<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-2574</journal-id>
<journal-title><![CDATA[Estudios de cultura maya]]></journal-title>
<abbrev-journal-title><![CDATA[Estud. cult. maya]]></abbrev-journal-title>
<issn>0185-2574</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Filológicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-25742021000100117</article-id>
<article-id pub-id-type="doi">10.19130/iifl.ecm.57.2021.18655</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Maíz y balché. Una revisión de la iconografía de los murales de Tulum]]></article-title>
<article-title xml:lang="en"><![CDATA[Corn and balché. A Review of the Tulum Murals Iconography]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Pérez de Heredia]]></surname>
<given-names><![CDATA[Eduardo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Bíró]]></surname>
<given-names><![CDATA[Péter]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Boucher]]></surname>
<given-names><![CDATA[Sylviane]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,aff1  ]]></institution>
<addr-line><![CDATA[ Yucatán]]></addr-line>
<country>México</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,aff2  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Hungría</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Instituto Nacional de Antrolopología e Historia Centro Yucatán ]]></institution>
<addr-line><![CDATA[Yucatán ]]></addr-line>
<country>México</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<volume>57</volume>
<fpage>117</fpage>
<lpage>149</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-25742021000100117&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-25742021000100117&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-25742021000100117&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN En este trabajo presentamos una revisión de los murales de los Templos del Dios Descendente (Templo 5) y de los Frescos (Templo 16) en la ciudad prehispánica maya de Tulum, Quintana Roo. En primer lugar, se analizan algunos de los personajes ataviados como deidades, en especial Chahk, K&#8217;awil, Quetzalcóatl y Xólotl. En segundo término, se estudia la parafernalia ritual, mayormente compuesta de objetos cerámicos en forma de urnas-efigie, incensarios, ídolos, contenedores con ofrendas de maíz en diferentes preparaciones o grandes ollas para contener líquidos, y se presentan sus contrapartes en el registro arqueológico de la época. Después se abordan los motivos zoomorfos y fitomorfos, como los marcos con grecas trenzadas rematadas en cabezas de serpiente, así como los elementos vegetales que identificamos con la flor y los frutos del árbol del balché. Finalmente se integran todos estos datos para interpretar el significado de los murales de Tulum con relación al periodo otoñal de dobla del maíz y cosecha de primicias, que coincide con la floración del balché y el inicio de la cosecha de la miel de tajonal.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT In this paper we present a review about the murals located in the Temples of the Descending God (Temple 5) and the Frescos (Temple 16) at the pre-Columbian city of Tulum, Quintana Roo. We first study some of the characters dressed as gods, as Chahk, K'awil, Quetzalcóatl, and Xólotl. Secondly, we analyze the ritual paraphernalia, mostly composed of ceramic objects in the form of effigy urns, incense burners, idols, containers with offerings of corn in different preparations, and large jars used to contain liquids, presenting correspondences with the archaeological record. Afterwards, we analyze the intertwined serpents, as well as the vegetal elements that we identify with the flower and fruits of balché tree. Finally, these data are integrated in order to interpret the meaning of the Tulum murals in relation to the practice of bending over the maize stalks in the autumn, and also to the first fruits harvest, which coincides with the flowering of the balché tree and the beginning of the harvest of tajonal honey in Yucatán.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[mayas]]></kwd>
<kwd lng="es"><![CDATA[Tulum]]></kwd>
<kwd lng="es"><![CDATA[Posclásico Tardío]]></kwd>
<kwd lng="es"><![CDATA[pintura mural]]></kwd>
<kwd lng="es"><![CDATA[cerámica]]></kwd>
<kwd lng="es"><![CDATA[iconografía]]></kwd>
<kwd lng="en"><![CDATA[Mayas]]></kwd>
<kwd lng="en"><![CDATA[Tulum]]></kwd>
<kwd lng="en"><![CDATA[Late Postclassic]]></kwd>
<kwd lng="en"><![CDATA[mural paintings]]></kwd>
<kwd lng="en"><![CDATA[ceramics]]></kwd>
<kwd lng="en"><![CDATA[iconography]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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