<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762023000200429</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2023.123.2828</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Asimilación japonesa de las ideas de &#8220;exposición&#8221; y &#8220;museo&#8221; en la era Meiji]]></article-title>
<article-title xml:lang="en"><![CDATA[Japanese Assimilation of theIdeas of &#8220;Exposition&#8221;and &#8220;Museum&#8221; in the Meiji Era]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Arimura]]></surname>
<given-names><![CDATA[Rie]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México Escuela Nacional de Estudios Superiores Unidad Morelia ]]></institution>
<addr-line><![CDATA[Morelia ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<volume>45</volume>
<numero>123</numero>
<fpage>429</fpage>
<lpage>462</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762023000200429&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762023000200429&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762023000200429&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El sistema institucional occidental de &#8220;exposición&#8221; y &#8220;museo&#8221; se introdujo como parte del proyecto del Estado-nación moderno en la era Meiji (1868-1912). Sin embargo, las noticias sobre los museos comenzaron a llegar a Japón desde finales del periodo Edo. Además, hubo antecedentes expositivos locales que sirvieron de base para la incorporación de una nueva forma de exhibir objetos. La política expositiva y museística de la etapa inicial estuvo ligada a los lemas estatales de &#8220;civilización&#8221; e &#8220;industrialización&#8221;. No obstante, esta política se readecuó a la &#8220;imperialización&#8221; del primer museo, que hizo separar el &#8220;arte&#8221; del &#8220;museo integral&#8221;. Este trabajo tiene la finalidad de aclarar la circulación de las ideas de &#8220;museo&#8221; y su concepto en la era Meiji, así como reflexionar sobre el problema de traducción de dicho término y sus implicaciones en la actualidad.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The Western institutional system of &#8220;exhibition&#8221; and &#8220;museum&#8221; was introduced as part of the modern nation-state project in the Meiji era (1868-1912). However, news of museums began to arrive in Japan from the late Edo period, and there were local exhibition antecedents that served as the basis for the incorporation of a new way of exhibiting objects. The exhibition and museum policy of the early Meiji era was linked to the state slogans of &#8220;civilization&#8221; and &#8220;industrialization&#8221;. However, this policy was readjusted with the &#8220;imperialization&#8221; of the first museum, which led to the separation of &#8220;art&#8221; from the &#8220;integral museum&#8221;. This paper aims to clarify the circulation of the ideas of &#8220;museum&#8221; and its concept in the Meiji era, as well as to reflect on the problem of translation of this term and its implications today.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Museo]]></kwd>
<kwd lng="es"><![CDATA[patrimonio cultural]]></kwd>
<kwd lng="es"><![CDATA[Meiji]]></kwd>
<kwd lng="es"><![CDATA[museología]]></kwd>
<kwd lng="en"><![CDATA[Museum]]></kwd>
<kwd lng="en"><![CDATA[cultural heritage]]></kwd>
<kwd lng="en"><![CDATA[Meiji]]></kwd>
<kwd lng="en"><![CDATA[museology]]></kwd>
</kwd-group>
</article-meta>
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