<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762023000100127</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2023.122.2809</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Visión antropológica en el arte de entreguerras y sus publicaciones: un giro etnográfico]]></article-title>
<article-title xml:lang="en"><![CDATA[Anthropological Vision in Interwar Art and its Publications: An Ethnographic Turn]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Mañero Rodicio]]></surname>
<given-names><![CDATA[Javier]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Complutense de Madrid  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2023</year>
</pub-date>
<volume>45</volume>
<numero>122</numero>
<fpage>127</fpage>
<lpage>173</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762023000100127&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762023000100127&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762023000100127&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Durante el periodo de entreguerras se afianzó una nueva apreciación de las entonces llamadas artes &#8220;primitivas&#8221; determinada por la difusión de estudios antropológicos. Las publicaciones artísticas se abrieron a los científicos y a tratamientos de aquellas producciones netamente etnográficas, ajenas a las valoraciones estéticas. Esto ocurre con especial intensidad en el ámbito francés. Ciñéndose a él, esta investigación atiende sobre todo a las colaboraciones científicas en las revistas de arte moderno, y a cómo sus planteamientos y nuevas contextualizaciones antropológicas van permeando en la crítica de arte y en la propia obra artística, hasta poder identificar una suerte de giro etnográfico. Muy centrada en documentos de época, en ocasiones poco frecuentados, la investigación pretende aportar un relato significativo y conceptualmente completo, atento a las distintas sensibilidades artísticas, sobre la implantación de ese giro a lo largo del periodo tratado.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract During the interwar period, a new appreciation of what were then called &#8220;primitive&#8221; arts took hold, stimulated by the spread of anthropological studies. Artistic publications were opened to scientists and to treatments of those productions from a purely ethnographic point of view, oblivious to aesthetic evaluations. This occurred with particular intensity in the French milieu. Concentrating on French publications, this paper deals mainly with scientific collaborations in modern art magazines, and how these approaches and the new anthropological contextualizations permeated art criticism and the artistic work itself, to the extent that a kind of &#8220;ethnographic turn&#8221; can be identified. Focused on period documents, in many cases rarely noticed, the article aims to provide a significant and conceptually complete account-attentive to different artistic sensibilities-of the way this turn manifested itself throughout the period dealt with.]]></p></abstract>
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<kwd lng="es"><![CDATA[Arte moderno]]></kwd>
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<kwd lng="es"><![CDATA[surrealismo]]></kwd>
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<kwd lng="es"><![CDATA[arqueología]]></kwd>
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<kwd lng="en"><![CDATA[Modern art]]></kwd>
<kwd lng="en"><![CDATA[early-originary arts]]></kwd>
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<kwd lng="en"><![CDATA[ethnography]]></kwd>
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<kwd lng="en"><![CDATA[surrealism]]></kwd>
<kwd lng="en"><![CDATA[myth]]></kwd>
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<year>1936</year>
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<year>1935</year>
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<year>1930</year>
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