<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762022000100249</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2022.120.2778</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La neuroestética. Investigaciones de la neurociencia cognitiva sobre la percepción de las artes visuales]]></article-title>
<article-title xml:lang="en"><![CDATA[Neuroaesthetics. Cognitive neuroscience research on the perception of visual arts]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Carrillo Quiroga]]></surname>
<given-names><![CDATA[Perla]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Autónoma de Tamaulipas  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2022</year>
</pub-date>
<volume>44</volume>
<numero>120</numero>
<fpage>249</fpage>
<lpage>284</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762022000100249&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762022000100249&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762022000100249&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen La neuroestética, también llamada estética experimental, propone el estudio de los mecanismos neurales que subyacen a la percepción estética de las artes, desde la perspectiva de la neurociencia cognitiva. La neurobiología de la experiencia estética es un campo de estudio en crecimiento. Este artículo hace una revisión de las principales aportaciones que conforman el campo de la neuroestética, el concepto de estética que fundamenta esta área de estudio, así como los modelos teóricos prominentes, como el enfoque de la estética evolutiva, y repasa posibles aportaciones al estudio del arte contemporáneo. Se propone la conceptualización de la experiencia estética como una habilidad primordial humana, no exclusiva a las artes; un proceso perceptual corporizado, intersubjetivo y con significado cultural, basado en mecanismos afectivos y hedónicos neurobiológicos, arraigados en la conexión cerebro-cuerpo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Neuroaesthetics, also called experimental aesthetics, porposes the study of the neural mechanisms that underlie aesthetic perception of the arts, from the perspective of cognitive neuroscience. The neurobiology of aesthetic experience is a growing field of study. This article reviews the main contributions in the field of neuroaesthetics, the concept of aesthetics that underpins this area of study, as well as prominent theoretical models such as the approach of evolutionary aesthetics, reviewing possible contributions to the study of contemporary art. This article proposes the concept of aesthetic experience as a primordial human ability, not exclusive to the arts; a process that is embodied, intersubjective and culturally significant based on neurobiological, affective and hedonic mechanisms, rooted in the brain-body connection.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Neuroestética]]></kwd>
<kwd lng="es"><![CDATA[arte]]></kwd>
<kwd lng="es"><![CDATA[percepción]]></kwd>
<kwd lng="es"><![CDATA[valor hedónico]]></kwd>
<kwd lng="es"><![CDATA[corporización]]></kwd>
<kwd lng="en"><![CDATA[Neuroaesthetics]]></kwd>
<kwd lng="en"><![CDATA[art]]></kwd>
<kwd lng="en"><![CDATA[perception]]></kwd>
<kwd lng="en"><![CDATA[hedonic value]]></kwd>
<kwd lng="en"><![CDATA[embodiment]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Coburn]]></surname>
<given-names><![CDATA[Alex]]></given-names>
</name>
<name>
<surname><![CDATA[Vartanian]]></surname>
<given-names><![CDATA[Oshin]]></given-names>
</name>
<name>
<surname><![CDATA[Chatterjee]]></surname>
<given-names><![CDATA[Anjan]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Buildings, Beauty, and the Brain: A Neuroscience of Architectural Experience]]></article-title>
<source><![CDATA[Journal of Cognitive Neuroscience]]></source>
<year>2017</year>
<volume>29</volume>
<numero>9</numero>
<issue>9</issue>
<page-range>1522</page-range></nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kranjec]]></surname>
<given-names><![CDATA[Alexander]]></given-names>
</name>
<name>
<surname><![CDATA[Skov]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Visualizing Aesthetics Across Two Centuries]]></article-title>
<source><![CDATA[Empirical Studies of the Arts]]></source>
<year>2020</year>
<volume>39</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>1-23</page-range></nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gell]]></surname>
<given-names><![CDATA[Alfred]]></given-names>
</name>
</person-group>
<source><![CDATA[Art and Agency: An Antropological Theory]]></source>
<year>1998</year>
<page-range>13-33</page-range><publisher-loc><![CDATA[Oxford ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Chatterjee]]></surname>
<given-names><![CDATA[Anjan]]></given-names>
</name>
</person-group>
<source><![CDATA[The Aesthetic Brain, How We Evolved to Desire Beauty and Enjoy Art]]></source>
<year>2014</year>
<page-range>324</page-range><publisher-loc><![CDATA[Oxford ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Munster]]></surname>
<given-names><![CDATA[Anna]]></given-names>
</name>
</person-group>
<source><![CDATA[Materializing New Media, Embodiment and Information Aesthetics]]></source>
<year>2006</year>
<publisher-loc><![CDATA[Hanóver ]]></publisher-loc>
<publisher-name><![CDATA[Darmouth University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Shimamura]]></surname>
<given-names><![CDATA[Arthur]]></given-names>
</name>
</person-group>
<source><![CDATA[Experiencing Art in the Brain of the Beholder]]></source>
<year>2013</year>
<page-range>17</page-range><publisher-loc><![CDATA[Oxford ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bevil]]></surname>
<given-names><![CDATA[R. Conway]]></given-names>
</name>
<name>
<surname><![CDATA[Rehding]]></surname>
<given-names><![CDATA[Alexander]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Neuroaesthetics and the Trouble with Beauty]]></article-title>
<source><![CDATA[PLoS Biol]]></source>
<year>2013</year>
<volume>11</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>1-5</page-range></nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cela-Conde]]></surname>
<given-names><![CDATA[Camilo J.]]></given-names>
</name>
<name>
<surname><![CDATA[Marty]]></surname>
<given-names><![CDATA[Gisèle]]></given-names>
</name>
<name>
<surname><![CDATA[Maestú]]></surname>
<given-names><![CDATA[Fernando]]></given-names>
</name>
<name>
<surname><![CDATA[Ortiz]]></surname>
<given-names><![CDATA[Tomás]]></given-names>
</name>
<name>
<surname><![CDATA[Munar]]></surname>
<given-names><![CDATA[Enric]]></given-names>
</name>
<name>
<surname><![CDATA[Fernández]]></surname>
<given-names><![CDATA[Alberto]]></given-names>
</name>
<name>
<surname><![CDATA[Roca]]></surname>
<given-names><![CDATA[Miguel]]></given-names>
</name>
<name>
<surname><![CDATA[Rosselló]]></surname>
<given-names><![CDATA[Jaume]]></given-names>
</name>
<name>
<surname><![CDATA[Quesney]]></surname>
<given-names><![CDATA[Felipe]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Activation of the Prefrontal Cortex in the Human Aesthetic Perception]]></article-title>
<source><![CDATA[Proceedings of the National Academy of Sciences]]></source>
<year>2004</year>
<volume>101</volume>
<numero>16</numero>
<issue>16</issue>
<page-range>6321-5</page-range></nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Senior]]></surname>
<given-names><![CDATA[Carl]]></given-names>
</name>
<name>
<surname><![CDATA[Russel]]></surname>
<given-names><![CDATA[Tamara]]></given-names>
</name>
<name>
<surname><![CDATA[Gazzaniga]]></surname>
<given-names><![CDATA[Michael S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Methods in Mind]]></source>
<year>2006</year>
<page-range>9</page-range><publisher-loc><![CDATA[Cambridge ]]></publisher-loc>
<publisher-name><![CDATA[MIT Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Redies]]></surname>
<given-names><![CDATA[Christoph]]></given-names>
</name>
<name>
<surname><![CDATA[Hänisch]]></surname>
<given-names><![CDATA[Jan]]></given-names>
</name>
<name>
<surname><![CDATA[Blickhan]]></surname>
<given-names><![CDATA[Marco]]></given-names>
</name>
<name>
<surname><![CDATA[Denzler]]></surname>
<given-names><![CDATA[Joachim]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Artists Portray Human Faces with the Fourier Statistics of Complex Natural Scenes]]></article-title>
<source><![CDATA[Network]]></source>
<year>2007</year>
<volume>3</volume>
<numero>18</numero>
<issue>18</issue>
<page-range>235-48</page-range></nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Daniel]]></surname>
<given-names><![CDATA[J. Graham]]></given-names>
</name>
<name>
<surname><![CDATA[David]]></surname>
<given-names><![CDATA[J. Field]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Statistical Regularities of Art Images and Natural Scenes: Spectra, Sparseness and Nonlinearities]]></article-title>
<source><![CDATA[Spatial Vision]]></source>
<year>2007</year>
<volume>21</volume>
<numero>1-2</numero>
<issue>1-2</issue>
<page-range>149-64</page-range></nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ellingsen]]></surname>
<given-names><![CDATA[Dan-Mikael]]></given-names>
</name>
<name>
<surname><![CDATA[Leknes]]></surname>
<given-names><![CDATA[Siri]]></given-names>
</name>
<name>
<surname><![CDATA[Kringelbach]]></surname>
<given-names><![CDATA[Morten]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Hedonic Value]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Brosch]]></surname>
<given-names><![CDATA[Tobias]]></given-names>
</name>
<name>
<surname><![CDATA[Sanders]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
</person-group>
<source><![CDATA[Handbook of Value: Perspectives from Economics, Neuroscience, Philosophy, Psychology and Sociology]]></source>
<year>2015</year>
<page-range>265-86</page-range><publisher-loc><![CDATA[Oxford ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Freedberg]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
<name>
<surname><![CDATA[Gallese]]></surname>
<given-names><![CDATA[Vittorio]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Motion, Emotion and Empathy in Aesthetic Experience]]></article-title>
<source><![CDATA[Trends in Cognitive Sciences]]></source>
<year>2007</year>
<volume>11</volume>
<numero>5</numero>
<issue>5</issue>
<page-range>197-203</page-range></nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[David]]></surname>
<given-names><![CDATA[J. Chalmers]]></given-names>
</name>
<name>
<surname><![CDATA[Robert]]></surname>
<given-names><![CDATA[M. French]]></given-names>
</name>
<name>
<surname><![CDATA[Hofstadter]]></surname>
<given-names><![CDATA[Douglas]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Chapter 4. High-level Perception, Representation, and Analogy: A Critique of Artificial-Intelligence Methodology]]></article-title>
<source><![CDATA[Fluid Concepts and Creative Analogies, Computer Models of the Fundamental Mechanisms of Thought]]></source>
<year>1996</year>
<page-range>169-93</page-range><publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Basic Books]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Edward]]></surname>
<given-names><![CDATA[A. Vessel]]></given-names>
</name>
<name>
<surname><![CDATA[Starr]]></surname>
<given-names><![CDATA[G. Gabrielle]]></given-names>
</name>
<name>
<surname><![CDATA[Rubin]]></surname>
<given-names><![CDATA[Nava]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Brain on Art: Intense Aesthetic Experience Activates Default Mode]]></article-title>
<source><![CDATA[Network ", Frontiers in Human Neuroscience]]></source>
<year>2012</year>
<numero>6</numero>
<issue>6</issue>
<page-range>235-53</page-range></nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Emily]]></surname>
<given-names><![CDATA[B. Falk]]></given-names>
</name>
<name>
<surname><![CDATA[Rameson]]></surname>
<given-names><![CDATA[Lian]]></given-names>
</name>
<name>
<surname><![CDATA[Elliot]]></surname>
<given-names><![CDATA[T. Berkman]]></given-names>
</name>
<name>
<surname><![CDATA[Liao]]></surname>
<given-names><![CDATA[Betty]]></given-names>
</name>
<name>
<surname><![CDATA[Kang]]></surname>
<given-names><![CDATA[Yoona]]></given-names>
</name>
<name>
<surname><![CDATA[Tristan]]></surname>
<given-names><![CDATA[K. Inagaki]]></given-names>
</name>
<name>
<surname><![CDATA[Matthew]]></surname>
<given-names><![CDATA[D. Liberman]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Neural Correlates of Persuasion: A Common Network Across Cultures and Media]]></article-title>
<source><![CDATA[Journal of Cognitive Neuroscience]]></source>
<year>2010</year>
<volume>22</volume>
<numero>11</numero>
<issue>11</issue>
<page-range>2447-59</page-range></nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wassiliwizky]]></surname>
<given-names><![CDATA[Eugen]]></given-names>
</name>
<name>
<surname><![CDATA[Menninghaus]]></surname>
<given-names><![CDATA[Winfried]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Why and How Should Cognitive Science Care about Aesthetics?]]></article-title>
<source><![CDATA[Trends in Cognitive Sciences]]></source>
<year>2021</year>
<volume>25</volume>
<numero>6</numero>
<issue>6</issue>
<page-range>437-49</page-range></nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Steen]]></surname>
<given-names><![CDATA[Francis]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A Cognitive Account of Aesthetics]]></article-title>
<source><![CDATA[The Artful Mind]]></source>
<year>2006</year>
<page-range>57-72</page-range><publisher-loc><![CDATA[Oxford ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Steen]]></surname>
<given-names><![CDATA[Francis]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Chapter 3. A Cognitive Account of Aesthetics]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Turner]]></surname>
<given-names><![CDATA[Mark]]></given-names>
</name>
</person-group>
<source><![CDATA[The Artful Mind , Cognitive Science and the Riddle of Human Creativity]]></source>
<year>2006</year>
<page-range>61-57</page-range><publisher-loc><![CDATA[Oxford ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gerald]]></surname>
<given-names><![CDATA[C. Cupchik]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A Critical Reflection on Arnheim's Gestalt Theory of Aesthetics]]></article-title>
<source><![CDATA[Psychology of Aesthetics, Creativity and the Arts]]></source>
<year>2007</year>
<volume>1</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>16-24</page-range></nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gerald]]></surname>
<given-names><![CDATA[C. Cupchik]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A Decade After Berlyne: New Directions in Experimental Aesthetics]]></article-title>
<source><![CDATA[Poetics]]></source>
<year>1986</year>
<volume>15</volume>
<numero>4-6</numero>
<issue>4-6</issue>
<page-range>345-69</page-range></nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rizzolatti]]></surname>
<given-names><![CDATA[Giacomo]]></given-names>
</name>
<name>
<surname><![CDATA[Sinigaglia]]></surname>
<given-names><![CDATA[Corrado]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Functional Role of the Parieto-frontal Mirror Circuit: Interpretations and Misinterpretations]]></article-title>
<source><![CDATA[Nature Reviews Neuroscience]]></source>
<year>2010</year>
<numero>11</numero>
<issue>11</issue>
<page-range>264-74</page-range></nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fechner]]></surname>
<given-names><![CDATA[Gustav Theodor]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Various Attempts to Establish a Basic Form of Beauty: Experimental Aesthetics, Golden Section and Square]]></article-title>
<source><![CDATA[Empirical Studies of the Arts]]></source>
<year>1997</year>
<volume>15</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>115-30</page-range></nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fechner]]></surname>
<given-names><![CDATA[Gustav Theodor]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Elemente der Psychophysik, 1860]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Dennis]]></surname>
<given-names><![CDATA[W]]></given-names>
</name>
</person-group>
<source><![CDATA[Century Psychology Series. Readings in the History of Psychology]]></source>
<year>1948</year>
<page-range>206-13</page-range><publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Appleton]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Leder]]></surname>
<given-names><![CDATA[Helmut]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Next Steps in Neuroaesthetics: Which Processes and Processing Stages to Study?]]></article-title>
<source><![CDATA[Psychology of Aesthetics, Creativity and the Arts]]></source>
<year>2013</year>
<volume>7</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>27-37</page-range></nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Leder]]></surname>
<given-names><![CDATA[Helmut]]></given-names>
</name>
<name>
<surname><![CDATA[Belke]]></surname>
<given-names><![CDATA[Benno]]></given-names>
</name>
<name>
<surname><![CDATA[Oeberst]]></surname>
<given-names><![CDATA[Andries]]></given-names>
</name>
<name>
<surname><![CDATA[Augustin]]></surname>
<given-names><![CDATA[Dorothee]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A Model of Aesthetic Appreciation and Aesthetic Judgements]]></article-title>
<source><![CDATA[British Journal of Psychology]]></source>
<year>2004</year>
<numero>95</numero>
<issue>95</issue>
<page-range>489-508</page-range></nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Turner]]></surname>
<given-names><![CDATA[J. Scott]]></given-names>
</name>
</person-group>
<source><![CDATA[The Extended Organism: The Physiology of Animal-built Structures]]></source>
<year>2002</year>
<publisher-loc><![CDATA[Cambridge ]]></publisher-loc>
<publisher-name><![CDATA[Harvard University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lindblom]]></surname>
<given-names><![CDATA[Jessica]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A Radical Reassessment of the Body in Social Cognition]]></article-title>
<source><![CDATA[Frontiers in Psychology]]></source>
<year>2020</year>
<volume>11</volume>
<numero>987</numero>
<issue>987</issue>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Contreras-Vidal]]></surname>
<given-names><![CDATA[José L.]]></given-names>
</name>
<name>
<surname><![CDATA[Robleto]]></surname>
<given-names><![CDATA[Dario]]></given-names>
</name>
<name>
<surname><![CDATA[Cruz-Garza]]></surname>
<given-names><![CDATA[Jesús G.]]></given-names>
</name>
<name>
<surname><![CDATA[Azorín]]></surname>
<given-names><![CDATA[José M.]]></given-names>
</name>
<name>
<surname><![CDATA[Nam]]></surname>
<given-names><![CDATA[Chang S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Mobile Brain-Body Imaging and the Neuroscience of Art, Innovation and Creativity]]></source>
<year>2019</year>
<publisher-loc><![CDATA[Cham ]]></publisher-loc>
<publisher-name><![CDATA[Springer]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Contreras-Vidal]]></surname>
<given-names><![CDATA[José L.]]></given-names>
</name>
<name>
<surname><![CDATA[Kever]]></surname>
<given-names><![CDATA[Jeannie]]></given-names>
</name>
<name>
<surname><![CDATA[Robleto]]></surname>
<given-names><![CDATA[Dario]]></given-names>
</name>
<name>
<surname><![CDATA[Rosengren]]></surname>
<given-names><![CDATA[James]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[At the Crossroads of Art and Science: Neuroaesthetics Begins to Come into Its Own]]></article-title>
<source><![CDATA[Leonardo]]></source>
<year>2017</year>
<volume>52</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>103-6</page-range></nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[P. Forgas]]></surname>
<given-names><![CDATA[Joseph]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Mood and Judgment: The Affect Infusion Model (AIM)]]></article-title>
<source><![CDATA[Psychological Bulletin]]></source>
<year>1995</year>
<volume>117</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>39-66</page-range></nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Grammer]]></surname>
<given-names><![CDATA[Karl]]></given-names>
</name>
<name>
<surname><![CDATA[Voland]]></surname>
<given-names><![CDATA[Eckart]]></given-names>
</name>
</person-group>
<source><![CDATA[Evolutionary Aesthetics]]></source>
<year>2003</year>
<publisher-loc><![CDATA[Berlín ]]></publisher-loc>
<publisher-name><![CDATA[Springer]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Stewart]]></surname>
<given-names><![CDATA[Lauren]]></given-names>
</name>
<name>
<surname><![CDATA[Walsh]]></surname>
<given-names><![CDATA[Vincent]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Chapter I. Transcranial Magnetic Stimulation in Human Cognition]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Senior]]></surname>
</name>
<name>
<surname><![CDATA[Russel]]></surname>
</name>
<name>
<surname><![CDATA[Gazzaniga]]></surname>
</name>
</person-group>
<source><![CDATA[Methods in Mind]]></source>
<year></year>
<page-range>1-26</page-range></nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[K.V.]]></surname>
<given-names><![CDATA[Lilly]]></given-names>
</name>
<name>
<surname><![CDATA[Venukapalli]]></surname>
<given-names><![CDATA[Sudhakar]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Art and Aesthetic Appreciation in Children]]></article-title>
<source><![CDATA[International Journal of Scientific and Research Publications]]></source>
<year>2020</year>
<volume>11</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>112-8</page-range></nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nadal]]></surname>
<given-names><![CDATA[Marcos]]></given-names>
</name>
<name>
<surname><![CDATA[Skov]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Introduction to the Special Issue: Toward an Interdisciplinary Neuroaesthetics]]></article-title>
<source><![CDATA[Psychology of Aesthetics, Creativity and the Arts]]></source>
<year>2013</year>
<volume>7</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>1-12</page-range></nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[T. Pearce]]></surname>
<given-names><![CDATA[Marcus]]></given-names>
</name>
<name>
<surname><![CDATA[W. Zaidel]]></surname>
<given-names><![CDATA[Dahlia]]></given-names>
</name>
<name>
<surname><![CDATA[Vartanian]]></surname>
<given-names><![CDATA[Oshin]]></given-names>
</name>
<name>
<surname><![CDATA[Skov]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
<name>
<surname><![CDATA[Leder]]></surname>
<given-names><![CDATA[Helmut]]></given-names>
</name>
<name>
<surname><![CDATA[Chatterjee]]></surname>
<given-names><![CDATA[Anjan]]></given-names>
</name>
<name>
<surname><![CDATA[Nadal]]></surname>
<given-names><![CDATA[Marcos]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Neuroaesthetics, The Cognitive Neuroscience of Aesthetic Experience]]></article-title>
<source><![CDATA[Perspectives on Psychological Science]]></source>
<year>2016</year>
<volume>II</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>265-79</page-range></nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sampedro]]></surname>
<given-names><![CDATA[María José]]></given-names>
</name>
<name>
<surname><![CDATA[Blanco]]></surname>
<given-names><![CDATA[Manuel J.]]></given-names>
</name>
<name>
<surname><![CDATA[Ponte]]></surname>
<given-names><![CDATA[Dolores]]></given-names>
</name>
<name>
<surname><![CDATA[Leiros]]></surname>
<given-names><![CDATA[Luz I.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Saliencia perceptiva y atención]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Añaños]]></surname>
<given-names><![CDATA[Elena]]></given-names>
</name>
<name>
<surname><![CDATA[Estaún]]></surname>
<given-names><![CDATA[Santiago]]></given-names>
</name>
<name>
<surname><![CDATA[Mas]]></surname>
<given-names><![CDATA[María Teresa]]></given-names>
</name>
</person-group>
<source><![CDATA[La atención (VI): un enfoque pluridisciplinar]]></source>
<year>2010</year>
<page-range>91-104</page-range><publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Universitat Autònoma de Barcelona]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Johnson]]></surname>
<given-names><![CDATA[Mark]]></given-names>
</name>
</person-group>
<source><![CDATA[The Aesthetics of Meaning and Thought, the Bodily Roots of Philosophy, Morality and Art]]></source>
<year>2018</year>
<page-range>203</page-range><publisher-loc><![CDATA[Chicago ]]></publisher-loc>
<publisher-name><![CDATA[University of Chicago Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B39">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Skov]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
<name>
<surname><![CDATA[Nadal]]></surname>
<given-names><![CDATA[Marcos]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A Farewell to Art: Aesthetics as a Topic in Psychology and Neuroscience]]></article-title>
<source><![CDATA[Perspectives on Psychological Science]]></source>
<year>2020</year>
<volume>15</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>1-13</page-range></nlm-citation>
</ref>
<ref id="B40">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Skov]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Aesthetic Appreciation: The View from Neuroimaging]]></article-title>
<source><![CDATA[Empirical Studies of the Arts]]></source>
<year>2019</year>
<volume>37</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>1-29</page-range></nlm-citation>
</ref>
<ref id="B41">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Merleau-Ponty]]></surname>
<given-names><![CDATA[Maurice]]></given-names>
</name>
<name>
<surname><![CDATA[Smith]]></surname>
<given-names><![CDATA[Colin]]></given-names>
</name>
</person-group>
<source><![CDATA[Phenomenology of Perception]]></source>
<year>1962</year>
<publisher-loc><![CDATA[Londres ]]></publisher-loc>
<publisher-name><![CDATA[Routledge]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B42">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Donald]]></surname>
<given-names><![CDATA[Merlin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Chapter I. Art and Cognitive Evolution]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Turner]]></surname>
<given-names><![CDATA[Mark]]></given-names>
</name>
</person-group>
<source><![CDATA[The Artful Mind , Cognitive Science and the Riddle of Human Creativity]]></source>
<year>2006</year>
<page-range>10-1</page-range><publisher-loc><![CDATA[Oxford ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B43">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Torabi Nami]]></surname>
<given-names><![CDATA[Mohammad]]></given-names>
</name>
<name>
<surname><![CDATA[Ashayeri]]></surname>
<given-names><![CDATA[Hasan]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Where Neuroscience and Art Embrace: The Neuroaesthetics]]></article-title>
<source><![CDATA[Basic and Clinical Neuroscience]]></source>
<year>2011</year>
<volume>2</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>1-6</page-range></nlm-citation>
</ref>
<ref id="B44">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Maranesi]]></surname>
<given-names><![CDATA[Mónica]]></given-names>
</name>
<name>
<surname><![CDATA[Bonini]]></surname>
<given-names><![CDATA[Luca]]></given-names>
</name>
<name>
<surname><![CDATA[Fogassi]]></surname>
<given-names><![CDATA[Leonardo]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Cortical Processing of Object Affordances for Self and Others' Action]]></article-title>
<source><![CDATA[Frontiers in Psychology]]></source>
<year>2014</year>
<numero>5</numero>
<issue>5</issue>
<page-range>538</page-range></nlm-citation>
</ref>
<ref id="B45">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Carrillo Quiroga]]></surname>
<given-names><![CDATA[Perla]]></given-names>
</name>
<name>
<surname><![CDATA[Chacón Hernández]]></surname>
<given-names><![CDATA[Julio César]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La percepción del espacio en realidad virtual, correlación entre posibilidades de acción y presencia espacial]]></article-title>
<source><![CDATA[Entreciencias: Diálogos en la Sociedad del Conocimiento]]></source>
<year>2021</year>
<volume>9</volume>
<numero>23</numero>
<issue>23</issue>
<page-range>1-22</page-range></nlm-citation>
</ref>
<ref id="B46">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Carrillo Quiroga]]></surname>
<given-names><![CDATA[Perla]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La percepción visual del paisaje en la pintura y la fotografía: un enfoque interdisciplinario hacia la presencia espacial]]></article-title>
<source><![CDATA[Cartaphilus, Revista de Investigación y Crítica Estética]]></source>
<year>2020</year>
<numero>17</numero>
<issue>17</issue>
<page-range>51-71</page-range></nlm-citation>
</ref>
<ref id="B47">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Phil]]></surname>
<given-names><![CDATA[A. Russell]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Effort After Meaning and the Hedonic Value of Paintings]]></article-title>
<source><![CDATA[British Journal of Psychology]]></source>
<year>2003</year>
<numero>94</numero>
<issue>94</issue>
<page-range>99-110</page-range></nlm-citation>
</ref>
<ref id="B48">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Robbins]]></surname>
<given-names><![CDATA[Philip]]></given-names>
</name>
<name>
<surname><![CDATA[Aydede]]></surname>
<given-names><![CDATA[Murat]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Chapter 1. A Short Primer on Situated Cognition]]></article-title>
<source><![CDATA[The Cambridge Handbook of Situated Cognition]]></source>
<year></year>
<page-range>3-10</page-range><publisher-loc><![CDATA[Cambridge ]]></publisher-loc>
<publisher-name><![CDATA[Cambridge University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B49">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Tallis]]></surname>
<given-names><![CDATA[Raymond]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Limitations of a Neurological Approach to Art]]></article-title>
<source><![CDATA[The Lancet]]></source>
<year>2008</year>
<volume>372</volume>
<numero>9632</numero>
<issue>9632</issue>
<page-range>19-20</page-range></nlm-citation>
</ref>
<ref id="B50">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Robert]]></surname>
<given-names><![CDATA[A. Wilson]]></given-names>
</name>
<name>
<surname><![CDATA[Clark]]></surname>
<given-names><![CDATA[Andy]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[How to Situate Cognition: Letting Nature Take Its Course]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Robbins]]></surname>
<given-names><![CDATA[Philip]]></given-names>
</name>
<name>
<surname><![CDATA[Aydede]]></surname>
<given-names><![CDATA[Murat]]></given-names>
</name>
</person-group>
<source><![CDATA[The Cambridge Handbook of Situated Cognition]]></source>
<year>2009</year>
<page-range>55-77</page-range><publisher-loc><![CDATA[Cambridge ]]></publisher-loc>
<publisher-name><![CDATA[Cambridge University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B51">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Arnheim]]></surname>
<given-names><![CDATA[Rudolf]]></given-names>
</name>
</person-group>
<source><![CDATA[Art and Visual Perception: A Psychology of the Creative Eye]]></source>
<year>1954</year>
<publisher-loc><![CDATA[Berkeley ]]></publisher-loc>
<publisher-name><![CDATA[University of California Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B52">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Zeki]]></surname>
<given-names><![CDATA[Semir]]></given-names>
</name>
</person-group>
<source><![CDATA[Inner vision: An Exploration of Art and the Brain]]></source>
<year>1999</year>
<publisher-loc><![CDATA[Oxford ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B53">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Penny]]></surname>
<given-names><![CDATA[Simon]]></given-names>
</name>
</person-group>
<source><![CDATA[Making Sense: Cognition, Computing, Art and Embodiment]]></source>
<year>2017</year>
<publisher-loc><![CDATA[Cambridge ]]></publisher-loc>
<publisher-name><![CDATA[MIT]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B54">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Grossberg]]></surname>
<given-names><![CDATA[Stephen]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Link Between Brain Learning, Attention, and Consciousness]]></article-title>
<source><![CDATA[Consciousness and Cognition]]></source>
<year>1999</year>
<numero>8</numero>
<issue>8</issue>
<page-range>1-44</page-range></nlm-citation>
</ref>
<ref id="B55">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Kirk]]></surname>
<given-names><![CDATA[Ulrich]]></given-names>
</name>
<name>
<surname><![CDATA[Skov]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
<name>
<surname><![CDATA[Schram Christensen]]></surname>
<given-names><![CDATA[Mark]]></given-names>
</name>
<name>
<surname><![CDATA[Nyaard]]></surname>
<given-names><![CDATA[Niels]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Brain Correlates of Aesthetic Expertise: A Parametric FMRI Study]]></article-title>
<source><![CDATA[Brain and Cognition]]></source>
<year>2009</year>
<volume>69</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>306-15</page-range></nlm-citation>
</ref>
<ref id="B56">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[S. Ramachandran]]></surname>
<given-names><![CDATA[Vilayanur]]></given-names>
</name>
<name>
<surname><![CDATA[Hirstein]]></surname>
<given-names><![CDATA[William]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Science of Art, A Neurological Theory of Aesthetic Experience]]></article-title>
<source><![CDATA[Journal of Consciousness Studies]]></source>
<year>1999</year>
<volume>6</volume>
<numero>6-7</numero>
<issue>6-7</issue>
<page-range>21</page-range></nlm-citation>
</ref>
<ref id="B57">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gallese]]></surname>
<given-names><![CDATA[Vittorio]]></given-names>
</name>
<name>
<surname><![CDATA[Guerra]]></surname>
<given-names><![CDATA[Michele]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Embodying Movies: Embodied Simulation and Film Studies]]></article-title>
<source><![CDATA[Cinema: Journal of Philosophy and the Moving Image]]></source>
<year>2012</year>
<numero>3</numero>
<issue>3</issue>
<page-range>183-4</page-range></nlm-citation>
</ref>
<ref id="B58">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gallese]]></surname>
<given-names><![CDATA[Vittorio]]></given-names>
</name>
<name>
<surname><![CDATA[Guerra]]></surname>
<given-names><![CDATA[Michele]]></given-names>
</name>
</person-group>
<source><![CDATA[The Empathic Screen, Cinema and Neuroscience]]></source>
<year>2020</year>
<publisher-loc><![CDATA[Oxford ]]></publisher-loc>
<publisher-name><![CDATA[Oxford University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B59">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gallese]]></surname>
<given-names><![CDATA[Vittorio]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Embodied Simulation. Its Bearing on Aesthetic Experience and the Dialogue Between Neuroscience and the Humanities]]></article-title>
<source><![CDATA[Gestalt Theory]]></source>
<year>2019</year>
<volume>41</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>113-28</page-range></nlm-citation>
</ref>
<ref id="B60">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gallese]]></surname>
<given-names><![CDATA[Vittorio]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Embodied Simulation: From Neurons to Phenomenal Experience]]></article-title>
<source><![CDATA[Phenomenology and the Cognitive Sciences]]></source>
<year>2005</year>
<numero>4</numero>
<issue>4</issue>
<page-range>23-48</page-range></nlm-citation>
</ref>
<ref id="B61">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gallese]]></surname>
<given-names><![CDATA[Vittorio]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Aesthetic World in the Digital Era, a Call to Arms for Experimental Aesthetics]]></article-title>
<source><![CDATA[Reti, Saperi, Linguaggi]]></source>
<year>2020</year>
<volume>I</volume>
<numero>17</numero>
<issue>17</issue>
<page-range>55-84</page-range></nlm-citation>
</ref>
<ref id="B62">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gallese]]></surname>
<given-names><![CDATA[Vittorio]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Problem of Images: A View from the Brain-Body]]></article-title>
<source><![CDATA[Phenomenology and Mind]]></source>
<year>2018</year>
<numero>14</numero>
<issue>14</issue>
<page-range>70-9</page-range></nlm-citation>
</ref>
</ref-list>
</back>
</article>
