<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-3929</journal-id>
<journal-title><![CDATA[Relaciones. Estudios de historia y sociedad]]></journal-title>
<abbrev-journal-title><![CDATA[Relac. Estud. hist. soc.]]></abbrev-journal-title>
<issn>0185-3929</issn>
<publisher>
<publisher-name><![CDATA[El Colegio de Michoacán]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-39292016000400153</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El oficio de la arqueología]]></article-title>
<article-title xml:lang="en"><![CDATA[The Craft of Archaeology]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Shanks]]></surname>
<given-names><![CDATA[Michael]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[McGuire]]></surname>
<given-names><![CDATA[Randall H.]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Stanford University  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>USA</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Binghamton University  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>USA</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2016</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2016</year>
</pub-date>
<volume>37</volume>
<numero>148</numero>
<fpage>153</fpage>
<lpage>185</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-39292016000400153&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-39292016000400153&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-39292016000400153&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: La idea de la arqueología como arte desafía la separación entre razonamiento y ejecución, teoría y práctica, que hoy caracteriza a la disciplina. El Movimiento de Artes y Oficios de fines del siglo XIX estableció a la artesanía como una manifestación estética de oposición. Asentamos a la artesanía dentro de una crítica marxista del trabajo alienado y proponemos una práctica unificada de mano, corazón y mente. Los debates engendrados por la arqueología postprocesual han definido firmemente a la arqueología del presente como una práctica cultural y política. Sin embargo, muchos arqueólogos aún no saben cómo implementar estas ideas. Argüimos que una solución a este dilema consiste en pensar en la arqueología como artesanía. Esta resolución no provee un método o un libro de recetas para la práctica de la arqueología, puesto que el núcleo de nuestro argumento es que la intención de regularizar la arqueología constituye precisamente la causa de alienación de la disciplina. Por el contrario, deseamos considerar a la arqueología como un modo de producción cultural, una práctica unificada que involucra al pasado, al arqueólogo, al público, al cliente y a la sociedad contemporánea.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The idea of archaeology as craft challenges the separation of reasoning and execution that characterizes the field today. The Arts and Crafts Movement of the late nineteenth century established craftwork as an aesthetic of opposition. We establish craft in a Marxian critique of alienated labor, and we propose a unified practice of hand, heart, and mind for archaeology. The debates engendered by postprocessual archaeology have firmly situated archaeology in the present as a cultural and political practice. Many, however, still do not know how to work with these ideas. We argue that a resolution to this dilemma lies in thinking of archaeology as a craft. This resolultion does not provide a method, or a cookbook, for the practice of archaleology, as indeed the core of our argument is that attempts at such standardization lie at the heart of the alienation of archaeology. Rather, we wish to consider archaeology as a mode of cultural production, a unified method practiced by archaeologist, "client" public, and contemporary society.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[arqueología artesanal]]></kwd>
<kwd lng="es"><![CDATA[Movimiento de Artes y Oficios]]></kwd>
<kwd lng="es"><![CDATA[práctica política y alienación]]></kwd>
<kwd lng="en"><![CDATA[artisanal archaeology]]></kwd>
<kwd lng="en"><![CDATA[Arts and Crafts Movement]]></kwd>
<kwd lng="en"><![CDATA[political practice]]></kwd>
<kwd lng="en"><![CDATA[alienation]]></kwd>
</kwd-group>
</article-meta>
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