<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0187-358X</journal-id>
<journal-title><![CDATA[Investigación bibliotecológica]]></journal-title>
<abbrev-journal-title><![CDATA[Investig. bibl]]></abbrev-journal-title>
<issn>0187-358X</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Bibliotecológicas y de la Información]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0187-358X2022000100005</article-id>
<article-id pub-id-type="doi">10.22201/iibi.24488321xe.2022.90.58481</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Repensar el objeto fotográfico: un acercamiento desde la teoría del afecto]]></article-title>
<article-title xml:lang="en"><![CDATA[Rethinking the photographic object, an approach from the Affect Theory]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Peña Haro]]></surname>
<given-names><![CDATA[Sandra]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México Instituto de Investigaciones sobre la Universidad y la Educación ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>03</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>03</month>
<year>2022</year>
</pub-date>
<volume>36</volume>
<numero>90</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0187-358X2022000100005&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0187-358X2022000100005&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0187-358X2022000100005&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El presente trabajo profundiza en los rasgos afectivos que se imprimen en el objeto fotográfico, así como en las colecciones a las que se integran en su devenir en el tiempo. En este sentido, recurre a las herramientas del llamado &#8220;giro afectivo&#8221; para abrir una reflexión sobre las posibilidades del objeto fotográfico y los acervos, a fin de identificar elementos que amplíen el horizonte informativo que se utiliza en el procesamiento de las colecciones en los repositorios. El ejercicio se centra en analizar dos fotografías del Fondo Aurelio Robles Acevedo, que resguarda el Archivo Histórico de la Universidad Nacional Autónoma de México, a la luz de la propuesta teórica de Ann Cvetkovich en An Archive of Feelings y de Sara Ahmed en La política cultural de las emociones, quienes estudian los acervos desde perspectivas teóricas ligeramente distanciadas que los identifican como textos culturales receptores de sentimientos codificados en el contenido, o bien, como &#8220;una zona de contacto&#8221; que incluye impresiones de naturaleza personal e institucional.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The present work explores the affective features that are imprinted on the photographic object, as well as on the collections which they are integrated to in its evolution over time. In this framework, it nourishes from the tools of the &#8220;affective turn&#8221; to open an analysis of the photographic object to identify elements that broaden the information horizon, which is used in arranging and conserving collections in repositories. The exercise focuses on two photographs of the Aurelio Robles Acevedo Fond that keeps the Historical Archive of the National Autonomous University of Mexico and analyses them considering the proposal of Ann Cvetkovich in An Archive of Feelings and of Sara Ahmed in The Cultural Politics of Emotion, which insist on studying archives from slightly distanced perspectives that identify them as cultural texts receiving feelings encoded in the content or, like a &#8220;contact zone&#8221; that includes imprints of institutional and personal nature.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Afecto]]></kwd>
<kwd lng="es"><![CDATA[Acervo]]></kwd>
<kwd lng="es"><![CDATA[Fotografía]]></kwd>
<kwd lng="es"><![CDATA[Conservación]]></kwd>
<kwd lng="en"><![CDATA[Affect]]></kwd>
<kwd lng="en"><![CDATA[Heritage]]></kwd>
<kwd lng="en"><![CDATA[Photography]]></kwd>
<kwd lng="en"><![CDATA[Conservation]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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