<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762020000300017</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2019.mono1.2703</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[The Impact of the Work of Miguel Covarrubias on the Artists of Shanghai]]></article-title>
<article-title xml:lang="es"><![CDATA[El impacto de la obra de Miguel Covarrubias en los artistas de Shanghai]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Bevan]]></surname>
<given-names><![CDATA[Paul]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,University of London School of Oriental and African Studies ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>United Kingdom</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2020</year>
</pub-date>
<volume>42</volume>
<numero>116</numero>
<fpage>17</fpage>
<lpage>49</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762020000300017&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762020000300017&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762020000300017&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Miguel Covarrubias was perhaps the single most important foreign artist to have inspired a group of artists in Shanghai, China during the 1930s. Evidence of Covarrubias's artistic styles-first seen by these artists in magazines such as Vanity Fair-can be found in an array of Chinese magazines, having been adapted by them for their own purposes. Such magazines were published by their colleague, the poet Shao Xunmei, who befriended Covarrubias while he was in China and wrote two important articles about him for his own magazines. Not only was Covarrubias's work influential for these artists, but he would become increasingly interested in aspects of Chinese culture himself; thereby demonstrating an intercultural exchange between three distinct cultures-the USA of Vanity Fair, Covarrubias's Mexico, and the thriving metropolis of Shanghai-locus of Chinese modernity in the 1930s.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Miguel Covarrubias fue quizás el artista extranjero más importante que inspiró a un grupo de artistas en Shanghai, China, durante la década de los años treinta. La evidencia de los estilos artísticos de Covarrubias, vistos por primera vez por estos artistas en revistas como Vanity Fair, se puede encontrar en una variedad de revistas chinas, habiendo sido adaptadas por ellos para sus propios fines. Tales revistas las publicó su colega, el poeta Shao Xunmei, quien se hizo amigo de Covarrubias mientras estuvo en China y escribió dos artículos importantes sobre él para sus propias revistas. El trabajo de Covarrubias no sólo influyó en estos artistas, sino que también se interesó cada vez más en aspectos de la cultura china; demostrando así un intercambio intercultural entre tres culturas distintas: los Estados Unidos de Vanity Fair, el México de Covarrubias y la próspera metrópolis de Shanghai, lugar de la modernidad china en la década de los años treinta.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Covarrubias]]></kwd>
<kwd lng="en"><![CDATA[China]]></kwd>
<kwd lng="en"><![CDATA[Shanghai]]></kwd>
<kwd lng="en"><![CDATA[Shao Xunmei]]></kwd>
<kwd lng="en"><![CDATA[Vanity Fair]]></kwd>
<kwd lng="en"><![CDATA[caricature]]></kwd>
<kwd lng="es"><![CDATA[Covarrubias]]></kwd>
<kwd lng="es"><![CDATA[China]]></kwd>
<kwd lng="es"><![CDATA[Shanghai]]></kwd>
<kwd lng="es"><![CDATA[Shao Xunmei]]></kwd>
<kwd lng="es"><![CDATA[Vanity Fair]]></kwd>
<kwd lng="es"><![CDATA[caricatura]]></kwd>
</kwd-group>
</article-meta>
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