd>
<kwd lng="es"><![CDATA[adaptación]]></kwd>
<kwd lng="es"><![CDATA[transcreación]]></kwd>
<kwd lng="en"><![CDATA[Fanfiction]]></kwd>
<kwd lng="en"><![CDATA[Phantom of the Opera]]></kwd>
<kwd lng="en"><![CDATA[fan studies]]></kwd>
<kwd lng="en"><![CDATA[adaptation]]></kwd>
<kwd lng="en"><![CDATA[trans-creation]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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