<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762019000100181</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2019.114.2678</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Entre fragmentos e narrativas: arquivos, mulheres e modernismo brasileiro]]></article-title>
<article-title xml:lang="en"><![CDATA[Between Fragments and Narratives: Archives, Women, and Brazilian Modernism]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Mazze Cerchiaro]]></surname>
<given-names><![CDATA[Marina]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Paredes Valin]]></surname>
<given-names><![CDATA[Roberta]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Souza Viana]]></surname>
<given-names><![CDATA[Morgana]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de São Paulo Museu de Arte Contemporânea ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Federal do Amazonas Faculdade de Artes ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidade de São Paulo Instituto de Estudos Brasileiros ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2019</year>
</pub-date>
<volume>41</volume>
<numero>114</numero>
<fpage>181</fpage>
<lpage>199</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762019000100181&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762019000100181&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762019000100181&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Neste artigo, iremos apresentar os arquivos de duas historiadoras da arte brasileira: Marta Rossetti Batista e Aracy Amaral -salvaguardados pelo Instituto de Estudos Brasileiros-, como fontes para reflexão sobre a construção da memória das artistas Anita Malfatti, Tarsila do Amaral e da escultora Adriana Janacópulos. Buscaremos demonstrar que esses arquivos podem ser lidos como biografias das artistas e autobiografias das historiadoras, onde se percebem as imagens construídas das artistas e, ao mesmo tempo, fragmentos das imagens das historiadoras.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract We discuss the archives of two Brazilian art historians: Marta Rossetti Batista and Aracy Amaral, held at the Institute of Brazilian Studies, as sources of reflection on the construction of the memory of Anita Malfatti, Tarsila do Amaral and Adriana Janacópulos. We demonstrate these archives can be read as biographies of artists and as autobiographies of historians, where the images these scholars constructed of the artists and fragments of images of these historians, can be perceived.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Presentaremos los archivos de dos historiadoras de arte brasileño: Marta Rossetti Batista y Aracy Amaral -salvaguardados por el Instituto de Estudios Brasileños-, como fuentes de reflexión sobre la construcción de la memoria de Anita Malfatti, Tarsila del Amaral y de Adriana Janacópulos. Demostramos que estos archivos pueden ser leídos como biografías de las artistas y como autobiografías de las historiadoras, en los cuales se perciben las imágenes construidas de las artistas y, al mismo tiempo, fragmentos de imágenes de las historiadoras.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Modernismo brasileiro]]></kwd>
<kwd lng="pt"><![CDATA[mulheres artistas]]></kwd>
<kwd lng="pt"><![CDATA[arquivos]]></kwd>
<kwd lng="pt"><![CDATA[biografias]]></kwd>
<kwd lng="en"><![CDATA[Brazilian modernism]]></kwd>
<kwd lng="en"><![CDATA[women artists]]></kwd>
<kwd lng="en"><![CDATA[archives]]></kwd>
<kwd lng="en"><![CDATA[biographies]]></kwd>
<kwd lng="es"><![CDATA[Modernismo brasileño]]></kwd>
<kwd lng="es"><![CDATA[mujeres artistas]]></kwd>
<kwd lng="es"><![CDATA[archivos]]></kwd>
<kwd lng="es"><![CDATA[biografías]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Amaral]]></surname>
<given-names><![CDATA[Aracy]]></given-names>
</name>
</person-group>
<source><![CDATA[Tarsila, Sua Obra e Seu Tempo]]></source>
<year>1975</year>
<edition>1ª</edition>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Editora 34]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Amaral]]></surname>
<given-names><![CDATA[Aracy]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#8220;Aracy Amaral&#8221;, entrevista por SESC/SP]]></article-title>
<source><![CDATA[Revista E]]></source>
<year>2014</year>
<numero>202</numero>
<issue>202</issue>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Baumgarten]]></surname>
<given-names><![CDATA[Jens]]></given-names>
</name>
<name>
<surname><![CDATA[Tavares]]></surname>
<given-names><![CDATA[André]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[O Barroco colonizador: a produção historiográfico-artística no Brasil e suas principais orientações teóricas]]></article-title>
<source><![CDATA[Perspective]]></source>
<year>2013</year>
<numero>2</numero>
<issue>2</issue>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Besse]]></surname>
<given-names><![CDATA[Susan K.]]></given-names>
</name>
</person-group>
<source><![CDATA[Modernizando a desigualdade: reestruturação da ideologia de gênero no Brasil, 1914-1940]]></source>
<year>1999</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[UNESP]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cardoso]]></surname>
<given-names><![CDATA[Renata]]></given-names>
</name>
</person-group>
<source><![CDATA[Modernismo e Tradição: a produção de Anita Malfatti nos anos de 1920]]></source>
<year>2012</year>
<publisher-name><![CDATA[Universidade Estadual de Campinas]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Carvalho Pinto]]></surname>
<given-names><![CDATA[Sônia Maria de]]></given-names>
</name>
</person-group>
<source><![CDATA[A controversa pintura de Anita Malfatti]]></source>
<year>2007</year>
<publisher-name><![CDATA[Universidade de São Paulo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cavalcanti Simioni]]></surname>
<given-names><![CDATA[Ana Paula]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[As mulheres artistas e os silêncios da história: a história da arte e suas exclusões]]></article-title>
<source><![CDATA[Labrys, études féministes]]></source>
<year>2007</year>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cavalcanti Simioni]]></surname>
<given-names><![CDATA[Ana Paula]]></given-names>
</name>
</person-group>
<source><![CDATA[Profissão Artista: pintoras e escultoras acadêmicas brasileiras]]></source>
<year>2008</year>
<page-range>78</page-range><publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Editora da Universidade de São Paulo: Fapesp]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cavalcanti Simioni]]></surname>
<given-names><![CDATA[Ana Paula]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Modernismo brasileiro: entre a consagração e a contestação]]></article-title>
<source><![CDATA[Perspective]]></source>
<year>2013</year>
<numero>2</numero>
<issue>2</issue>
<page-range>1-14</page-range></nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cavalcanti Simioni]]></surname>
<given-names><![CDATA[Ana Paula]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Memórias Insuspeitas de uma Artista Brasileira: Julieta de França e a escrita de si]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Bonan]]></surname>
<given-names><![CDATA[Amanda]]></given-names>
</name>
<name>
<surname><![CDATA[Baron]]></surname>
<given-names><![CDATA[Lia]]></given-names>
</name>
<name>
<surname><![CDATA[Reis]]></surname>
<given-names><![CDATA[Nara]]></given-names>
</name>
</person-group>
<source><![CDATA[Julieta de França. Lembrança de Minha Carreira Artística]]></source>
<year>2014</year>
<page-range>11-8</page-range><publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[Coletiva Projetos Culturais]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cavalcanti Simioni]]></surname>
<given-names><![CDATA[Ana Paula]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Diásporas do moderno. Artistas brasileiros em Paris, década de 1920]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Quemin]]></surname>
<given-names><![CDATA[Alain]]></given-names>
</name>
<name>
<surname><![CDATA[Villas Boas]]></surname>
<given-names><![CDATA[Glaucia]]></given-names>
</name>
</person-group>
<source><![CDATA[Arte e Vida Social. Pesquisas recentes no Brasil e na França]]></source>
<year>2016</year>
<publisher-loc><![CDATA[Marselha ]]></publisher-loc>
<publisher-name><![CDATA[Open Edition]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Chiarelli]]></surname>
<given-names><![CDATA[Tadeu]]></given-names>
</name>
</person-group>
<source><![CDATA[Um Jeca nos Vernissages: Monteiro Lobato e o desejo da criação de uma arte]]></source>
<year>1995</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[EDUSP]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Chiarelli]]></surname>
<given-names><![CDATA[Tadeu]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Tropical, de Anita Malfatti]]></article-title>
<source><![CDATA[Um modernismo que veio depois]]></source>
<year>2008</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[EDUSP]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Duarte Lanna]]></surname>
<given-names><![CDATA[Ana Lúcia]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Universidade de São Paulo, Instituto de Estudos de Brasileiros]]></article-title>
<source><![CDATA[Guia do IEB: o acervo do Instituto de Estudos Brasileiros]]></source>
<year>2010</year>
<page-range>220</page-range><publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Instituto de Estudos Brasileiros]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fraiz]]></surname>
<given-names><![CDATA[Priscila]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A dimensão autobiográfica dos arquivos pessoais: o arquivo de Gustavo Capanema]]></article-title>
<source><![CDATA[Revista Estudos Históricos]]></source>
<year>1998</year>
<volume>11</volume>
<numero>21</numero>
<issue>21</issue>
<page-range>59-88</page-range></nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gonçalves Magalhães]]></surname>
<given-names><![CDATA[Ana]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A narrativa de Arte Moderna no Brasil e as coleções Matarazzo]]></article-title>
<source><![CDATA[MAC USP, Revista Museologia &amp; Interdisciplinaridade]]></source>
<year>2012</year>
<volume>1</volume>
<numero>1</numero>
<issue>1</issue>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Greet]]></surname>
<given-names><![CDATA[Michele]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#8216;Exhilarating Exile&#8217;: Four Latin American Women Exhibit in Paris]]></article-title>
<source><![CDATA[Artelogie]]></source>
<year>2013</year>
<numero>5</numero>
<issue>5</issue>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Machado Borges Pinto]]></surname>
<given-names><![CDATA[Maria Inez]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Cultura de massas e representações femininas na paulicéia dos anos 20]]></article-title>
<source><![CDATA[Revista brasileira de História]]></source>
<year>1999</year>
<volume>19</volume>
<numero>38</numero>
<issue>38</issue>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Malfatti]]></surname>
<given-names><![CDATA[Anita]]></given-names>
</name>
</person-group>
<source><![CDATA[Anita Malfatti (1889-1964)]]></source>
<year>1977</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[MAC-USP]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Malfatti]]></surname>
<given-names><![CDATA[Anita]]></given-names>
</name>
<name>
<surname><![CDATA[Eluf]]></surname>
<given-names><![CDATA[Lygia]]></given-names>
</name>
</person-group>
<source><![CDATA[Cadernos de Desenho]]></source>
<year>2011</year>
<publisher-loc><![CDATA[Campinas ]]></publisher-loc>
<publisher-name><![CDATA[Editora da Unicamp, Imprensa Oficial do Estado de São Paulo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mazze Cerchiaro]]></surname>
<given-names><![CDATA[Marina]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Construções do feminino nos anos 1930: a trajetória da escultora Adriana Janacópulos]]></article-title>
<source><![CDATA[Labrys, études féministes]]></source>
<year>2016</year>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mazze Cerchiaro]]></surname>
<given-names><![CDATA[Marina]]></given-names>
</name>
<name>
<surname><![CDATA[Paredes Valin]]></surname>
<given-names><![CDATA[Roberta]]></given-names>
</name>
<name>
<surname><![CDATA[Souza Viana]]></surname>
<given-names><![CDATA[Morgana]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[O arquivo Marta Rossetti Batista: indícios de um fazer historiográfico]]></article-title>
<source><![CDATA[Anais VIII Jornadas de História da Arte: coleções, arquivos e narrativas]]></source>
<year>2015</year>
<page-range>10-3</page-range><publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mazze Cerchiaro]]></surname>
<given-names><![CDATA[Marina]]></given-names>
</name>
<name>
<surname><![CDATA[Paredes Valin]]></surname>
<given-names><![CDATA[Roberta]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[O arquivo Marta Rossetti Batista: mulheres, memória e história]]></article-title>
<source><![CDATA[anais O arquivo como espaço produtor de conhecimento, VIII Seminário Nacional do CMU - Memória e acervos documentais]]></source>
<year>2016</year>
<page-range>26-8</page-range><publisher-loc><![CDATA[Campinas ]]></publisher-loc>
<publisher-name><![CDATA[São Paulo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Miceli]]></surname>
<given-names><![CDATA[Sérgio]]></given-names>
</name>
</person-group>
<source><![CDATA[Nacional Estrangeiro: história social e cultural do modernismo artístico em São Paulo]]></source>
<year>2003</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Companhia das Letras]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Morethy Couto]]></surname>
<given-names><![CDATA[Maria de Fátima]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Caminhos e descaminhos do modernismo brasileiro: o confronto entre Anita e Tarsila]]></article-title>
<source><![CDATA[Esboços - Revista do Programa de Pós-Graduação em História da UFSC]]></source>
<year>2008</year>
<volume>15</volume>
<numero>19</numero>
<issue>19</issue>
<page-range>125-50</page-range><publisher-loc><![CDATA[Florianópolis ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nochlin]]></surname>
<given-names><![CDATA[Linda]]></given-names>
</name>
</person-group>
<source><![CDATA[Art and Sexual Politics: Why There Have Been no Great Women Artists?]]></source>
<year>1973</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Macmillan Publishing Co]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ostos]]></surname>
<given-names><![CDATA[Natasha]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A questão feminina: importância estratégica das mulheres para a regulação da população brasileira (1930-1945)]]></article-title>
<source><![CDATA[Cadernos Pagu]]></source>
<year>2012</year>
<page-range>39</page-range><publisher-loc><![CDATA[Campinas ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Paredes Valin]]></surname>
<given-names><![CDATA[Roberta]]></given-names>
</name>
</person-group>
<source><![CDATA[Cadernos-diários de Anita Malfatti-uma trajetória desenhada em Paris]]></source>
<year>2015</year>
<publisher-name><![CDATA[Universidade de São Paulo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Perrot]]></surname>
<given-names><![CDATA[Michelle]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Práticas da Memória Feminina]]></article-title>
<source><![CDATA[Revista Brasileira de História]]></source>
<year>1989</year>
<volume>9</volume>
<numero>18</numero>
<issue>18</issue>
<page-range>9-18</page-range></nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rossetti Batista]]></surname>
<given-names><![CDATA[Marta]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A escultora Adriana Janacópulos]]></article-title>
<source><![CDATA[Revista do Instituto de Estudos Brasileiros]]></source>
<year>1989</year>
<numero>30</numero>
<issue>30</issue>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rossetti Batista]]></surname>
<given-names><![CDATA[Marta]]></given-names>
</name>
</person-group>
<source><![CDATA[Anita Malfatti no Tempo e no Espaço]]></source>
<year>2006</year>
<edition>1ª</edition>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Editora 34]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Varikas]]></surname>
<given-names><![CDATA[Eleni]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[L&#8217;approche biographique dans l&#8217;histoire des femmes]]></article-title>
<source><![CDATA[Les Cahiers du GRIE. Le genre de l&#8217;histoire]]></source>
<year>1988</year>
<numero>37-38</numero>
<issue>37-38</issue>
<page-range>41-56</page-range></nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vasari]]></surname>
<given-names><![CDATA[Giorgio]]></given-names>
</name>
</person-group>
<source><![CDATA[Les vies des meilleurs peintres, sculpteurs et architectes]]></source>
<year>1981</year>
<volume>1</volume>
<publisher-loc><![CDATA[Paris ]]></publisher-loc>
<publisher-name><![CDATA[Berger-Levrault]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vildore Goelnner]]></surname>
<given-names><![CDATA[Silvana]]></given-names>
</name>
</person-group>
<source><![CDATA[Bela, maternal e feminina. Imagens da mulher na Revista Educação Physica]]></source>
<year>2003</year>
<publisher-loc><![CDATA[Injuí ]]></publisher-loc>
<publisher-name><![CDATA[Unijuí]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wölfflin]]></surname>
<given-names><![CDATA[Heinrich]]></given-names>
</name>
</person-group>
<source><![CDATA[Conceitos Fundamentais da História da Arte]]></source>
<year>2001</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Martins Editora]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
