<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0011-1503</journal-id>
<journal-title><![CDATA[Crítica (México, D.F.)]]></journal-title>
<abbrev-journal-title><![CDATA[Crítica (Méx., D.F.)]]></abbrev-journal-title>
<issn>0011-1503</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Filosóficas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0011-15032021000100127</article-id>
<article-id pub-id-type="doi">10.22201/iifs.18704905e.2021.1248</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Aesthetics of Food Porn]]></article-title>
<article-title xml:lang="es"><![CDATA[Estética del Food Porn]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Tooming]]></surname>
<given-names><![CDATA[Uku]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Hokkaido University  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Japan</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2021</year>
</pub-date>
<volume>53</volume>
<numero>157</numero>
<fpage>127</fpage>
<lpage>150</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0011-15032021000100127&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0011-15032021000100127&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0011-15032021000100127&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Summary Enticing food photography which stimulates its viewers&#8217; cravings, often given a dismissive label &#8220;food porn,&#8221; is one of the most popular contents in contemporary digital media. In this paper, I argue that the label disguises different ways in which a viewer can engage with it. In particular, food porn enables us to engage in cross-modal gustatory imaginings of a specific kind and an image&#8217;s capacity to afford such imaginings can contribute to its artistic merit.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen La fotografía de comida que resulta atractiva, se antoja a los espectadores y que, con frecuencia, recibe la etiqueta despectiva de &#8220;food porn&#8221;, es uno de los contenidos más populares de los medios digitales contemporáneos. En este artículo, argumento que esta etiqueta oculta diferentes modos en los que un espectador puede enfrentarse a ella. En particular, el food porn nos permite participar en proyectos de imaginación gustativa intermodal de un tipo específico y, la capacidad de las imágenes de provocar dichos proyectos imaginativos puede contribuir al mérito artístico.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[food photography]]></kwd>
<kwd lng="en"><![CDATA[imagination]]></kwd>
<kwd lng="en"><![CDATA[art]]></kwd>
<kwd lng="en"><![CDATA[still lifes]]></kwd>
<kwd lng="en"><![CDATA[pornography]]></kwd>
<kwd lng="es"><![CDATA[fotografía de comida]]></kwd>
<kwd lng="es"><![CDATA[imaginación]]></kwd>
<kwd lng="es"><![CDATA[arte]]></kwd>
<kwd lng="es"><![CDATA[bodegones]]></kwd>
<kwd lng="es"><![CDATA[pornografía]]></kwd>
</kwd-group>
</article-meta>
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