<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-3082</journal-id>
<journal-title><![CDATA[Acta poética]]></journal-title>
<abbrev-journal-title><![CDATA[Acta poét]]></abbrev-journal-title>
<issn>0185-3082</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Filológicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-30822020000100133</article-id>
<article-id pub-id-type="doi">10.19130/iifl.ap.2020.1.869</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Cicerón, Vitruvio, Daniele Barbaro y Andrea Palladio: el proceso creativo clásico de la inventio-dispositio y el concepto de disegno del Renacimiento italiano]]></article-title>
<article-title xml:lang="en"><![CDATA[Cicero, Vitruvius, Daniele Barbaro and Andrea Palladio: the Classical Creative Process of the Inventio-Dispositio and the Italian Renaissance&#8217;s Concept of Disegno]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Solís Rebolledo]]></surname>
<given-names><![CDATA[Gabriela]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Cueto Ruiz-Funes]]></surname>
<given-names><![CDATA[Juan Ignacio del]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México Facultad de Arquitectura de la ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad Nacional Autónoma de México Facultad de Arquitectura ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2020</year>
</pub-date>
<volume>41</volume>
<numero>1</numero>
<fpage>133</fpage>
<lpage>156</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-30822020000100133&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-30822020000100133&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-30822020000100133&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: El propósito de la investigación es profundizar en el problema del concepto humanista de disegno en la teoría arquitectónica del Renacimiento italiano, especialmente en la interpretación de Andrea Palladio y sus referencias teóricas con énfasis en su metodología proyectual. El punto de partida del análisis se sitúa en la analogía establecida en la Antigüedad entre los procesos creativos de la forma del discurso de Cicerón y de la forma arquitectónica de Vitruvio. El estudio plantea la importancia del lenguaje de la retórica y de la arquitectura clásicas como el conocimiento en que se fundamentaron los principios del proyecto arquitectónico en el Cinquecento.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The purpose of this research is to elaborate on the problem of the humanist concept of disegno in italian Renaissance architectural theory, particularly on its interpretation by Andrea Palladio and his theoretical references, emphasizing on projective methodology. The starting point of the analysis lies in the analogy established in antiquity between the creative processes of the forma in Cicero&#8217;s discourse and Vitruvius&#8217; architectural forma. The study lays out the importance of classical rhetoric and architecture as the knowledge in which the principles of architectural projects in the Cinquecento were built upon.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Arquitectura]]></kwd>
<kwd lng="es"><![CDATA[retórica]]></kwd>
<kwd lng="es"><![CDATA[diseño]]></kwd>
<kwd lng="es"><![CDATA[inventiodispositio]]></kwd>
<kwd lng="es"><![CDATA[disegno]]></kwd>
<kwd lng="es"><![CDATA[Andrea Palladio]]></kwd>
<kwd lng="en"><![CDATA[Architecture]]></kwd>
<kwd lng="en"><![CDATA[Rhetoric]]></kwd>
<kwd lng="en"><![CDATA[Design]]></kwd>
<kwd lng="en"><![CDATA[Inventio-Dispositio]]></kwd>
<kwd lng="en"><![CDATA[Disegno]]></kwd>
<kwd lng="en"><![CDATA[Andrea Palladio]]></kwd>
</kwd-group>
</article-meta>
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