<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0187-0173</journal-id>
<journal-title><![CDATA[Sociológica (México)]]></journal-title>
<abbrev-journal-title><![CDATA[Sociológica (Méx.)]]></abbrev-journal-title>
<issn>0187-0173</issn>
<publisher>
<publisher-name><![CDATA[Universidad Autónoma Metropolitana, División de Ciencias Sociales y Humanidades]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0187-01732006000100243</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Música y sociedad: la preferencia musical como base de la identidad social]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ramírez Paredes]]></surname>
<given-names><![CDATA[Juan Rogelio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,sotihi1970@yahoo.es  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>México</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>04</month>
<year>2006</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>04</month>
<year>2006</year>
</pub-date>
<volume>21</volume>
<numero>60</numero>
<fpage>243</fpage>
<lpage>270</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0187-01732006000100243&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0187-01732006000100243&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0187-01732006000100243&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El presente artículo parte de la observación de los nuevos modos de relación que, a partir de la segunda mitad de siglo XX, se establecen entre música y sociedad. En este sentido se aprecia un vínculo reciente entre la generación de las identidades sociales con la música. Por lo tanto, se propone la categoría de identidades sociomusicales para dar cuenta del fenómeno que se produce en una colectividad cuando una determinada preferencia por un género musical crea una cierta identidad. Entonces se desglosan las características generales de estas identidades.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article starts off with the observation of the new forms of relations established between music and society that arose beginning in the second half of the twentieth century. It highlights a recent link between the generation of social identities and music. Therefore, it proposes the category of socio-musical identities to explain the phenomenon produced in a collective when a specific preference for a genre of music creates a certain identity. It goes on to outline the general characteristics of these identities.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[identidad]]></kwd>
<kwd lng="es"><![CDATA[identidad social]]></kwd>
<kwd lng="es"><![CDATA[identidades individuales]]></kwd>
<kwd lng="es"><![CDATA[identidades colectivas]]></kwd>
<kwd lng="es"><![CDATA[identidades sociomusicales]]></kwd>
<kwd lng="es"><![CDATA[discurso musical]]></kwd>
<kwd lng="es"><![CDATA[espacios sociomusicales]]></kwd>
<kwd lng="en"><![CDATA[identity]]></kwd>
<kwd lng="en"><![CDATA[social identity]]></kwd>
<kwd lng="en"><![CDATA[individual identities]]></kwd>
<kwd lng="en"><![CDATA[collective identities]]></kwd>
<kwd lng="en"><![CDATA[socio-musical identities]]></kwd>
<kwd lng="en"><![CDATA[musical discourse]]></kwd>
<kwd lng="en"><![CDATA[socio-musical spaces]]></kwd>
</kwd-group>
</article-meta>
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