<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-3058</journal-id>
<journal-title><![CDATA[Nova tellus]]></journal-title>
<abbrev-journal-title><![CDATA[Nova tellus]]></abbrev-journal-title>
<issn>0185-3058</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Filológicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-30582014000200155</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[&#8220;Los orígenes del teatro&#8221; (Na&#772;t&#803;yopatti). Traducción anotada del primer libro del Na&#772;t&#803;yas&#769;a&#772;stra]]></article-title>
<article-title xml:lang="en"><![CDATA[&#8220;The Origins of Theatre&#8221; (Na&#772;t&#803;yopatti).An Annotated Translation of Na&#772;t&#803;yas&#769;a&#772;stra&#8217;s First Book]]></article-title>
<article-title xml:lang="sa"><![CDATA[Texto sánscrito y traducción al español. Na&#772;t&#803;yas&#769;a&#772;stram bharatamunipran&#803;i&#772;tam prathamo &#8216;dhya&#772;yah&#803; na&#772;t&#803;yopatti]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Figueroa Castro]]></surname>
<given-names><![CDATA[Óscar]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2014</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2014</year>
</pub-date>
<volume>32</volume>
<numero>1</numero>
<fpage>155</fpage>
<lpage>182</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-30582014000200155&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-30582014000200155&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-30582014000200155&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Se ofrece aquí una primera traducción al castellano, ricamente anotada, del primer libro del Na&#772;t&#803;yas&#769;a&#772;stra, el gran tratado sobre dramaturgia sánscrita fechado hacia los siglos II-IV de nuestra era. Titulado &#8220;Los orígenes del teatro&#8221; (Na&#772;t&#803;yopatti), el libro narra en clave mítica las circunstancias, razones y sucesos que llevaron a la creación del arte teatral. Entre otros aspectos, el texto destaca por la gran cantidad de tradiciones que en él convergen, así como por su retórica de integración, en buena medida reflejo de los profundos cambios que la cultura sánscrita experimentó durante los primeros siglos de la era común. En particular tiene el potencial de abrir un frente distinto en torno a la polémica sobre los orígenes del drama sánscrito, por encima de la usual dicotomía entre un origen védico-ritual y uno al margen del ritualismo brahmánico.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: I offer here the first, richly annotated translation into Spanish of the first book of the Na&#772;t&#803;yas&#769;a&#772;stra, the great treatise on Sanskrit dramaturgy dated around the second-fourth centuries CE. Entitled &#8220;The Origins of Theatre&#8221; (Na&#772;t&#803;yopatti), the book relates in a mythical format the circumstances, causes and events that led to the creation of dramatic art. Among other things, the text stands out on account of the great variety of traditions that it encompasses, as well as for its rhetoric of integration, to an important degree a reflection of the transformations Sanskrit culture experienced during the first centuries CE. In particular, the book has the potential to open a new line of research around the problem of the origins of Sanskrit drama beyond the standard dichotomy between a Vedic-ritual origin and an origin outside Brahmanical ritualism.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[teatro sánscrito]]></kwd>
<kwd lng="es"><![CDATA[Na&#772;t&#803;yas&#769;a&#772;stra]]></kwd>
<kwd lng="es"><![CDATA[Bharata]]></kwd>
<kwd lng="es"><![CDATA[mitología india]]></kwd>
<kwd lng="es"><![CDATA[teatro y religión]]></kwd>
<kwd lng="en"><![CDATA[Sanskrit drama]]></kwd>
<kwd lng="en"><![CDATA[Na&#772;t&#803;yas&#769;a&#772;stra]]></kwd>
<kwd lng="en"><![CDATA[Bharata]]></kwd>
<kwd lng="en"><![CDATA[Indian mythology]]></kwd>
<kwd lng="en"><![CDATA[theatre and religion]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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