<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762016000200011</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2016.109.2576</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Hacia una historia del arte regional. Reflexiones en torno al comparativismo para el estudio de procesos culturales en Sudamérica]]></article-title>
<article-title xml:lang="en"><![CDATA[Towards a Regional Art History. Reflections on Comparative Methods for Studying South America Cultural Processes]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[García]]></surname>
<given-names><![CDATA[María Amalia]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Buenos Aires Facultad de Filosofía y Letras ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Argentina</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2016</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2016</year>
</pub-date>
<volume>38</volume>
<numero>109</numero>
<fpage>11</fpage>
<lpage>42</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762016000200011&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762016000200011&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762016000200011&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Este trabajo busca revisar reflexiones historiográficas en torno al comparativismo como metodología de estudio y proponer un análisis para la construcción de historias del arte regionales. A partir de los debates considerados en un ajustado estado de la cuestión se busca volver a situar la historia comparada como una metodología idónea para pensar los procesos del arte moderno en las metrópolis sudamericanas y habilitar así lecturas que excedan las fronteras nacionales. Para este fin, la presente investigación propone la definición de &#8220;términos relacionales&#8221; y su puesta a prueba en el análisis de las artes visuales en Sudamérica. Los &#8220;términos relacionales&#8221; propuestos para el estudio metodológico son el &#8220;dispositivo de exhibición de intercambio diplomático&#8221; y la pintura monocroma, los cuales, considerados a partir de estudios de casos, habilitan el análisis comparativo. Se busca establecer núcleos de exploración para leer semejanzas y diferencias dentro un panorama común.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This paper sets out to review considerations on the use of comparative approaches as a methodology of study and proposes a way of dealing with the construction of regional Art Histories. Following a brief overview and appraisal of the debates attested in the literature it aims to reposition Comparative History as an appropriate methodology for considering the processes of Modern Art in South American metropolises and to generate readings which go beyond national boundaries. With this purpose in mind, the article proposes the definition of &#8220;link-terms&#8221; which can be tested in the study of South America visual arts. The &#8220;link-terms&#8221; projected for this methodological approach are the &#8220;exhibition device for diplomatic exchange&#8221; and monochrome painting; these, applied to particular cases, facilitate a comparative analysis. The research was aimed at establishing exploration cores so as better to perceive similarities and differences within a common panorama.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[comparativismo]]></kwd>
<kwd lng="es"><![CDATA[arte moderno, Sudamérica, región, historiografía]]></kwd>
<kwd lng="en"><![CDATA[comparative method]]></kwd>
<kwd lng="en"><![CDATA[modern art]]></kwd>
<kwd lng="en"><![CDATA[South America]]></kwd>
<kwd lng="en"><![CDATA[region]]></kwd>
<kwd lng="en"><![CDATA[historiography]]></kwd>
</kwd-group>
</article-meta>
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