<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762023000100175</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2023.122.2808</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Las manos actoras de Mane Bernardo y Sarah Bianchi: pantomima de manos y teatro de títeres moderno en Argentina]]></article-title>
<article-title xml:lang="en"><![CDATA[Mane Bernardo and Sarah Bianchi&#8217;s Acting Hands: Pantomime of Hands and Modern Puppet Theatre in Argentina]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Girotti]]></surname>
<given-names><![CDATA[Bettina]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Buenos Aires  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<volume>45</volume>
<numero>122</numero>
<fpage>175</fpage>
<lpage>198</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762023000100175&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762023000100175&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762023000100175&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En este artículo se analiza el trabajo con la mano desnuda desarrollado por Mane Bernardo y Sarah Bianchi y que derivó en la conformación de la técnica denominada pantomima de manos. Se examinarán los límites de la definición tradicional de títere y las prácticas que engloba junto con la noción de experimentación propuesta por Bernardo, marcada por las tensiones entre tradición y modernidad. Con ello se busca ubicar esta experiencia entre aquellas que contribuyeron a la modernización del teatro de títeres en Argentina.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article analyzes the work with the bare hand developed since the 1950s by Mane Bernardo and Sarah Bianchi, and which led to the formation of a technique called hand pantomime. The limits of the traditional definition of puppet and the practices it encompasses, will be examined, along with the notion of experimentation proposed by Bernardo, marked by the tensions between tradition and modernity. This seeks to place this experience among those that contributed to the modernization of the puppet theatre in Argentina.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Teatro de títeres]]></kwd>
<kwd lng="es"><![CDATA[títere tradicional]]></kwd>
<kwd lng="es"><![CDATA[experimentación]]></kwd>
<kwd lng="es"><![CDATA[títere moderno]]></kwd>
<kwd lng="es"><![CDATA[Argentina]]></kwd>
<kwd lng="en"><![CDATA[Puppet theater]]></kwd>
<kwd lng="en"><![CDATA[traditional puppet]]></kwd>
<kwd lng="en"><![CDATA[experimentation]]></kwd>
<kwd lng="en"><![CDATA[modern puppet]]></kwd>
<kwd lng="en"><![CDATA[Argentina]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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