<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762021000200429</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2021.119.2767</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[In memoriam Martin Warnke]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Krieger]]></surname>
<given-names><![CDATA[Peter]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,UNAM Instituto de Investigaciones Estéticas ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<volume>43</volume>
<numero>119</numero>
<fpage>429</fpage>
<lpage>444</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762021000200429&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762021000200429&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762021000200429&amp;lng=en&amp;nrm=iso"></self-uri></article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warburg]]></surname>
<given-names><![CDATA[Aby]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Heidnische Weissagung in Wort und Bild zu Luthers Zeiten]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Rougemont]]></surname>
<given-names><![CDATA[Fritz]]></given-names>
</name>
<name>
<surname><![CDATA[Bing]]></surname>
<given-names><![CDATA[Gertrud]]></given-names>
</name>
</person-group>
<collab>Bibliothek Warburg</collab>
<collab>Band II</collab>
<source><![CDATA[A. Warburg / Gesammelte Schriften]]></source>
<year>1932</year>
<page-range>487-565</page-range><publisher-loc><![CDATA[Berlín ]]></publisher-loc>
<publisher-name><![CDATA[B.G. Teubner]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warburg]]></surname>
<given-names><![CDATA[Aby]]></given-names>
</name>
</person-group>
<source><![CDATA[Studienausgabe]]></source>
<year>2020</year>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Freeberg]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Pathos a Oraibi: Ciò che Warburg non vide]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Cieri Via]]></surname>
<given-names><![CDATA[Claudia]]></given-names>
</name>
<name>
<surname><![CDATA[Montani]]></surname>
<given-names><![CDATA[Pietro]]></given-names>
</name>
</person-group>
<source><![CDATA[Lo Sguardo di Giano, Aby Warburg fra tempo e memoria]]></source>
<year>2004</year>
<page-range>569-611</page-range><publisher-loc><![CDATA[Turín ]]></publisher-loc>
<publisher-name><![CDATA[Nino Aragno]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Freeberg]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Warburg's Mask: A Study in Idolatry]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Westerman]]></surname>
<given-names><![CDATA[Mariet]]></given-names>
</name>
</person-group>
<source><![CDATA[Anthropologies of Art]]></source>
<year>2005</year>
<page-range>3-25</page-range><publisher-loc><![CDATA[Williamstown ]]></publisher-loc>
<publisher-name><![CDATA[Clark Institute]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ades]]></surname>
<given-names><![CDATA[Dawn]]></given-names>
</name>
<name>
<surname><![CDATA[Benton]]></surname>
<given-names><![CDATA[Tim]]></given-names>
</name>
</person-group>
<source><![CDATA[Art and Power. Europe under the dictators 1930-1945]]></source>
<year>1995</year>
<publisher-loc><![CDATA[Londres ]]></publisher-loc>
<publisher-name><![CDATA[South Bank Centre]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ernst]]></surname>
<given-names><![CDATA[H. Gombrich]]></given-names>
</name>
</person-group>
<source><![CDATA[Aby Warburg. An intellectual Biography]]></source>
<year>1970</year>
<publisher-loc><![CDATA[Londres ]]></publisher-loc>
<publisher-name><![CDATA[The Warburg Institute]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Panofsky]]></surname>
<given-names><![CDATA[Erwin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A. Warburg (Nachruf)]]></article-title>
<source><![CDATA[Repertorium für Kunstwissenschaft]]></source>
<year>1930</year>
<numero>51</numero>
<issue>51</issue>
<page-range>1-4</page-range></nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Panofsky]]></surname>
<given-names><![CDATA[Erwin]]></given-names>
</name>
</person-group>
<source><![CDATA[Studies in Iconology. Humanistic Themes in the Art of the Renaissance]]></source>
<year>1939</year>
<publisher-loc><![CDATA[Nueva York ]]></publisher-loc>
<publisher-name><![CDATA[Oxford UP]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Didi-Huberman]]></surname>
<given-names><![CDATA[Georges]]></given-names>
</name>
</person-group>
<source><![CDATA[Das Nachleben der Bilder. Kunstgeschichte und Phantomzeit nach Aby Warburg]]></source>
<year>2010</year>
<publisher-loc><![CDATA[Berlín ]]></publisher-loc>
<publisher-name><![CDATA[Suhrkamp]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bredekamp]]></surname>
<given-names><![CDATA[Horst]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Rubens, Warburg und die Couchecke. Der Kunsthistoriker Martin Warnke revolutionierte sein Fach. Jetzt ist er gestorben]]></article-title>
<source><![CDATA[Süddeutsche Zeitung]]></source>
<year>2019</year>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Klenner]]></surname>
<given-names><![CDATA[Jost Philipp]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Bildindex zur Politischen Ikonographie. 485: Untertanen-05: Auswanderer / Emigranten]]></article-title>
<source><![CDATA[Idee. Zeitschrift für Ideengeschichte]]></source>
<year>2016</year>
<numero>2</numero>
<issue>2</issue>
<page-range>66</page-range></nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rubí]]></surname>
<given-names><![CDATA[Linda Báez]]></given-names>
</name>
</person-group>
<source><![CDATA[El Atlas de imágenes. Mnemosine de Aby Warburg]]></source>
<year>2012</year>
<volume>2</volume>
<publisher-loc><![CDATA[Ciudad de México ]]></publisher-loc>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México-Instituto de Investigaciones Estéticas]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Der 'Fall César' in der Reinoldigemeinde zu Dortmund 1906]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Welzel]]></surname>
<given-names><![CDATA[Barbara]]></given-names>
</name>
</person-group>
<source><![CDATA[Beunruhigung durch Kunst und Wissenschaft]]></source>
<year>2011</year>
<page-range>13-21</page-range><publisher-loc><![CDATA[Norderstedt ]]></publisher-loc>
<publisher-name><![CDATA[Books on Demand GmbH]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Die zu sich selbst entlassene Kunst]]></article-title>
<source><![CDATA[Im Blickfeld. Jahrbuch der Hamburger Kunsthalle]]></source>
<year>1998</year>
<numero>3</numero>
<issue>3</issue>
<page-range>155-62</page-range></nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Erwin Panofsky - Kunstgeschichte als Kunst]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Krause]]></surname>
<given-names><![CDATA[Eckart]]></given-names>
</name>
<name>
<surname><![CDATA[Nicolaisen]]></surname>
<given-names><![CDATA[Rainer]]></given-names>
</name>
</person-group>
<source><![CDATA[Zum Gedenken an Erwin Panofsky (1892-1968). Reden aus Anlass der Benennung des Hörsaals C im Hauptgebäude der Universität Hamburg in Erwin-Panofsky-Hörsaal am 20. Juni 2000]]></source>
<year>2000</year>
<page-range>41-78</page-range><publisher-loc><![CDATA[Hamburgo ]]></publisher-loc>
<publisher-name><![CDATA[Hamburg University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Flüchtling ohne Schlepper. Aus dem Bildindex zur politischen Ikonographie]]></article-title>
<source><![CDATA[Idee. Zeitschrift für Ideengeschichte]]></source>
<year>2016</year>
<numero>2</numero>
<issue>2</issue>
<page-range>65-74</page-range></nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Haakes Haken. Reichstag, Erde und NS-Zeit]]></article-title>
<source><![CDATA[Süddeutsche Zeitung]]></source>
<year>2000</year>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Sobre la evolución de la técnica de periodización en la historia del arte del siglo XIX]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Díaz]]></surname>
<given-names><![CDATA[Patricia]]></given-names>
</name>
<name>
<surname><![CDATA[Galí]]></surname>
<given-names><![CDATA[Montserrat]]></given-names>
</name>
</person-group>
<source><![CDATA[Nombrar y explicar]]></source>
<year>2012</year>
<page-range>29-51</page-range><publisher-loc><![CDATA[México ]]></publisher-loc>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México-Instituto de Investigaciones Estéticas]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Visualisierung der Macht im 16. Jahrhundert]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Dieter Gauger]]></surname>
<given-names><![CDATA[Jörg]]></given-names>
</name>
<name>
<surname><![CDATA[Stagl]]></surname>
<given-names><![CDATA[Justin]]></given-names>
</name>
</person-group>
<source><![CDATA[Staatsrepräsentation]]></source>
<year>1992</year>
<page-range>63-74</page-range><publisher-loc><![CDATA[Berlín ]]></publisher-loc>
<publisher-name><![CDATA[Reimer]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Weltanschauliche Motive in der kunsthistorischen Populärliteratur]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<source><![CDATA[Das Kunstwerk zwischen Wissenschaft und Weltanschauung]]></source>
<year>1970</year>
<page-range>88-108</page-range><publisher-loc><![CDATA[Gütersloh ]]></publisher-loc>
<publisher-name><![CDATA[Bertelsmann]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<source><![CDATA[Bau und Überbau. Soziologie der mittelalterlichen Architektur nach den Schriftquellen]]></source>
<year>1984</year>
<publisher-loc><![CDATA[Fráncfort del Meno ]]></publisher-loc>
<publisher-name><![CDATA[Suhrkamp]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<source><![CDATA[Cranachs Luther. Entwürfe für ein Image]]></source>
<year>1984</year>
<publisher-loc><![CDATA[Fráncfort del Meno ]]></publisher-loc>
<publisher-name><![CDATA[Fischer]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<source><![CDATA[Hofkünstler. Zur Vorgeschichte des modernen Künstlers]]></source>
<year>1996</year>
<publisher-loc><![CDATA[Colonia ]]></publisher-loc>
<publisher-name><![CDATA[DuMont]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<source><![CDATA[Peter Paul Rubens. Leben und Werk]]></source>
<year>1977</year>
<publisher-loc><![CDATA[Colonia ]]></publisher-loc>
<publisher-name><![CDATA[DuMont Buchverlag]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
</person-group>
<source><![CDATA[Velazquez. Form &amp; Reform]]></source>
<year>2005</year>
<publisher-loc><![CDATA[Colonia ]]></publisher-loc>
<publisher-name><![CDATA[DuMont Buchverlag]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warnke]]></surname>
<given-names><![CDATA[Martin]]></given-names>
</name>
<name>
<surname><![CDATA[Schneider]]></surname>
<given-names><![CDATA[Pablo]]></given-names>
</name>
<name>
<surname><![CDATA[Welzel]]></surname>
<given-names><![CDATA[Barbara]]></given-names>
</name>
</person-group>
<source><![CDATA[Zeitgenossenschaft. Zum Auschwitz-Prozess 1964]]></source>
<year>2014</year>
<publisher-loc><![CDATA[Zúrich ]]></publisher-loc>
<publisher-name><![CDATA[Diaphanes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Diers]]></surname>
<given-names><![CDATA[Michael]]></given-names>
</name>
</person-group>
<source><![CDATA[Warburg aus Briefen: Kommentare zu den Kopierbüchern der Jahre 1950 bis 1918. Schriften des Warburg-Archivs im Kunstgeschichtlichen Seminar der Universität Hamburg, Band 2]]></source>
<year></year>
<numero>142</numero>
<edition>230</edition>
<issue>142</issue>
<publisher-loc><![CDATA[Berlín ]]></publisher-loc>
<publisher-name><![CDATA[DeGruyter]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Otto]]></surname>
<given-names><![CDATA[K. Werckmeister]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Radical Art History]]></article-title>
<source><![CDATA[Art Journal]]></source>
<year>1982</year>
<volume>42</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>284-91</page-range></nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ohrt]]></surname>
<given-names><![CDATA[Roberto]]></given-names>
</name>
<name>
<surname><![CDATA[Heil]]></surname>
<given-names><![CDATA[Axel]]></given-names>
</name>
</person-group>
<source><![CDATA[Haus der Kulturen der Welt y The Warburg Institute, London, Aby Warburg: Bilderatlas Mnemosyne. The Original]]></source>
<year>2020</year>
<publisher-loc><![CDATA[Berlín ]]></publisher-loc>
<publisher-name><![CDATA[Hatje Cantz]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hofmann]]></surname>
<given-names><![CDATA[Werner]]></given-names>
</name>
</person-group>
<source><![CDATA[Luther und die Folgen für die Kunst]]></source>
<year>1983</year>
<publisher-loc><![CDATA[Múnich ]]></publisher-loc>
<publisher-name><![CDATA[Prestel]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
