<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762020000300107</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2019.mono1.2706</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Drawing as Ethnographic Practice: Miguel Covarrubias's Balinese Drawings &amp; Sketches as Visual Anthropology]]></article-title>
<article-title xml:lang="es"><![CDATA[El dibujo como una práctica etnográfica: Los dibujos y bocetos balineses de Miguel Covarrubias como antropología visual]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Lutkehaus]]></surname>
<given-names><![CDATA[Nancy C.]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,University of Southern California Departmento de Antropología ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>USA</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<volume>42</volume>
<numero>116</numero>
<fpage>107</fpage>
<lpage>131</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762020000300107&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762020000300107&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762020000300107&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract In recent years the use and significance of drawing as a research method for recording ethnographic information has undergone renewed analysis by anthropologists. Their interests have ranged from a focus on the epistemological status of the line to the dialogical dimension of drawing as social practice. While art historians have celebrated Covarrubias's work in terms of his "drawing a cosmopolitan line" and archaeologists have acknowledged the importance of his Olmec drawings to Meso-American archaeology, cultural anthropologists have overlooked Covarrubias as a visual anthropologist. His drawings in Island of Bali (1937) as well as his archived sketches are important contributions to the ethnographic record of Balinese culture at a significant moment in the transformation of Balinese society. His sketches, in particular, offer a rich corpus of cultural information on everyday life in Bali in the early 1930s, as well as ethnographic information about non-verbal dimensions of the Balinese that complements other anthropologists' analyses of Balinese culture. In contrast to the more Orientalist images he produced for murals, maps, and paintings, Covarrubias's drawings and sketches warrant new appreciation as ethnographic documents and visual anthropology.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En años recientes el uso y significado del dibujo como un método de estudio para registrar información etnográfica ha sido sometido a un renovado análisis por antropólogos. Sus intereses han variado, desde un enfoque del estatus epistemológico de la línea hasta las dimensiones dialógicas del dibujo como una práctica social. Mientras que los historiadores del arte han celebrado el trabajo de Covarrubias en términos del "dibujo de una línea cosmopolita" y los arqueólogos han reconocído la importancia de sus dibujos sobre los olmecas para la arqueología mesoamericana, los antropólogos culturales han pasado por alto su papel como antropólogo visual. Sus dibujos en La isla de Bali (1937), así como sus bocetos en el archivo, son una importante contribución a los registros etnográficos de la cultura balinesa, en un momento significativo de la transformación de su sociedad. En particular, sus bocetos ofrecen un rico corpus de información cultural en torno a la vida cotidiana en Bali a principios de los años treinta; así como información etnográfica acerca de la dimensión no verbal de los balineses, que complementa los análisis de otros antropólogos sobre la cultura balinesa. En contraste con otras imágenes mucho más orientalistas que realizó para murales, mapas y pinturas, los dibujos y bocetos de Covarrubias aseguran una nueva apreciación como documentos etnográficos y antropología visual.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Miguel Covarrubias]]></kwd>
<kwd lng="en"><![CDATA[visual anthropology]]></kwd>
<kwd lng="en"><![CDATA[drawing]]></kwd>
<kwd lng="en"><![CDATA[Bali]]></kwd>
<kwd lng="en"><![CDATA[ethnography]]></kwd>
<kwd lng="es"><![CDATA[Miguel Covarrubias]]></kwd>
<kwd lng="es"><![CDATA[antropología visual]]></kwd>
<kwd lng="es"><![CDATA[dibujo]]></kwd>
<kwd lng="es"><![CDATA[Bali]]></kwd>
<kwd lng="es"><![CDATA[etnografía]]></kwd>
</kwd-group>
</article-meta>
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