<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762021000200011</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2021.119.2753</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La estética de la escucha: diálogos sensoriales, lúdicos y poéticos con la ciudad]]></article-title>
<article-title xml:lang="en"><![CDATA[The Aesthetics of Listening: Sensory, Playful and Poetic Dialogues with the City]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Apolonio]]></surname>
<given-names><![CDATA[Laura]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Garrido-Román]]></surname>
<given-names><![CDATA[Mar]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Granada Facultad de Bellas Artes Departamento de Pintura]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad de Granada Facultad de Bellas Artes Departamento de Dibujo]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<volume>43</volume>
<numero>119</numero>
<fpage>11</fpage>
<lpage>48</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762021000200011&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762021000200011&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762021000200011&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El objetivo de este artículo es revindicar el potencial creativo de la escucha como experiencia estética y herramienta artística. Al partir de consideraciones sobre el urbanismo sensorial, la semiótica y la poética de la ciudad, iremos profundizando nuestra investigación en la fenomenologia de la escucha, analizaremos el soundwalking (paseo sonoro) desde sus orígenes hasta algunos de los ejemplos más sugerentes de artistas contemporáneos, mostraremos cómo la escucha, unida al paseo, constituye una potente herramienta capaz de ampliar y transformar nuestra percepción del mundo. Por último, presentaremos nuestro proyecto de Cartografías sonoras de Granada, una creación de paseos sonoros por la ciudad para invitar a los caminantes a descubrir una nueva dimensión estética que abre la conciencia a un mundo sugerente, frágil y efímero, siempre presente, aunque a menudo invisibilizado por la vida apresurada en su afán productivo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The aim of this article is to claim the creative potential of listening to sounds in urban planning and architecture as well as in other artistic fields. Starting from considerations on sensory urbanism, semiotics and poetics of the city, it sets out to deepen research into the phenomenology of listening by analyzing soundwalking from its origins to some of the most suggestive examples of contemporary artists, showing how listening to sounds, together with walking, is a powerful tool for expanding and transforming our perception of the world. Finally, it presents the project of Sound Cartographies of Granada, a creation of soundwalks around the city to invite walkers to discover a new aesthetic dimension that opens consciousness to a suggestive, fragile and ephemeral world, always present, although often made invisible in the daily rush of a life obsessed by productivity.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Urbanismo sensorial]]></kwd>
<kwd lng="es"><![CDATA[caminar]]></kwd>
<kwd lng="es"><![CDATA[soundwalking]]></kwd>
<kwd lng="es"><![CDATA[arte sonoro]]></kwd>
<kwd lng="es"><![CDATA[paisaje sonoro]]></kwd>
<kwd lng="en"><![CDATA[Sensory urbanism]]></kwd>
<kwd lng="en"><![CDATA[walking]]></kwd>
<kwd lng="en"><![CDATA[soundwalking]]></kwd>
<kwd lng="en"><![CDATA[sound art]]></kwd>
<kwd lng="en"><![CDATA[soundscape]]></kwd>
</kwd-group>
</article-meta>
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