<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-3082</journal-id>
<journal-title><![CDATA[Acta poética]]></journal-title>
<abbrev-journal-title><![CDATA[Acta poét]]></abbrev-journal-title>
<issn>0185-3082</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Filológicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-30822023000200045</article-id>
<article-id pub-id-type="doi">10.19130/iifl.ap.2023.2/100x26s473</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Guiso de extravagancia teatral: la ciencia en The Emperor of the Moon de Aphra Behn]]></article-title>
<article-title xml:lang="en"><![CDATA[A Perpetual Stew of Theatrical Extravagance: Science in Aphra Behn&#8217;s The Emperor of the Moon]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Castro Santana]]></surname>
<given-names><![CDATA[Anaclara]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México Instituto de Investigaciones Filológicas ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2023</year>
</pub-date>
<volume>44</volume>
<numero>2</numero>
<fpage>45</fpage>
<lpage>65</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-30822023000200045&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-30822023000200045&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-30822023000200045&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: The Emperor of the Moon (1687), de Aphra Behn, divierte a sus espectadores con los problemas domésticos generados por un naturalista aficionado quien, convencido de la existencia de vida inteligente en la Luna, se obstina en encontrar consortes para su hija y sobrina entre los habitantes de aquel cuerpo celeste. La obra es una muestra perfecta del vasto conocimiento y las ambiciones eruditas de su autora. El artículo expone cómo, mediante un ingenioso despliegue de las convenciones de diversos géneros performativos, Behn crea una pieza cuya estructura amorfa refleja la desconcertante heterogeneidad de la ciencia de entonces. Se propone que la autora hace gala de su inteligencia e insinúa la pertinencia de sus contribuciones a temas que cada vez se percibían como más serios y, por ende, más impropios de ser abordados, con sensatez y sofisticación, por mujeres.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: Aphra Behn&#8217;s The Emperor of the Moon (1687) amuses its audiences with the domestic problems generated by an amateur naturalist who, convinced of the existence of intelligent life on the Moon, is determined to find consorts for his daughter and niece among its inhabitants, with a view to improving humanity. The play is an apposite illustration of its author&#8217;s vast knowledge and her scholarly ambitions. The article shows how, through an ingenious deployment of the conventions of popular performative genres, Behn creates a play whose amorphous structure reflects the fascinating (and perplexing) heterogeneity of the science of her contemporaries. It makes the case that Behn demonstrates her intelligence and suggests the relevance of her contributions to fields of knowledge that were increasingly perceived as more serious and thus more unsuitable to be addressed, sensibly and with sophistication, by women.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Aphra Behn]]></kwd>
<kwd lng="es"><![CDATA[mujeres en la ciencia]]></kwd>
<kwd lng="es"><![CDATA[farsa teatral]]></kwd>
<kwd lng="es"><![CDATA[teatro de la Restauración]]></kwd>
<kwd lng="es"><![CDATA[modernidad temprana]]></kwd>
<kwd lng="en"><![CDATA[Aphra Behn]]></kwd>
<kwd lng="en"><![CDATA[Women in Science]]></kwd>
<kwd lng="en"><![CDATA[Theatrical Farce]]></kwd>
<kwd lng="en"><![CDATA[Restauration Comedy]]></kwd>
<kwd lng="en"><![CDATA[Early Modern English Literature]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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<article-title xml:lang=""><![CDATA[Behn, Aphra [Aphara] (1640?-1689)]]></article-title>
<source><![CDATA[Oxford Dictionary of National Biography]]></source>
<year>2004</year>
<publisher-loc><![CDATA[Oxford ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
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<surname><![CDATA[Todd]]></surname>
<given-names><![CDATA[Janet]]></given-names>
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<article-title xml:lang=""><![CDATA[Notes of The Emperor of the Moon]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Todd]]></surname>
<given-names><![CDATA[Janet]]></given-names>
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</person-group>
<source><![CDATA[The Works of Aphra Behn. Vol. VII. The Plays 1682-1696]]></source>
<year>2016</year>
<page-range>431-40</page-range><publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Routledge]]></publisher-name>
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<name>
<surname><![CDATA[Todd]]></surname>
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<source><![CDATA[Aphra Behn: A Secret Life]]></source>
<year>2017</year>
<publisher-loc><![CDATA[London ]]></publisher-loc>
<publisher-name><![CDATA[Bloombsbury Reader]]></publisher-name>
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</article>
