<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762022000200091</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2022.121.2793</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Desagravios de Cristo en el aposentillo: aromas, cantos y pintura novohispana]]></article-title>
<article-title xml:lang="en"><![CDATA[Atonement of Christ at the Whipping-Post: Scents, Chants and Novo-Hispanic Paintings]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Sacristán Ramírez]]></surname>
<given-names><![CDATA[Carolina]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Instituto Tecnológico y de Estudios Superiores de Monterrey Escuela de Humanidades y Educación ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<volume>44</volume>
<numero>121</numero>
<fpage>91</fpage>
<lpage>120</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762022000200091&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762022000200091&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762022000200091&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En la Nueva España del siglo XVIII, el olfato y el oído fueron tan importantes como la vista para comprender el significado de las representaciones de Cristo en la prisión. Este artículo propone una nueva lectura de las pinturas sobre ese tema, el cual resalta la interconexión entre dichos sentidos durante el ejercicio del aposentillo, una práctica religiosa colectiva, destinada a desagraviar a Jesús, que el mercedario Francisco Javier Herrera describe en el devocionario intitulado Tiernos lamentos. El impreso prescribe el ofrecimiento de perfumes y objetos aromáticos cuyas asociaciones simbólicas con la pintura se revelaban por medio de canciones. De esa manera, el ritual favorecía un proceso de &#8220;activación de las imágenes&#8221; basado en la participación de los creyentes. El texto aborda asimismo cuestiones relacionadas con la pervivencia y los cambios del aposentillo principalmente en el siglo XIX.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract In eighteenth-century New Spain, smell and hearing were as import- ant as sight to comprehend the meaning of the depictions of Christ in prison. This article proposes a new reading of paintings based on that subject that highlights the interconnections between those senses during the ejercicio del aposentillo, a collective religious practice aimed at making amends to Christ, that the Mercedarian friar Francisco Javier Herrera describes in the devotional booklet titled Tiernos lamentos. The printed booklet specifies the offering of perfumes and aromatic objects whose symbolic connections with the painting are revealed through singing devotional songs. In that fashion, the ritual favored a process of &#8220;activation of the religious images&#8221; based on the believers&#8217; involvement. The text also deals with questions related to the persistence and changes in the aposentillo, especially in the nineteenth century.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Cristo en el aposentillo]]></kwd>
<kwd lng="es"><![CDATA[Divino Preso]]></kwd>
<kwd lng="es"><![CDATA[aromas]]></kwd>
<kwd lng="es"><![CDATA[cantos devocionales]]></kwd>
<kwd lng="es"><![CDATA[Francisco Javier Herrera]]></kwd>
<kwd lng="es"><![CDATA[Nueva España]]></kwd>
<kwd lng="es"><![CDATA[siglo XVIII]]></kwd>
<kwd lng="en"><![CDATA[Christ in prison]]></kwd>
<kwd lng="en"><![CDATA[Divine Prisoner]]></kwd>
<kwd lng="en"><![CDATA[aromas]]></kwd>
<kwd lng="en"><![CDATA[devotional songs]]></kwd>
<kwd lng="en"><![CDATA[Francisco Javier Herrera]]></kwd>
<kwd lng="en"><![CDATA[New Spain]]></kwd>
<kwd lng="en"><![CDATA[eighteenth century]]></kwd>
</kwd-group>
</article-meta>
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