<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762022000200219</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2022.121.2803</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Between a Rockefeller and a Hard Place: Diego Rivera&#8217;s Man at the Crossroads and the Left in the 1930s]]></article-title>
<article-title xml:lang="es"><![CDATA[Entre un Rockefeller y un lugar difícil: El hombre en la encrucijada de Diego Rivera y la izquierda política en la década de 1930]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Zumoff]]></surname>
<given-names><![CDATA[Jacob A.]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,New Jersey City University Department of History ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>USA</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<volume>44</volume>
<numero>121</numero>
<fpage>219</fpage>
<lpage>262</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762022000200219&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762022000200219&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762022000200219&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract In 1933, Diego Rivera began painting Man at the Crossroads, a mural at Rockefeller Center in New York City. After Rivera included a portrait of Bolshevik Revolutionary Vladimir Lenin, and refused Nelson Rockerfeller&#8217;s demand to remove this, the mural was first covered up, and then in February 1934, destroyed. That same year, Rivera painted a refashioned mural, Hombre, el controlador del universo, at the Palacio de Belles Artes in Mexico City. The current article examines this controversy through the lens of Rivera&#8217;s relationship with the Communist left, in particular the pro-Moscow Communist Party, the Trotskyist Communist League of America, and the Lovestoneite Communist Party (Opposition), and argues that this provides a fuller understanding of Rivera&#8217;s evolving political commitments and the changing politics of his paintings in this period.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En 1933, Diego Rivera comenzó a pintar El hombre en la encrucijada, un mural en el Rockefeller Center de la ciudad de Nueva York. Después de que Rivera incluyó un retrato del revolucionario bolchevique Vladimir Lenin y rechazó la demanda de Nelson Rockefeller de eliminarlo, el mural se cubrió primero y luego, en febrero de 1934, se destruyó. Ese mismo año, Rivera pintó un mural remodelado, Hombre, el controlador del universo, en el Palacio de Belles Artes de la Ciudad de México. El artículo actual examina esta controversia a través de la lente de la relación de Rivera con la izquierda comunista, en particular el Partido Comunista (pro Moscú), Liga Comunista de América (trotskista) y el Partido Comunista (Oposición) dirigido por Jay Lovestone, y argumenta que esta perspectiva proporciona un entendimiento más completo de los compromisos políticos del muralista y las políticas diversas expresadas en la obra de Rivera en aquel momento.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Diego Rivera]]></kwd>
<kwd lng="en"><![CDATA[Rockefeller Center]]></kwd>
<kwd lng="en"><![CDATA[Communist Party USA]]></kwd>
<kwd lng="en"><![CDATA[Trotskyism]]></kwd>
<kwd lng="en"><![CDATA[Lovestoneites]]></kwd>
<kwd lng="es"><![CDATA[Diego Rivera]]></kwd>
<kwd lng="es"><![CDATA[Rockefeller Center]]></kwd>
<kwd lng="es"><![CDATA[Partido Comunista de usa]]></kwd>
<kwd lng="es"><![CDATA[trotskyismo]]></kwd>
<kwd lng="es"><![CDATA[lovestoneistas]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Alexander]]></surname>
<given-names><![CDATA[Robert J.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Right Opposition: The Lovestoneites and the International Communist Opposition of the 1930s]]></source>
<year>1981</year>
<publisher-loc><![CDATA[Westport, CT ]]></publisher-loc>
<publisher-name><![CDATA[Greenwood Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Apel]]></surname>
<given-names><![CDATA[Dora]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Diego Rivera and the Left: The Destruction and Recreation of the Rockefeller Center Mural.]]></article-title>
<source><![CDATA[Left History]]></source>
<year>1999</year>
<volume>6</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>57-75</page-range></nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Azuela]]></surname>
<given-names><![CDATA[Alicia]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[El escándalo de Diego Rivera, en Detroit]]></article-title>
<source><![CDATA[La Palabra y el Hombre]]></source>
<year>1984</year>
<numero>49</numero>
<issue>49</issue>
<page-range>3-8</page-range></nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Azuela]]></surname>
<given-names><![CDATA[Alicia]]></given-names>
</name>
</person-group>
<source><![CDATA[Diego Rivera en Detroit]]></source>
<year>1985</year>
<publisher-loc><![CDATA[Mexico City ]]></publisher-loc>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Azuela]]></surname>
<given-names><![CDATA[Alicia]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Militancia Política y Labor Artística de David Alfaro Siqueiros: De Olvera Street a Río de la Plata]]></article-title>
<source><![CDATA[Estudios de Historia Moderna y Contemporánea de México]]></source>
<year>2008</year>
<numero>35</numero>
<issue>35</issue>
<page-range>109-44</page-range></nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Barbosa]]></surname>
<given-names><![CDATA[Carlos Alberto Sampaio]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A revista mexicana Frente a Frente: amiguidades y tensões entre fotomontagens vanguardistas e gravuras]]></article-title>
<source><![CDATA[Artelogie]]></source>
<year>2015</year>
<numero>7</numero>
<issue>7</issue>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bloch]]></surname>
<given-names><![CDATA[Lucienne]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[On Location with Diego Rivera.]]></article-title>
<source><![CDATA[Art in America]]></source>
<year>1986</year>
<volume>74</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>103-23</page-range></nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Britton]]></surname>
<given-names><![CDATA[John A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Revolution and Ideology: Images of the Mexican Revolution in the United States]]></source>
<year>1995</year>
<publisher-loc><![CDATA[Lexington ]]></publisher-loc>
<publisher-name><![CDATA[University Press of Kentucky]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Caplow]]></surname>
<given-names><![CDATA[Deborah]]></given-names>
</name>
</person-group>
<source><![CDATA[Leopoldo Méndez, Revolutionary Art, and the Mexican Print: In Service of the People,]]></source>
<year>1999</year>
<publisher-name><![CDATA[University of Washington]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Coffey]]></surname>
<given-names><![CDATA[Mary K.]]></given-names>
</name>
</person-group>
<source><![CDATA[How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State]]></source>
<year>2012</year>
<publisher-loc><![CDATA[Durham ]]></publisher-loc>
<publisher-name><![CDATA[Duke University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Coffey]]></surname>
<given-names><![CDATA[Mary K.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Corporate Patronage at the Crossroads: Situating Diego Rivera&#8217;s &#8216;Rockefeller Mural&#8217; Then and Now]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Jovanovich]]></surname>
<given-names><![CDATA[Monica E.]]></given-names>
</name>
<name>
<surname><![CDATA[Renn]]></surname>
<given-names><![CDATA[Melissa]]></given-names>
</name>
</person-group>
<source><![CDATA[Patronage of Art &amp; Architecture in the United States, Late 19th Century to the Present]]></source>
<year>2019</year>
<page-range>15-38</page-range><publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Bloomsbury Visual Arts]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Deutscher]]></surname>
<given-names><![CDATA[Isaac]]></given-names>
</name>
</person-group>
<source><![CDATA[The Prophet Outcast: Trotsky, 1929-1940]]></source>
<year>1963</year>
<publisher-loc><![CDATA[London ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Dog Days]]></surname>
<given-names><![CDATA[James P.]]></given-names>
</name>
</person-group>
<source><![CDATA[Cannon vs. Max Shachtman in the Communist League of America, 1931-1933]]></source>
<year>2002</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Prometheus Research Library]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Dos Passos]]></surname>
<given-names><![CDATA[John]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Paint the Revolution!]]></article-title>
<source><![CDATA[New Masses]]></source>
<year>1927</year>
<volume>2</volume>
<numero>5</numero>
<issue>5</issue>
<page-range>15</page-range></nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Evans]]></surname>
<given-names><![CDATA[Robert]]></given-names>
</name>
<name>
<surname><![CDATA[Freeman]]></surname>
<given-names><![CDATA[Joseph]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Painting and Politics: The Case of Diego Rivera]]></article-title>
<source><![CDATA[New Masses]]></source>
<year>1932</year>
<volume>7</volume>
<numero>9</numero>
<issue>9</issue>
<page-range>22-5</page-range></nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gall]]></surname>
<given-names><![CDATA[Olivia]]></given-names>
</name>
</person-group>
<source><![CDATA[Trotsky en México y la vida política en el periodo de Cárdenas, 1937-1940]]></source>
<year>1991</year>
<publisher-loc><![CDATA[Mexico City ]]></publisher-loc>
<publisher-name><![CDATA[Ediciones Era]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Greenfeld]]></surname>
<given-names><![CDATA[Howard]]></given-names>
</name>
</person-group>
<source><![CDATA[Ben Shahn: An Artist&#8217;s Life]]></source>
<year>1998</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Random House]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gregory]]></surname>
<given-names><![CDATA[James]]></given-names>
</name>
</person-group>
<source><![CDATA[Communist Party Membership by Districts, 1922-1950]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[González Cruz Manjarrez]]></surname>
<given-names><![CDATA[Maricela]]></given-names>
</name>
</person-group>
<source><![CDATA[La polémica Siqueiros-Rivera: planteaminetos estético-políticos, 1934-1935]]></source>
<year>1996</year>
<publisher-loc><![CDATA[Mexico City ]]></publisher-loc>
<publisher-name><![CDATA[Museo Dolores Olmedo Patiño]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Haskell]]></surname>
<given-names><![CDATA[Barbara]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[América: Mexican Muralism and Art in the United States, 1925-1945]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Haskell]]></surname>
<given-names><![CDATA[Barbara]]></given-names>
</name>
</person-group>
<source><![CDATA[Vida Americana: Mexican Muralists Remake American Art, 1925-1945]]></source>
<year>2020</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Whitney Museum of American Art]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hemingway]]></surname>
<given-names><![CDATA[Andrew]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[American Communists View Mexican Muralism: Critical and Artistic Responses]]></article-title>
<source><![CDATA[Crónicas]]></source>
<year>2002</year>
<volume>8/9</volume>
<page-range>13-42</page-range></nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hemingway]]></surname>
<given-names><![CDATA[Andrew]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[John Reed Clubs and Proletarian Art]]></article-title>
<source><![CDATA[Against the Current]]></source>
<year>2015</year>
<volume>177</volume>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Herner de Larrea]]></surname>
<given-names><![CDATA[Irene]]></given-names>
</name>
</person-group>
<source><![CDATA[Diego Rivera&#8217;s Mural at the Rockefeller Center]]></source>
<year>1990</year>
<publisher-loc><![CDATA[Mexico City ]]></publisher-loc>
<publisher-name><![CDATA[Edicupes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hills]]></surname>
<given-names><![CDATA[Patricia]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#8220;Art Front]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Marter]]></surname>
<given-names><![CDATA[Joan M.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Grove Encyclopedia of American Art]]></source>
<year>2011</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Howard]]></surname>
<given-names><![CDATA[Alan]]></given-names>
</name>
</person-group>
<source><![CDATA[Black and White and Read all Over: Diego Rivera and the Battle of Rockefeller Center]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jeifits]]></surname>
<given-names><![CDATA[Lazar]]></given-names>
</name>
<name>
<surname><![CDATA[Jeifits]]></surname>
<given-names><![CDATA[Víctor]]></given-names>
</name>
</person-group>
<source><![CDATA[América Latina en la Internacional Comunista, 1919-1943: Diccionario Biográfico]]></source>
<year>2015</year>
<publisher-loc><![CDATA[Santiago de Chile ]]></publisher-loc>
<publisher-name><![CDATA[Ariadna]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="journal">
<collab>John Reed Club of New York</collab>
<article-title xml:lang=""><![CDATA[Diego Rivera and the John Reed Club]]></article-title>
<source><![CDATA[New Masses]]></source>
<year>1932</year>
<volume>7</volume>
<numero>9</numero>
<issue>9</issue>
<page-range>31</page-range></nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Latorre Izquierdo]]></surname>
<given-names><![CDATA[Jorge]]></given-names>
</name>
<name>
<surname><![CDATA[Jiménez González]]></surname>
<given-names><![CDATA[Marcos]]></given-names>
</name>
<name>
<surname><![CDATA[Cannon]]></surname>
<given-names><![CDATA[Clare Elizabeth]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Atlántida of Capitalism: The Murals of Sert in the decorative programme of New York&#8217;s Rockefeller&#8217;s Center]]></article-title>
<source><![CDATA[Communication &amp; Society]]></source>
<year>2021</year>
<volume>34</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>369-86</page-range></nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lear]]></surname>
<given-names><![CDATA[John]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Diego Rivera Paints the Proletariat]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Oles]]></surname>
<given-names><![CDATA[James]]></given-names>
</name>
</person-group>
<source><![CDATA[Diego Rivera&#8217;s America]]></source>
<year>2022</year>
<page-range>162-83</page-range><publisher-loc><![CDATA[Oakland, California ]]></publisher-loc>
<publisher-name><![CDATA[University of California Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Le Blanc]]></surname>
<given-names><![CDATA[Paul]]></given-names>
</name>
<name>
<surname><![CDATA[Davenport]]></surname>
<given-names><![CDATA[Tim]]></given-names>
</name>
</person-group>
<source><![CDATA[The &#8220;American Exceptionalism&#8221; of Jay Lovestone and His Comrades, 1929-1940]]></source>
<year>2015</year>
<publisher-loc><![CDATA[Leiden ]]></publisher-loc>
<publisher-name><![CDATA[Brill]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lee]]></surname>
<given-names><![CDATA[Anthony W.]]></given-names>
</name>
</person-group>
<source><![CDATA[Painting on the Left: Diego Rivera, Radical Politics and San Francisco&#8217;s Public Murals]]></source>
<year>1999</year>
<publisher-loc><![CDATA[Berkeley ]]></publisher-loc>
<publisher-name><![CDATA[University of California Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mac Gregor Campuzano]]></surname>
<given-names><![CDATA[Javier]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Bertram D. Wolfe: política y pedagogía comunistas en los años veinte]]></article-title>
<source><![CDATA[Sociológica]]></source>
<year>2020</year>
<volume>35</volume>
<numero>101</numero>
<issue>101</issue>
<page-range>113-38</page-range></nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Markle]]></surname>
<given-names><![CDATA[Walter Greer]]></given-names>
</name>
</person-group>
<source><![CDATA[Diego Rivera&#8217;s Portrait of America: Marxism and Montage]]></source>
<year>1999</year>
<publisher-name><![CDATA[University of Oregon]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Miner]]></surname>
<given-names><![CDATA[Dylan A T.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[El Renegado Comunista: Diego Rivera, La Liga de Obreros y Campesinos and Mexican Repatriation in Detroit]]></article-title>
<source><![CDATA[Third Text]]></source>
<year>2005</year>
<volume>6</volume>
<numero>6</numero>
<issue>6</issue>
<page-range>647-60</page-range></nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Montserrat Nonó]]></surname>
<given-names><![CDATA[David de]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ja ho faig jo, Míster Rockefeller]]></article-title>
<source><![CDATA[La Mira]]></source>
<year>2019</year>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nodín Valdés]]></surname>
<given-names><![CDATA[Dennis]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Mexican Revolutionary Nationalism and Repatriation during the Great Depression]]></article-title>
<source><![CDATA[Mexican Studies/Estudios Mexicanos]]></source>
<year>1988</year>
<volume>4</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>1-23</page-range></nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ortoll]]></surname>
<given-names><![CDATA[Servando]]></given-names>
</name>
<name>
<surname><![CDATA[Ramírez de Arellano]]></surname>
<given-names><![CDATA[Annette B.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Diego Rivera, José María Sert, y los Rockefeller: una historia con cuatro epílogos]]></article-title>
<source><![CDATA[Journal of Iberian and Latin American Research]]></source>
<year>2004</year>
<volume>10</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>1-21</page-range></nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Paquette]]></surname>
<given-names><![CDATA[Catha]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#8216;Revolutionary&#8217; Ideologies and Discursive Struggle: Diego Rivera&#8217;s 1934 Mural Commission at the Palace of Fine Arts]]></article-title>
<source><![CDATA[Latin Americanist]]></source>
<year>2010</year>
<volume>54</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>143-62</page-range></nlm-citation>
</ref>
<ref id="B39">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Paquette]]></surname>
<given-names><![CDATA[Catha]]></given-names>
</name>
</person-group>
<source><![CDATA[At the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts]]></source>
<year>2017</year>
<publisher-loc><![CDATA[Austin ]]></publisher-loc>
<publisher-name><![CDATA[University of Texas Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B40">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pliego Quijano]]></surname>
<given-names><![CDATA[Susana]]></given-names>
</name>
</person-group>
<source><![CDATA[El Hombre en la Encrucijada: El Mural de Diego Rivera en el Centro Rockefeller]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Mexico City ]]></publisher-loc>
<publisher-name><![CDATA[Trilce]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B41">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Randolph]]></surname>
<given-names><![CDATA[Mary]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Rivera&#8217;s Monopoly]]></article-title>
<source><![CDATA[Art Front]]></source>
<year>1935</year>
<volume>1</volume>
<numero>7</numero>
<issue>7</issue>
<page-range>5</page-range></nlm-citation>
</ref>
<ref id="B42">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Randolph]]></surname>
<given-names><![CDATA[Mary]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Rivera&#8217;s Monopoly (Conclusion)]]></article-title>
<source><![CDATA[Art Front]]></source>
<year>1935</year>
<volume>2</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>12-3</page-range></nlm-citation>
</ref>
<ref id="B43">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Richardson]]></surname>
<given-names><![CDATA[William]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Dilemmas of a Communist Artist: Diego Rivera in Moscow, 1927-1928]]></article-title>
<source><![CDATA[Mexican Studies/Estudios Mexicanos]]></source>
<year>1987</year>
<volume>3</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>49-69</page-range></nlm-citation>
</ref>
<ref id="B44">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rivera]]></surname>
<given-names><![CDATA[Diego]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Revolutionary Spirit in Modern Art]]></article-title>
<source><![CDATA[Modern Quarterly]]></source>
<year>1932</year>
<volume>6</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>51-7</page-range></nlm-citation>
</ref>
<ref id="B45">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rivera]]></surname>
<given-names><![CDATA[Diego]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Stormy Petrel of American Art: Diego Rivera on His Art]]></article-title>
<source><![CDATA[Studio]]></source>
<year>1933</year>
<volume>106</volume>
<numero>484</numero>
<issue>484</issue>
<page-range>23-6</page-range></nlm-citation>
</ref>
<ref id="B46">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rivera]]></surname>
<given-names><![CDATA[Diego]]></given-names>
</name>
</person-group>
<source><![CDATA[Portrait of America: With an Explanatory Text by Bertram D. Wolfe]]></source>
<year>1934</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Covici-Friede Publishers]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B47">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rivera]]></surname>
<given-names><![CDATA[Diego]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Raíces políticas y motivos personales de la controversia Siqueiros-Rivera: Stalinsmo vs. bolchevismo leninista]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Tibo]]></surname>
<given-names><![CDATA[Raquel]]></given-names>
</name>
</person-group>
<source><![CDATA[Arte y Política]]></source>
<year>1979</year>
<page-range>113-4</page-range><publisher-loc><![CDATA[Mexico City ]]></publisher-loc>
<publisher-name><![CDATA[Grijalba]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B48">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rivera]]></surname>
<given-names><![CDATA[Diego]]></given-names>
</name>
</person-group>
<source><![CDATA[My Art, My Life: An Autobiography]]></source>
<year>1991</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Dover]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B49">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Scott]]></surname>
<given-names><![CDATA[Robert L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Diego Rivera at Rockefeller Center: Fresco Painting and Rhetoric]]></article-title>
<source><![CDATA[Western Journal of Speech Communication]]></source>
<year>1977</year>
<numero>41</numero>
<issue>41</issue>
<page-range>70-82</page-range></nlm-citation>
</ref>
<ref id="B50">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Siqueiros]]></surname>
<given-names><![CDATA[David Alfaro]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Rivera&#8217;s Counter-Revolutionary Road]]></article-title>
<source><![CDATA[New Masses]]></source>
<year>1934</year>
<volume>11</volume>
<numero>9</numero>
<issue>9</issue>
</nlm-citation>
</ref>
<ref id="B51">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Siqueiros]]></surname>
<given-names><![CDATA[David Alfaro]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Diego Rivera, Pintor de Cámara del Gobierno de México]]></article-title>
<source><![CDATA[Frente a Frente]]></source>
<year>1935</year>
</nlm-citation>
</ref>
<ref id="B52">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Smith]]></surname>
<given-names><![CDATA[Stephanie J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Painter and the Communist: Gender, Culture, and the Fleeting Marriage of Ione Robinson and Joseph Freeman , 1929-1932]]></article-title>
<source><![CDATA[Journal of Women&#8217;s History]]></source>
<year>2019</year>
<volume>31</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>12-34</page-range></nlm-citation>
</ref>
<ref id="B53">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Treadgold]]></surname>
<given-names><![CDATA[Donald W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Bertram D. Wolfe: A Life in Two Centuries]]></article-title>
<source><![CDATA[Studies in Soviet Thought]]></source>
<year>1979</year>
<volume>20</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>345-8</page-range></nlm-citation>
</ref>
<ref id="B54">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Trotsky]]></surname>
<given-names><![CDATA[Leon]]></given-names>
</name>
</person-group>
<source><![CDATA[The Struggle Against Fascism in Germany]]></source>
<year>1971</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Pathfinder]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B55">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Trotsky]]></surname>
<given-names><![CDATA[Leon]]></given-names>
</name>
</person-group>
<source><![CDATA[The Spanish Revolution, 1931-39]]></source>
<year>1973</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Pathfinder]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B56">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Trotsky]]></surname>
<given-names><![CDATA[Leon]]></given-names>
</name>
</person-group>
<source><![CDATA[The Third International after Lenin]]></source>
<year>1974</year>
<publisher-loc><![CDATA[London ]]></publisher-loc>
<publisher-name><![CDATA[New Park]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B57">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ugalde]]></surname>
<given-names><![CDATA[Alejandro]]></given-names>
</name>
</person-group>
<source><![CDATA[The Presence of Mexican Art in New York between the World Wars: Cultural Exchange and Art Diplomacy]]></source>
<year>2003</year>
<publisher-name><![CDATA[Columbia University]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B58">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ugalde]]></surname>
<given-names><![CDATA[Alejandro]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Maintenant c&#8217;est la bataille!: Diego Rivea y el muralismo mexicano en Nueva York, 1933-1934]]></article-title>
<source><![CDATA[Nierika]]></source>
<year>2013</year>
<volume>4</volume>
<page-range>8-22</page-range></nlm-citation>
</ref>
<ref id="B59">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vargas]]></surname>
<given-names><![CDATA[Zaragosa]]></given-names>
</name>
</person-group>
<source><![CDATA[Proletarians of the North: A History of Mexican Industrial Workers and Detroit and the Midwest, 1917-1933]]></source>
<year>1993</year>
<publisher-loc><![CDATA[Berkeley ]]></publisher-loc>
<publisher-name><![CDATA[University of California Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B60">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Velasco-Pufleau]]></surname>
<given-names><![CDATA[Luis]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La Liga de Escritores y Artistas Revolucionarios (LEAR): l&#8217;antifascisme communiste au Mexique]]></article-title>
<source><![CDATA[Aden]]></source>
<year>2011</year>
<numero>10</numero>
<issue>10</issue>
<page-range>185-203</page-range></nlm-citation>
</ref>
<ref id="B61">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vitz]]></surname>
<given-names><![CDATA[Robert C.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Clubs, Congresses and Unions: American Artists Confront the Thirties]]></article-title>
<source><![CDATA[New York History]]></source>
<year>1974</year>
<volume>54</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>424-47</page-range></nlm-citation>
</ref>
<ref id="B62">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Watson]]></surname>
<given-names><![CDATA[Joseph M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Organization for Cooperation: The Varieties and Vagaries of Labor at Rockefeller Center]]></article-title>
<source><![CDATA[Journal of Architectural Education]]></source>
<year>2019</year>
<volume>73</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>156-67</page-range></nlm-citation>
</ref>
<ref id="B63">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wechsler]]></surname>
<given-names><![CDATA[James]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[History as a Weapon: Diego Rivera&#8217;s Portrait of America]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Martín Lozano]]></surname>
<given-names><![CDATA[Luis]]></given-names>
</name>
<name>
<surname><![CDATA[Coronel Rivera]]></surname>
<given-names><![CDATA[Juan]]></given-names>
</name>
</person-group>
<source><![CDATA[Diego Rivera: Complete Murals]]></source>
<year>2007</year>
<page-range>370-286</page-range><publisher-loc><![CDATA[Cologne ]]></publisher-loc>
<publisher-name><![CDATA[Taschen]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B64">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wolfe]]></surname>
<given-names><![CDATA[Bertram D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Art and Revolution in Mexico]]></article-title>
<source><![CDATA[The Nation]]></source>
<year>1924</year>
<page-range>207</page-range></nlm-citation>
</ref>
<ref id="B65">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wolfe]]></surname>
<given-names><![CDATA[Bertram D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Diego Rivera on Trial]]></article-title>
<source><![CDATA[Modern Monthly]]></source>
<year>1934</year>
<volume>8</volume>
<numero>6</numero>
<issue>6</issue>
<page-range>338</page-range></nlm-citation>
</ref>
<ref id="B66">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wolfe]]></surname>
<given-names><![CDATA[Bertram D.]]></given-names>
</name>
</person-group>
<source><![CDATA[Marx and America]]></source>
<year>1934</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[John Day]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B67">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wolfe]]></surname>
<given-names><![CDATA[Bertram D.]]></given-names>
</name>
</person-group>
<source><![CDATA[A Life in Two Centuries]]></source>
<year>1981</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Stein and Day]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B68">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wolfe]]></surname>
<given-names><![CDATA[Bertram D.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Fabulous Life of Diego Rivera]]></source>
<year>1990</year>
<publisher-loc><![CDATA[Lanham, MD ]]></publisher-loc>
<publisher-name><![CDATA[Scarborough House]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B69">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Zumoff]]></surname>
<given-names><![CDATA[Jacob A.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Communist International and US Communism, 1919-1929]]></source>
<year>2014</year>
<publisher-loc><![CDATA[Leiden ]]></publisher-loc>
<publisher-name><![CDATA[Brill]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B70">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Zumoff]]></surname>
<given-names><![CDATA[Jacob A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Left in the United States and the Decline of the Socialist Party of America, 1934-1935]]></article-title>
<source><![CDATA[Labour/Le Travail]]></source>
<year>2020</year>
<volume>85</volume>
<page-range>165-98</page-range></nlm-citation>
</ref>
<ref id="B71">
<nlm-citation citation-type="book">
<source><![CDATA[Broadside Collection]]></source>
<year></year>
<publisher-loc><![CDATA[New York City ]]></publisher-loc>
<publisher-name><![CDATA[New-York Historical Society]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B72">
<nlm-citation citation-type="book">
<source><![CDATA[James P. Cannon Papers]]></source>
<year></year>
<publisher-loc><![CDATA[Madison, Wisconsin ]]></publisher-loc>
<publisher-name><![CDATA[Wisconsin Historical Society]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B73">
<nlm-citation citation-type="">
<collab>International Center for the Arts of the Americas, Museum of Fine Arts in Houston</collab>
<source><![CDATA[Online Collection on Latin American Art]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B74">
<nlm-citation citation-type="book">
<source><![CDATA[Joseph Freeman Papers]]></source>
<year></year>
<publisher-loc><![CDATA[Palo Alto, California ]]></publisher-loc>
<publisher-name><![CDATA[Hoover Institution, Stanford University]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B75">
<nlm-citation citation-type="book">
<source><![CDATA[William Gropper papers]]></source>
<year></year>
<publisher-loc><![CDATA[Washington, DC ]]></publisher-loc>
<publisher-name><![CDATA[Archives of American Art, Smithsonian Institution]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B76">
<nlm-citation citation-type="book">
<source><![CDATA[Rockefeller Center Archives]]></source>
<year></year>
<publisher-loc><![CDATA[New York City ]]></publisher-loc>
<publisher-name><![CDATA[Rockefeller Center]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B77">
<nlm-citation citation-type="book">
<source><![CDATA[Rockefeller Family Archives]]></source>
<year></year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Rockefeller Archives Center, Sleepy Hollow]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B78">
<nlm-citation citation-type="book">
<source><![CDATA[Max Shachtman Papers]]></source>
<year></year>
<publisher-name><![CDATA[Tamiment Library, New York University]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B79">
<nlm-citation citation-type="book">
<source><![CDATA[Ben Shahn Papers]]></source>
<year></year>
<publisher-loc><![CDATA[Washington, DC ]]></publisher-loc>
<publisher-name><![CDATA[Archives of American Art, Smithsonian Institution]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B80">
<nlm-citation citation-type="">
<source><![CDATA[Brooklyn Daily Eagle]]></source>
<year>1933</year>
</nlm-citation>
</ref>
<ref id="B81">
<nlm-citation citation-type="">
<source><![CDATA[Columbia Spectator]]></source>
<year>1933</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B82">
<nlm-citation citation-type="">
<source><![CDATA[Daily News]]></source>
<year>1933</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B83">
<nlm-citation citation-type="">
<source><![CDATA[Daily Oklahoman]]></source>
<year>1933</year>
<publisher-loc><![CDATA[Oklahoma City ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B84">
<nlm-citation citation-type="">
<source><![CDATA[Daily Worker]]></source>
<year>1934</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B85">
<nlm-citation citation-type="">
<source><![CDATA[Daily World]]></source>
<year>1978</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B86">
<nlm-citation citation-type="">
<source><![CDATA[Detroit Free Press]]></source>
<year>1933</year>
</nlm-citation>
</ref>
<ref id="B87">
<nlm-citation citation-type="">
<source><![CDATA[Excélsior]]></source>
<year>1933</year>
<publisher-loc><![CDATA[Mexico City ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B88">
<nlm-citation citation-type="">
<source><![CDATA[Frente a Frente]]></source>
<year>1934</year>
<publisher-loc><![CDATA[Mexico City ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B89">
<nlm-citation citation-type="">
<source><![CDATA[Los Angeles Evening-Post-Record]]></source>
<year>1934</year>
</nlm-citation>
</ref>
<ref id="B90">
<nlm-citation citation-type="">
<source><![CDATA[Los Angeles Times]]></source>
<year>1934</year>
</nlm-citation>
</ref>
<ref id="B91">
<nlm-citation citation-type="">
<source><![CDATA[Masses]]></source>
<year>1914</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B92">
<nlm-citation citation-type="">
<source><![CDATA[Militant]]></source>
<year>1934</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B93">
<nlm-citation citation-type="">
<source><![CDATA[New York Times]]></source>
<year>1957</year>
</nlm-citation>
</ref>
<ref id="B94">
<nlm-citation citation-type="">
<source><![CDATA[New York World-Telegram]]></source>
<year>1933</year>
</nlm-citation>
</ref>
<ref id="B95">
<nlm-citation citation-type="">
<source><![CDATA[Nuevo Mexicano]]></source>
<year>1933</year>
<publisher-loc><![CDATA[Santa Fe, New Mexico ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B96">
<nlm-citation citation-type="">
<source><![CDATA[People&#8217;s Daily World]]></source>
<year>1988</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B97">
<nlm-citation citation-type="">
<source><![CDATA[Times Union]]></source>
<year>1933</year>
<publisher-loc><![CDATA[Brooklyn ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B98">
<nlm-citation citation-type="">
<source><![CDATA[Workers Age]]></source>
<year>1934</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
