<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762025000200117</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2025.127.2919</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Cristóbal de Villalpando y Baltasar de Echave Rioja: relaciones técnicas y pictóricas entre dos talleres contemporáneos]]></article-title>
<article-title xml:lang="en"><![CDATA[Cristóbal de Villalpando and Baltasar de Echave Rioja: Technical and Pictorial Relations between Two Contemporary Studios]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Arroyo Lemus]]></surname>
<given-names><![CDATA[Elsa]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México Instituto de Investigaciones Estéticas ]]></institution>
<addr-line><![CDATA[Ciudad de México ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<volume>47</volume>
<numero>127</numero>
<fpage>117</fpage>
<lpage>156</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762025000200117&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762025000200117&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762025000200117&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen A partir del enfoque de los estudios sobre la materialidad de las obras de arte en diálogo con la literatura más reciente de la historia del arte sobre dos de los artífices novohispanos más reconocidos de su tiempo, Cristóbal de Villalpando (ca. 1649-1714) y Baltasar de Echave Rioja (1632-1682), este artículo compara dos pinturas con el mismo tema de El Lavatorio de pies que resultan clave para explicar y ahondar en las prácticas artísticas del gremio de pintores de la Ciudad de México en el último tercio del siglo XVII. El trabajo presenta resultados inéditos del análisis científico de estas obras con el propósito de encontrar los puntos en común y las divergencias que hay entre los materiales y los procesos intencionales llevados a cabo por los artistas en la creación de sus composiciones. Con ello, se discute la posible formación de Villalpando en el obrador de Echave Rioja y la subsecuente conformación de un lenguaje pictórico propio.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article compares two paintings on the subject of Christ Washing the Disciples&#8217; Feet by Cristóbal de Villalpando (ca. 1649-1714) and Baltasar de Echave Rioja (1632-1682) that are of key interest in explaining the workshop practices of Mexico City&#8217;s guild of painters in the last third of the seventeenth century. The approach is one based on the materiality of artworks and is in dialogue with recent art-historical literature on these two renowned artists of the Viceroyalty of New Spain. The paper presents unpublished results of the scientific examination of both paintings with the purpose of tracing the commonalities and divergences between the artists&#8217; materials and the intentional processes carried out by the painters in the creation of their compositions. Finally, the possible training of Villalpando in the Echave Rioja workshop and the subsequent formation of his own pictorial language are discussed.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Cristóbal de Villalpando]]></kwd>
<kwd lng="es"><![CDATA[Baltasar de Echave Rioja]]></kwd>
<kwd lng="es"><![CDATA[pintura novohispana]]></kwd>
<kwd lng="es"><![CDATA[técnica pictórica]]></kwd>
<kwd lng="es"><![CDATA[gremio de pintores]]></kwd>
<kwd lng="en"><![CDATA[Cristóbal de Villalpando]]></kwd>
<kwd lng="en"><![CDATA[Baltasar de Echave Rioja]]></kwd>
<kwd lng="en"><![CDATA[Mexican colonial painting]]></kwd>
<kwd lng="en"><![CDATA[painting techniques]]></kwd>
<kwd lng="en"><![CDATA[guild of painters]]></kwd>
</kwd-group>
</article-meta>
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