<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0187-7372</journal-id>
<journal-title><![CDATA[Frontera norte]]></journal-title>
<abbrev-journal-title><![CDATA[Frontera norte]]></abbrev-journal-title>
<issn>0187-7372</issn>
<publisher>
<publisher-name><![CDATA[El Colegio de la Frontera Norte A.C.]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0187-73722025000100111</article-id>
<article-id pub-id-type="doi">10.33679/rfn.v1i1.2397</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Cultural Narratives in Mexico-United States Border Film]]></article-title>
<article-title xml:lang="es"><![CDATA[Narrativas culturales en las películas fronterizas de México y Estados Unidos]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Dear]]></surname>
<given-names><![CDATA[Michael]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Morales]]></surname>
<given-names><![CDATA[Erika]]></given-names>
</name>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,University of California  ]]></institution>
<addr-line><![CDATA[Berkeley California]]></addr-line>
<country>USA</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2025</year>
</pub-date>
<volume>37</volume>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0187-73722025000100111&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0187-73722025000100111&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0187-73722025000100111&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This paper examines representations of the Mexico-U.S. borderlands across a century of filmmaking to identify a new border film genre, as well as the cultural narratives employed in constructing audience perceptions of the border&#8217;s landscapes and people. It outlines the evolution of the two national film industries and the production of onscreen borderland places as imagined by past filmmakers, to recount the emergence of a new border film genre in both countries. From 25 &#8220;classic&#8221; films of this genre, the nine cultural narratives typically encompassed in border film are identified: origins, modernity, migration, identity, dreams, passages, narcolandia, law and corruption, and resistance. The infrastructures found in the article reveal a conceptual architecture with associated linguistic codes that filmmakers adopt in building screen representations intended to influence audience.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En este artículo se examinan las representaciones de la frontera entre México y Estados Unidos a lo largo de un siglo de producción cinematográfica, con el proposito de identificar la emergencia de un nuevo género fílmico fronterizo y las narrativas culturales que configuran la percepción del público sobre sus paisajes y habitantes. Se describe la evolución de las industrias cinematográficas en ambos países y la manera en que distintos cineastas imaginaron y plasmaron en pantalla los espacios fronterizos, hasta consolidar un género propio en México y en Estados Unidos. A partir del análisis de 25 películas consideradas «clásicas», se identifican nueve narrativas recurrentes en este cine: orígenes, modernidad, migración, identidad, sueños, pasajes, narcolandia, ley y corrupción, y resistencia. Finalmente, se muestra cómo las infraestructuras y los códigos lingüísticos asociados constituyen una arquitectura conceptual que los realizadores utilizan para construir representaciones destinadas a influir en la mirada de las audiencias.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[border film genre]]></kwd>
<kwd lng="en"><![CDATA[cultural narratives]]></kwd>
<kwd lng="en"><![CDATA[national cinemas]]></kwd>
<kwd lng="en"><![CDATA[Mexico-United States]]></kwd>
<kwd lng="en"><![CDATA[U.S.-Mexico borderlands]]></kwd>
<kwd lng="es"><![CDATA[género cinematográfico fronterizo]]></kwd>
<kwd lng="es"><![CDATA[narrativas culturales]]></kwd>
<kwd lng="es"><![CDATA[cines nacionales]]></kwd>
<kwd lng="es"><![CDATA[México-Estados Unidos]]></kwd>
<kwd lng="es"><![CDATA[zonas fronterizas entre EE. UU. y México]]></kwd>
</kwd-group>
</article-meta>
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