<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0187-358X</journal-id>
<journal-title><![CDATA[Investigación bibliotecológica]]></journal-title>
<abbrev-journal-title><![CDATA[Investig. bibl]]></abbrev-journal-title>
<issn>0187-358X</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Bibliotecológicas y de la Información]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0187-358X2021000200171</article-id>
<article-id pub-id-type="doi">10.22201/iibi.24488321xe.2021.87.58342</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Lectura crítica del relato audiovisual como fuente de información en el filme Taxi Driver]]></article-title>
<article-title xml:lang="en"><![CDATA[Critical reading of the audiovisual narrative as a source of information in Taxi Driver]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Valhondo-Crego]]></surname>
<given-names><![CDATA[José Luis]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Vivas Moreno]]></surname>
<given-names><![CDATA[Agustín]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Grupo ARDOPA Facultad CC ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>España</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2021</year>
</pub-date>
<volume>35</volume>
<numero>87</numero>
<fpage>171</fpage>
<lpage>186</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0187-358X2021000200171&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0187-358X2021000200171&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0187-358X2021000200171&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen La presente investigación aborda, desde la metodología de la lectura crítica, el filme de ficción como documento audiovisual. Parte de la hipótesis de cómo el relato audiovisual es capaz de representar, mediante su lectura reflexiva, el espíritu de una época. Ciertos fenómenos sociales, como la soledad, pueden entenderse de un modo más profundo a partir de la mirada subjetiva de un autor y su obra ficticia. Desde décadas recientes, vivir solo ha dejado de ser algo estadísticamente marginal o socialmente extraño. Por una parte, se ha convertido en una oportunidad vital para alcanzar objetivos personales; por la otra, en un problema social que implica a un número cada vez mayor de individuos. A través de un ensayo de lectura del relato audiovisual, este artículo examina cómo se hace sensible al espectador la soledad a través del caso de estudio del filme Taxi Driver, con guion de Paul Schrader y dirección de Martin Scorsese. Se examina el modo en que se encarna esa soledad a través de la puesta en escena de un guion en el que la escritura de un diario personal es clave para racionalizar las imágenes documentales de una época.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract From a critical reading methodology, this article focus on the fiction film as an audio-visual document. The starting hypothesis considers how the audio-visual narrative is able to represent, through its reflective reading, the spirit of an era. Some social phenomena such as loneliness can be understood in a deeper way from the subjective gaze of an author and his fictional work. Since recent decades, living alone has ceased to be statistically marginally or socially bizarre. On the one hand, it has become a vital opportunity to achieve personal goals; on the other, it has come to be a social problem involving an increasing number of individuals. Through a reading essay on the audio-visual narrative, this article examines how loneliness is made sensitive to viewers through the case study of the film Taxi Driver, with the script of Paul Schrader and the direction of Martin Scorsese. The film examines how this loneliness is embodied through the staging of a script in which writing a personal diary is key to rationalizing the documentary images of an historical period.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Documento Audiovisual]]></kwd>
<kwd lng="es"><![CDATA[Fuente Informativa]]></kwd>
<kwd lng="es"><![CDATA[Lectura Crítica]]></kwd>
<kwd lng="es"><![CDATA[Relato Audiovisual]]></kwd>
<kwd lng="es"><![CDATA[Soledad]]></kwd>
<kwd lng="es"><![CDATA[Taxi Driver]]></kwd>
<kwd lng="en"><![CDATA[Audiovisual Document]]></kwd>
<kwd lng="en"><![CDATA[Informative Source]]></kwd>
<kwd lng="en"><![CDATA[Critical Reading]]></kwd>
<kwd lng="en"><![CDATA[Audiovisual Story]]></kwd>
<kwd lng="en"><![CDATA[Solitude]]></kwd>
<kwd lng="en"><![CDATA[Taxi Driver]]></kwd>
</kwd-group>
</article-meta>
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