<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-2620</journal-id>
<journal-title><![CDATA[Estudios de historia moderna y contemporánea de México]]></journal-title>
<abbrev-journal-title><![CDATA[Estud. hist. mod. contemp. Mex]]></abbrev-journal-title>
<issn>0185-2620</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Históricas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-26202022000300191</article-id>
<article-id pub-id-type="doi">10.22201/iih.24485004e.2022.1e.77711</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La diversificación del arte bajo un mando vertical Mexico: A Work of Art y la élite político-cultural salinista (Nueva York, 1990)]]></article-title>
<article-title xml:lang="en"><![CDATA[The Diversification of Art under a Vertical Comand Mexico: A Work of Art and the Salinas&#8217;s Political-Cultural Elite (New York, 1990)]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Barrios-de-la-Mora]]></surname>
<given-names><![CDATA[Santiago]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<numero>spe2</numero>
<fpage>191</fpage>
<lpage>222</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-26202022000300191&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-26202022000300191&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-26202022000300191&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El proyecto modernizador del cuestionado presidente electo Carlos Salinas de Gortari consistió en estrechar vínculos con Estados Unidos en todas las áreas de la relación bilateral. La reactivación de los mecanismos de legitimación y la diplomacia cultural fueron estrategias centrales de su gobierno. Para ello fue clave el momento creado en Nueva York por la exposición Mexico: Splendors of Thirty Centuries (1990) y más de doscientos eventos paralelos. Éstos fueron integrados en el programa Mexico: A Work of Art, gestionado por la burocracia cultural de Salinas. A través de entrevistas y documentos mexicanos y estadounidenses, el presente trabajo permite identificar continuidades y rupturas de las prácticas políticas de estos operadores, así como arrojar luz sobre los eventos neoyorkinos de 1990. En su papel de coordinadores-mediadores, estos operadores reactivaron un tipo de centralización estatal, sortearon las demandas de liberalización de la época e hicieron de nuevo de la cultura un mecanismo diplomático y legitimador rentable.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The modernizing project of the questioned-elect president Carlos Salinas de Gortari involved strengthening ties with the United States in all the areas of the bilateral relationship. The reactivation of the legitimization mechanisms and cultural diplomacy were central strategies of his government. The moment created in New York by the exhibition Mexico: Splendors of Thirty Centuries (1990) and more than two hundred parallel events were very important in this regard. They were integrated into the program Mexico: A Work of Art, operated by the Salinas cultural bureaucracy. Through interviews and Mexican and American documents, the present work allows us to identify continuities and ruptures of the political practices of this bureaucracy, as well as throwing light on the 1990&#8217;s New York events. By playing a coordinator-mediator role, these cultural operators were able to reactivate a type of state centralization, circumvent the demands of liberalization and turned culture back into a profitable diplomatic and legitimizing mechanism.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[redes culturales trasnacionales]]></kwd>
<kwd lng="es"><![CDATA[prácticas políticas]]></kwd>
<kwd lng="es"><![CDATA[Rockefeller Foundation]]></kwd>
<kwd lng="es"><![CDATA[Jorge Alberto Lozoya]]></kwd>
<kwd lng="es"><![CDATA[México: Esplendores de Treinta Siglos]]></kwd>
<kwd lng="es"><![CDATA[ICMNY]]></kwd>
<kwd lng="es"><![CDATA[arte mexicano]]></kwd>
<kwd lng="en"><![CDATA[Transnational Cultural Networks]]></kwd>
<kwd lng="en"><![CDATA[Political Practices]]></kwd>
<kwd lng="en"><![CDATA[Rockefeller Foundation]]></kwd>
<kwd lng="en"><![CDATA[Jorge Alberto Lozoya]]></kwd>
<kwd lng="en"><![CDATA[Mexico: Splendors of Thirty Centuries]]></kwd>
<kwd lng="en"><![CDATA[MCINY]]></kwd>
<kwd lng="en"><![CDATA[Mexican Art]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="">
<collab>AGN</collab>
<source><![CDATA[Archivo General de la Nación]]></source>
<year></year>
<publisher-loc><![CDATA[Ciudad de México, México ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="">
<collab>AHSRE</collab>
<source><![CDATA[Acervo Histórico Diplomático de la Secretaría de Relaciones Exteriores]]></source>
<year></year>
<publisher-loc><![CDATA[Ciudad de México, México ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="">
<collab>RAC</collab>
<source><![CDATA[Rockefeller Archive Center]]></source>
<year></year>
<publisher-loc><![CDATA[Sleepy Hollow, Nueva York, EUA ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="">
<collab>MAMMA</collab>
<source><![CDATA[Museum Archive de The Metropolitan Museum of Art]]></source>
<year></year>
<publisher-loc><![CDATA[Nueva York, EUA ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="">
<collab>APTM</collab>
<source><![CDATA[Archivo personal de Teresa Márquez]]></source>
<year></year>
<publisher-loc><![CDATA[Ciudad de México, México ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="">
<collab>APES</collab>
<source><![CDATA[Archivo personal de Edward Sullivan]]></source>
<year></year>
<publisher-loc><![CDATA[Nueva York, EUA ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="">
<collab>AICMNY</collab>
<source><![CDATA[Archivo del Instituto Cultural Mexicano de Nueva York]]></source>
<year></year>
<publisher-loc><![CDATA[Nueva York, EUA ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="">
<source><![CDATA[Teresa Márquez]]></source>
<year>5/03</year>
<month>/2</month>
<day>01</day>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="">
<source><![CDATA[Jorge Alberto Lozoya]]></source>
<year>27/0</year>
<month>3/</month>
<day>20</day>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="">
<source><![CDATA[Víctor Flores Olea]]></source>
<year>30/0</year>
<month>4/</month>
<day>20</day>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="">
<source><![CDATA[Edward Sullivan]]></source>
<year>01/0</year>
<month>7/</month>
<day>20</day>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="">
<source><![CDATA[Philippe de Montebello]]></source>
<year>7/07</year>
<month>/2</month>
<day>01</day>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="">
<source><![CDATA[María Balderrama]]></source>
<year>09/0</year>
<month>7/</month>
<day>20</day>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="">
<source><![CDATA[Barbara Krulik]]></source>
<year>11/0</year>
<month>7/</month>
<day>20</day>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="">
<source><![CDATA[Robert Littman]]></source>
<year>12/0</year>
<month>7/</month>
<day>20</day>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="">
<source><![CDATA[Mary-Anne Martin]]></source>
<year>30/0</year>
<month>7/</month>
<day>20</day>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="">
<source><![CDATA[Johanna Hecht]]></source>
<year>01/0</year>
<month>8/</month>
<day>20</day>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="">
<source><![CDATA[Carla Stellweg]]></source>
<year>21/0</year>
<month>1/</month>
<day>20</day>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Álvarez Sánchez]]></surname>
<given-names><![CDATA[Sol]]></given-names>
</name>
</person-group>
<source><![CDATA[Concursos de arte en México y centralismo]]></source>
<year>2003</year>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Blanchard]]></surname>
<given-names><![CDATA[Marc]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Thirty Centuries: The Splendors of Mexico&#8217; and the Politics of National Representation in the New Cultural Economy]]></article-title>
<source><![CDATA[Visual Anthropology Review]]></source>
<year>1992</year>
<volume>8</volume>
<numero>2</numero>
<issue>2</issue>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Boas]]></surname>
<given-names><![CDATA[Taylor C.]]></given-names>
</name>
<name>
<surname><![CDATA[Gans-Morse]]></surname>
<given-names><![CDATA[Jordan]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Neoliberalism: From New Liberal Philosophy to Anti-Liberal Slogan]]></article-title>
<source><![CDATA[Studies in Comparative International Development]]></source>
<year>2009</year>
<numero>44</numero>
<issue>44</issue>
<page-range>137-61</page-range></nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bordat]]></surname>
<given-names><![CDATA[Elodie Marie]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Institutionalization and Change in Cultural Policy: Conaculta and Cultural Policy in Mexico (1988-2006)]]></article-title>
<source><![CDATA[International Journal of Cultural Policy]]></source>
<year>2013</year>
<volume>19</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>222-48</page-range></nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Camp]]></surname>
<given-names><![CDATA[Roderic Ai]]></given-names>
</name>
</person-group>
<source><![CDATA[Las elites del poder en México. Perfil de una elite de poder para el siglo XXI]]></source>
<year>2006</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Siglo XXI]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Camp]]></surname>
<given-names><![CDATA[Roderic Ai]]></given-names>
</name>
</person-group>
<source><![CDATA[Los intelectuales y el Estado en el México del siglo XX]]></source>
<year>1988</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Fondo de Cultura Económica]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Correa]]></surname>
<given-names><![CDATA[Manlio]]></given-names>
</name>
<name>
<surname><![CDATA[Rocha]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Desmitificado el voto de los mexicanos en el exterior: retos, falta de voluntad y otras realidades]]></article-title>
<source><![CDATA[Perfiles Latinoamericanos]]></source>
<year>2014</year>
<volume>22</volume>
<numero>44</numero>
<issue>44</issue>
<page-range>195-217</page-range></nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Debroise]]></surname>
<given-names><![CDATA[Olivier]]></given-names>
</name>
<name>
<surname><![CDATA[Medina]]></surname>
<given-names><![CDATA[Cuahtémoc]]></given-names>
</name>
</person-group>
<source><![CDATA[La era de la discrepancia. Arte y cultura visual en México, 1968-1997]]></source>
<year>2006</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Eckmann]]></surname>
<given-names><![CDATA[Teresa]]></given-names>
</name>
</person-group>
<source><![CDATA[Neomexicanism. Mexican Figurative Painting and Patronage in the 1980s]]></source>
<year>2010</year>
<publisher-loc><![CDATA[Albuquerque ]]></publisher-loc>
<publisher-name><![CDATA[University of New Mexico Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Emerich]]></surname>
<given-names><![CDATA[Luis Carlos]]></given-names>
</name>
</person-group>
<source><![CDATA[Figuraciones y des figuros de los 80s]]></source>
<year>1989</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Diana]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Falconi]]></surname>
<given-names><![CDATA[José Luis]]></given-names>
</name>
<name>
<surname><![CDATA[Rangel]]></surname>
<given-names><![CDATA[Gabriela]]></given-names>
</name>
</person-group>
<source><![CDATA[A Principality of its Own. 40 Years of Visual Arts at the Americas Society]]></source>
<year>2006</year>
<publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Americas Society, c.]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fernández]]></surname>
<given-names><![CDATA[Claudia]]></given-names>
</name>
<name>
<surname><![CDATA[Paxman]]></surname>
<given-names><![CDATA[Andrew]]></given-names>
</name>
</person-group>
<source><![CDATA[El Tigre. Emilio Azcárraga y su Imperio Televisa]]></source>
<year>2013</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Grijalbo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fuentes]]></surname>
<given-names><![CDATA[Carlos]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La situación mundial y la democracia. Los problemas del Nuevo Orden Mundial]]></article-title>
<source><![CDATA[Nexos]]></source>
<year>1992</year>
<page-range>27-35</page-range></nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fuentes-Loza]]></surname>
<given-names><![CDATA[Paulina Herminia]]></given-names>
</name>
</person-group>
<source><![CDATA[El arte mexicano se globaliza: el caso de Parallel Proyect]]></source>
<year>2017</year>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Goldman]]></surname>
<given-names><![CDATA[Shifra]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[3,000 Years of Mexican Art]]></article-title>
<source><![CDATA[Art Journal, Art and Ecology]]></source>
<year>1992</year>
<volume>51</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>91-3</page-range></nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Goldman]]></surname>
<given-names><![CDATA[Shifra]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Metropolitan Splendors: Multinational Manipulation and Mexico: A Work of Art]]></article-title>
<source><![CDATA[New Art Examiner]]></source>
<year>1991</year>
<page-range>16-9</page-range></nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Greenberg]]></surname>
<given-names><![CDATA[Reesa]]></given-names>
</name>
</person-group>
<source><![CDATA[Thinking about Exhibition]]></source>
<year>1996</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Routledge]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Guilbaut]]></surname>
<given-names><![CDATA[Serge]]></given-names>
</name>
</person-group>
<source><![CDATA[How New York Stole the Idea of Modern Art. Abstract Expressionism, Freedom and Cold War]]></source>
<year>1983</year>
<publisher-loc><![CDATA[Chicago ]]></publisher-loc>
<publisher-name><![CDATA[The University of Chicago Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Herner]]></surname>
<given-names><![CDATA[Irene]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Marco/Monterrey]]></article-title>
<source><![CDATA[Nexos]]></source>
<year>1992</year>
<page-range>14-6</page-range></nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Indych-López]]></surname>
<given-names><![CDATA[Anna]]></given-names>
</name>
</person-group>
<source><![CDATA[Muralism without Walls: Rivera, Orozco, and Siqueiros in the United States, 1927-1940]]></source>
<year>2009</year>
<publisher-loc><![CDATA[Pittsburgh ]]></publisher-loc>
<publisher-name><![CDATA[University of Pittsburgh Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B39">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Karp]]></surname>
<given-names><![CDATA[Ivan]]></given-names>
</name>
<name>
<surname><![CDATA[Lavine]]></surname>
<given-names><![CDATA[Steven D.]]></given-names>
</name>
</person-group>
<source><![CDATA[Exhibiting Cultures. The Poetics and Politics of Museum Display]]></source>
<year>1994</year>
<publisher-loc><![CDATA[Washington, D. C. ]]></publisher-loc>
<publisher-name><![CDATA[Smithsonian Institution]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B40">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lozoya]]></surname>
<given-names><![CDATA[Jorge Alberto]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Cooperación y diplomacia cultural: experiencias y travesías]]></article-title>
<source><![CDATA[Revista Mexicana de Política Exterior]]></source>
<year>2009</year>
<numero>85</numero>
<issue>85</issue>
<page-range>253-67</page-range></nlm-citation>
</ref>
<ref id="B41">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Macías Rodríguez]]></surname>
<given-names><![CDATA[Valeria]]></given-names>
</name>
</person-group>
<source><![CDATA[La participación de la iniciativa privada en las exposiciones internacionales de arte. El caso Televisa]]></source>
<year>2015</year>
<publisher-name><![CDATA[Universidad Iberoamericana]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B42">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mannheim]]></surname>
<given-names><![CDATA[Karl]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[El problema de las generaciones]]></article-title>
<source><![CDATA[Reis]]></source>
<year>1993</year>
<volume>62</volume>
<numero>93</numero>
<issue>93</issue>
<page-range>193-242</page-range></nlm-citation>
</ref>
<ref id="B43">
<nlm-citation citation-type="">
<collab>Metropolitan Museum of Art, The</collab>
<source><![CDATA[Annual Report of the Trustees of the Metropolitan Museum of Art]]></source>
<year>1990</year>
</nlm-citation>
</ref>
<ref id="B44">
<nlm-citation citation-type="">
<collab>Metropolitan Museum of Art, The</collab>
<source><![CDATA[Annual Report of the Trustees of the Metropolitan Museum of Art]]></source>
<year>1991</year>
</nlm-citation>
</ref>
<ref id="B45">
<nlm-citation citation-type="book">
<collab>Metropolitan Museum of Art, The</collab>
<source><![CDATA[México: Esplendores de treinta siglos]]></source>
<year>1991</year>
<publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[The Metropolitan Museum of Art]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B46">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mills]]></surname>
<given-names><![CDATA[Charles]]></given-names>
</name>
</person-group>
<source><![CDATA[La élite del poder]]></source>
<year>2013</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Fondo de Cultura Económica]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B47">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Montero]]></surname>
<given-names><![CDATA[Daniel]]></given-names>
</name>
</person-group>
<source><![CDATA[El cubo de Rubik, el arte mexicano en los años 90]]></source>
<year>2013</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Fundación Jumex]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B48">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mosquera]]></surname>
<given-names><![CDATA[Gerardo]]></given-names>
</name>
</person-group>
<source><![CDATA[Caminar con el diablo. Textos sobre arte, internacionalismo y culturas]]></source>
<year>2010</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Exit Publicaciones]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B49">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pliego Quijano]]></surname>
<given-names><![CDATA[Susana]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Territorios velados: México, Esplendores de treinta siglos, el canon de la cultura oficial y su uso en la diplomacia cultural]]></article-title>
<source><![CDATA[Nierika. Revista de estudios de arte]]></source>
<year>2015</year>
<volume>4</volume>
<numero>7</numero>
<issue>7</issue>
<page-range>74-91</page-range></nlm-citation>
</ref>
<ref id="B50">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Paz]]></surname>
<given-names><![CDATA[Octavio]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[El siglo XX. La experiencia de la libertad]]></article-title>
<source><![CDATA[Vuelta]]></source>
<year>1990</year>
<volume>XIV</volume>
<numero>167</numero>
<issue>167</issue>
<page-range>8-9</page-range></nlm-citation>
</ref>
<ref id="B51">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Puig]]></surname>
<given-names><![CDATA[Carlos]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Manejo de la imagen de México, anticuado. Barrios Gómez se burla de los funcionarios burócratas de Relaciones]]></article-title>
<source><![CDATA[Proceso]]></source>
<year>1990</year>
<page-range>12-4</page-range></nlm-citation>
</ref>
<ref id="B52">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Raggi Lucio]]></surname>
<given-names><![CDATA[Adriana]]></given-names>
</name>
</person-group>
<source><![CDATA[La búsqueda de la identidad en tres artistas alemanes nacidos en la posguerra. Anselm Kiefer, Sifman Polke y Rosemarie Trockel]]></source>
<year>2002</year>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B53">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Retamozo]]></surname>
<given-names><![CDATA[Martín]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Lo político y la política: los sujetos políticos, conformación y disputa por el orden social]]></article-title>
<source><![CDATA[Revista Mexicana de Ciencias Políticas y Sociales]]></source>
<year>2009</year>
<volume>51</volume>
<numero>206</numero>
<issue>206</issue>
<page-range>69-91</page-range></nlm-citation>
</ref>
<ref id="B54">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rodríguez Kuri]]></surname>
<given-names><![CDATA[Ariel]]></given-names>
</name>
</person-group>
<source><![CDATA[Museo del universo. Los juegos olímpicos y el movimiento estudiantil de 1968]]></source>
<year>2019</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[El Colegio de México]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B55">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Salinas de Gortari]]></surname>
<given-names><![CDATA[Carlos]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Reformando al Estado]]></article-title>
<source><![CDATA[Nexos]]></source>
<year>1990</year>
<page-range>27-32</page-range></nlm-citation>
</ref>
<ref id="B56">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Serviddio]]></surname>
<given-names><![CDATA[Fabiana]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Exhibiting Identity: Latin America Between the Imaginary and the Real]]></article-title>
<source><![CDATA[Journal of Social History]]></source>
<year>2010</year>
<volume>44</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>481-98</page-range></nlm-citation>
</ref>
<ref id="B57">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sherman]]></surname>
<given-names><![CDATA[Daniel J.]]></given-names>
</name>
<name>
<surname><![CDATA[Rogoff]]></surname>
<given-names><![CDATA[Irit]]></given-names>
</name>
</person-group>
<source><![CDATA[Museum Culture. Histories. Discourses. Spectacles]]></source>
<year>1994</year>
<publisher-loc><![CDATA[Minneapolis ]]></publisher-loc>
<publisher-name><![CDATA[University of Minnesota Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B58">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sheridan]]></surname>
<given-names><![CDATA[Guillermo]]></given-names>
</name>
</person-group>
<source><![CDATA[México 1932. La polémica nacionalista]]></source>
<year>1999</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Fondo de Cultura Económica]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B59">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Suckaer]]></surname>
<given-names><![CDATA[Ingrid]]></given-names>
</name>
</person-group>
<source><![CDATA[Rufino Tamayo. Aproximaciones]]></source>
<year>2000</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Praxis]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B60">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sullivan]]></surname>
<given-names><![CDATA[Edward]]></given-names>
</name>
</person-group>
<source><![CDATA[Aspects of Contemporary Mexican Painting]]></source>
<year>1990</year>
<publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Americas Society]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B61">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Szurmuk]]></surname>
<given-names><![CDATA[Mónica]]></given-names>
</name>
<name>
<surname><![CDATA[Irwin]]></surname>
<given-names><![CDATA[Robert McKee]]></given-names>
</name>
</person-group>
<source><![CDATA[Diccionario de estudios culturales latinoamericanos]]></source>
<year>2009</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Instituto de Investigaciones Dr. José María Luis Mora]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B62">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Tenorio Trillo]]></surname>
<given-names><![CDATA[Mauricio]]></given-names>
</name>
</person-group>
<source><![CDATA[Artilugio de la nación moderna. México en las exposiciones universales, 1880-1930]]></source>
<year>1998</year>
<publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Fondo de Cultura Económica]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B63">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Villanueva Rivas]]></surname>
<given-names><![CDATA[César]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Rise and Fall of Mexican International Image: Stereotypical Identities, Media Strategies and Diplomacy dilemas]]></article-title>
<source><![CDATA[Place Branding and Public Diplomacy]]></source>
<year>2011</year>
<volume>1</volume>
<numero>7</numero>
<issue>7</issue>
<page-range>23-31</page-range></nlm-citation>
</ref>
</ref-list>
</back>
</article>
