<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762025000200293</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2025.127.2924</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Montar imágenes: un ejercicio del teatro-danza de Pina Bausch]]></article-title>
<article-title xml:lang="en"><![CDATA[Assembling Images: An Exercise in Pina Bausch&#8217;s Dance-Theatre]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Hlebovich]]></surname>
<given-names><![CDATA[Ludmila]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional de La Plata Consejo Nacional de Investigaciones Científicas y Técnicas ]]></institution>
<addr-line><![CDATA[Buenos Aires ]]></addr-line>
<country>Argentina</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<volume>47</volume>
<numero>127</numero>
<fpage>293</fpage>
<lpage>320</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762025000200293&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762025000200293&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762025000200293&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Gran parte de las obras de Pina Bausch se caracteriza por exponer una multiplicidad de imágenes fragmentadas que se presentan simultáneamente por medio del montaje. Lejos de fortalecer las disposiciones habituales de la percepción, esto parecería reponer en escena la sobreestimulación del modo de vida citadino. En el presente trabajo se explora, en particular, qué efecto tiene esa pluralidad de imágenes, para lo cual se focaliza el análisis en la pieza 1980. Mi hipótesis consiste en que la multiplicidad y la fragmentación enfatizan las tensiones entre las imágenes en el montaje, y que el concepto de imagen dialéctica de Walter Benjamin contribuye a la estimación de tales tensiones.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract A considerable part of Pina Bausch&#8217;s work features a multiplicity of fragmented images that are presented simultaneously through montage. Far from strengthening the usual dispositions of perception, this would seem to reproduce the overstimulation of the urban way of life. This article explores the effect of this plethora of images, focusing on the piece 1980. My hypothesis is that multiplicity and fragmentation emphasize the tensions between the images in the montage and that Walter Benjamin&#8217;s concept of the dialectical image helps to account for these tensions.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Teatro-danza]]></kwd>
<kwd lng="es"><![CDATA[imagen dialéctica]]></kwd>
<kwd lng="es"><![CDATA[montaje]]></kwd>
<kwd lng="es"><![CDATA[fragmentación]]></kwd>
<kwd lng="es"><![CDATA[sobreestimulación]]></kwd>
<kwd lng="en"><![CDATA[Dance-theatre]]></kwd>
<kwd lng="en"><![CDATA[dialectical image]]></kwd>
<kwd lng="en"><![CDATA[montage]]></kwd>
<kwd lng="en"><![CDATA[fragmentation]]></kwd>
<kwd lng="en"><![CDATA[overstimulation]]></kwd>
</kwd-group>
</article-meta>
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