<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0186-7202</journal-id>
<journal-title><![CDATA[Estudios Económicos (México, D.F.)]]></journal-title>
<abbrev-journal-title><![CDATA[Estud. Econ. (México, D.F.)]]></abbrev-journal-title>
<issn>0186-7202</issn>
<publisher>
<publisher-name><![CDATA[El Colegio de México A.C.]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0186-72022015000200245</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Tratantes de arte y los grandes maestros de la pintura]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ponzio de León]]></surname>
<given-names><![CDATA[Carlos Alejandro]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Anahuac  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2015</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2015</year>
</pub-date>
<volume>30</volume>
<numero>2</numero>
<fpage>245</fpage>
<lpage>268</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0186-72022015000200245&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0186-72022015000200245&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0186-72022015000200245&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Se presenta un modelo sobre los contratos surgidos durante el Renacimiento entre pintores y los primeros tratantes de arte, así como las condiciones bajo las cuales el convenio de trabajo era ventajoso para ambos. El modelo explica por qué la relación funcionó adecuadamente para pintores menores y por qué los grandes maestros se mantuvieron al margen de dicha conexión. El modelo finalmente estudia la relación entre el número de pintores al servicio de un comerciante y los costos de mercadeo y promoción de la obra de arte.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This paper presents a model on the relationship born during the Renaissance, between artists and dealers. It establishes the conditions that made possible such an arrangement. The model explains why this contract functioned properly among minor painters, and why the Great Masters did not got involved on it. Finally, the model studies the relationship between the number of artists signed under one single dealer and the marketing and promotional cost of the works of art.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[contratos]]></kwd>
<kwd lng="es"><![CDATA[mercados de arte]]></kwd>
<kwd lng="es"><![CDATA[grandes maestros de la pintura]]></kwd>
<kwd lng="en"><![CDATA[contracts]]></kwd>
<kwd lng="en"><![CDATA[art markets]]></kwd>
<kwd lng="en"><![CDATA[great masters of painting]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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