<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762022000200371</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2022.121.2794</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Más allá de los límites. Latinoamérica y la historia de la fotografía]]></article-title>
<article-title xml:lang="en"><![CDATA[Beyond the Limits: Latin America and the History of Photography]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Suescún Monroy]]></surname>
<given-names><![CDATA[Pilar]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional de Colombia  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<volume>44</volume>
<numero>121</numero>
<fpage>371</fpage>
<lpage>395</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762022000200371&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762022000200371&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762022000200371&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen La historia de la fotografía, tradicionalmente, la han escrito las naciones dominantes. En un principio, el enfoque fue, sobre todo, técnico y eurocéntrico, pero también estadounidense, a partir de la Historia de la fotografía de Newhall. El presente artículo revisa algunos textos que forman parte de la historiografía de la fotografía, y busca identificar cómo se formó el concepto de fotografía latinoamericana.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The history of photography has traditionally been written by dominant nations. At a very early stage, the approach was predominantly technical and Eurocentric, but also, following Newhall&#8217;s The History of Photography, came to reflect attitudes peculiar to the United States. This article reviews some texts that form part of the historiography of the photographic field and seeks to identify how the concept of Latin American photography took shape.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Fotografía]]></kwd>
<kwd lng="es"><![CDATA[historia]]></kwd>
<kwd lng="es"><![CDATA[historiografía de la fotografía]]></kwd>
<kwd lng="es"><![CDATA[historia de la fotografía en Latinoamérica]]></kwd>
<kwd lng="es"><![CDATA[Latinoamérica]]></kwd>
<kwd lng="en"><![CDATA[Photography]]></kwd>
<kwd lng="en"><![CDATA[history]]></kwd>
<kwd lng="en"><![CDATA[historiography of photography]]></kwd>
<kwd lng="en"><![CDATA[history of Latin American photography]]></kwd>
<kwd lng="en"><![CDATA[Latin America]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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