<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0185-1276</journal-id>
<journal-title><![CDATA[Anales del Instituto de Investigaciones Estéticas]]></journal-title>
<abbrev-journal-title><![CDATA[An. Inst. Investig. Estét]]></abbrev-journal-title>
<issn>0185-1276</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0185-12762025000200187</article-id>
<article-id pub-id-type="doi">10.22201/iie.18703062e.2025.127.2921</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Desborde y contención: imágenes y modernización en Lima, 1861-1865]]></article-title>
<article-title xml:lang="en"><![CDATA[Holding Back the Flood: Images and Modernization in Lima, 1861-1865]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Majluf]]></surname>
<given-names><![CDATA[Natalia]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Lima  ]]></institution>
<addr-line><![CDATA[Lima ]]></addr-line>
<country>Perú</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2025</year>
</pub-date>
<volume>47</volume>
<numero>127</numero>
<fpage>187</fpage>
<lpage>234</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0185-12762025000200187&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0185-12762025000200187&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0185-12762025000200187&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este ensayo explora las repercusiones y los efectos del primer auge comercial de la fotografía en Lima. En apenas cinco años, la fotografía pasó de ser un objeto limitado al ámbito privado a convertirse en un vehículo de gran alcance público, por su rango temático y por su inserción en una densa trama de intercambios que trascienden la especificidad fotográfica. La reconstrucción de la trayectoria del francés Eugenio Maunoury sirve aquí de hilo conductor para rastrear las tensiones -sexuales, políticas y sociales- que genera su práctica en la aún pequeña burguesía peruana. Sigo los efectos de esta violenta transformación y las respuestas que, desde la prensa, la producción editorial y la fotografía emergen para contener lo que puede pensarse como una verdadera revolución visual. Concebido como estudio de caso, el trabajo describe la inserción social de la fotografía, las proyecciones internacionales del medio y las estrategias que emergen para contener el flujo comercial de nuevas tecnologías visuales.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This essay explores the effects and repercussions of the first commercial photographic boom in Lima. In just five years, photography went from being an object restricted to the private sphere to becoming an intensely public vehicle, with enormous social impact, due to its thematic range and its entanglement in a dense web of exchanges that transcend photographic specificity. The reconstruction of the career of French photographer Eugenio Maunoury serves here as a thread to trace the sexual, political and social tensions generated by his practice among the Peruvian bourgeoisie. I follow the effects of this violent transformation and the responses that emerged in the press, editorial products and photography itself to contain what can be considered a true visual revolution. Conceived as a case study, the essay describes the tense social insertion of photography, the international projections of the medium, and the strategies that emerge to contain the commercial flow of visual technologies.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Eugenio (Eugène) Maunoury]]></kwd>
<kwd lng="es"><![CDATA[Manuel Atanasio Fuentes]]></kwd>
<kwd lng="es"><![CDATA[Lima]]></kwd>
<kwd lng="es"><![CDATA[fotografía]]></kwd>
<kwd lng="es"><![CDATA[grabado]]></kwd>
<kwd lng="es"><![CDATA[costumbrismo]]></kwd>
<kwd lng="es"><![CDATA[circulación internacional]]></kwd>
<kwd lng="es"><![CDATA[intermedialidad]]></kwd>
<kwd lng="es"><![CDATA[tapadas]]></kwd>
<kwd lng="es"><![CDATA[sexualidad]]></kwd>
<kwd lng="es"><![CDATA[raza]]></kwd>
<kwd lng="es"><![CDATA[clase.]]></kwd>
<kwd lng="en"><![CDATA[Eugenio (Eugène) Maunoury]]></kwd>
<kwd lng="en"><![CDATA[Manuel Atanasio Fuentes]]></kwd>
<kwd lng="en"><![CDATA[Lima]]></kwd>
<kwd lng="en"><![CDATA[photography]]></kwd>
<kwd lng="en"><![CDATA[engraving]]></kwd>
<kwd lng="en"><![CDATA[costumbrismo]]></kwd>
<kwd lng="en"><![CDATA[international circulation]]></kwd>
<kwd lng="en"><![CDATA[intermediality]]></kwd>
<kwd lng="en"><![CDATA[tapadas]]></kwd>
<kwd lng="en"><![CDATA[sexuality]]></kwd>
<kwd lng="en"><![CDATA[race]]></kwd>
<kwd lng="en"><![CDATA[class]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Idurre]]></surname>
<given-names><![CDATA[Alonso]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Visible and the Invisible: The Photographic Image of the Metropolis]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Idurre]]></surname>
<given-names><![CDATA[Alonso]]></given-names>
</name>
<name>
<surname><![CDATA[Casciato]]></surname>
<given-names><![CDATA[Maristella]]></given-names>
</name>
</person-group>
<source><![CDATA[The Metropolis in Latin America, 1830-1930: Cityscapes, Photographs, Debates]]></source>
<year>2021</year>
<page-range>139-49</page-range><publisher-loc><![CDATA[Los Ángeles ]]></publisher-loc>
<publisher-name><![CDATA[Getty Research Institute]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Badia-Villaseca]]></surname>
<given-names><![CDATA[Sara]]></given-names>
</name>
</person-group>
<source><![CDATA[La obra de Rafael Castro y Ordóñez, fotógrafo de la Expedición Científica del Pacífico (1862-1865)]]></source>
<year>2018</year>
<publisher-name><![CDATA[UNED]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bann]]></surname>
<given-names><![CDATA[Stephen]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Photography, Printmaking, and the Visual Economy in Nineteenth-Century France]]></article-title>
<source><![CDATA[History of Photography]]></source>
<year>2002</year>
<volume>26</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>16-25</page-range></nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Barthet]]></surname>
<given-names><![CDATA[A]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Les îles Chinchas et l&#8217;explotation du guano]]></article-title>
<source><![CDATA[L&#8217;Illustration, Journal Universel]]></source>
<year>1865</year>
<volume>45</volume>
<numero>1159</numero>
<issue>1159</issue>
<page-range>304</page-range><publisher-loc><![CDATA[París ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bass]]></surname>
<given-names><![CDATA[Laura R]]></given-names>
</name>
<name>
<surname><![CDATA[Wunder]]></surname>
<given-names><![CDATA[Amanda]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Veiled Ladies of the Early Modern Spanish World: Seduction and Scandal in Seville, Madrid, and Lima]]></article-title>
<source><![CDATA[Hispanic Review]]></source>
<year>2009</year>
<volume>77</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>97-144</page-range></nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Batchen]]></surname>
<given-names><![CDATA[Geoffrey]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Reviews]]></article-title>
<source><![CDATA[The Art Bulletin]]></source>
<year>2011</year>
<volume>93</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>497-501</page-range></nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Batchen]]></surname>
<given-names><![CDATA[Geoffrey]]></given-names>
</name>
</person-group>
<source><![CDATA[Apparitions: Photography and Dissemination]]></source>
<year>2019</year>
<publisher-loc><![CDATA[Sydney ]]></publisher-loc>
<publisher-name><![CDATA[Namu and Power Publications]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Beil]]></surname>
<given-names><![CDATA[Kim]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Street Views: Urban Photography and the Politics of Erasure]]></article-title>
<source><![CDATA[Cabinet]]></source>
<year>2021</year>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Callirgos]]></surname>
<given-names><![CDATA[Juan Carlos]]></given-names>
</name>
</person-group>
<source><![CDATA[Reinventing the City of Kings: Postcolonial Modernizations of Lima, 1845-1930]]></source>
<year>2007</year>
<publisher-name><![CDATA[University of Florida]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[De la Maza]]></surname>
<given-names><![CDATA[Josefina]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Itinerarios de una vida: el álbum de Isidora Zegers de Huneeus]]></article-title>
<source><![CDATA[Álbum de Isidora Zegers de Huneeus]]></source>
<year>2013</year>
<page-range>7-30</page-range><publisher-loc><![CDATA[Santiago ]]></publisher-loc>
<publisher-name><![CDATA[Dirección de Bibliotecas, Archivos y Museos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Del Águila]]></surname>
<given-names><![CDATA[Alicia]]></given-names>
</name>
</person-group>
<source><![CDATA[Los velos y las pieles. Cuerpo, género y reordenamiento social en el Perú republicano]]></source>
<year>2003</year>
<publisher-loc><![CDATA[Lima ]]></publisher-loc>
<publisher-name><![CDATA[Instituto de Estudios Peruanos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Espinal Mendoza]]></surname>
<given-names><![CDATA[Max Arnold]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[De mármol y bronce: el Monumento ecuestre de Simón Bolívar (1852-1859). Origen, rezago y custodia]]></article-title>
<source><![CDATA[Monumentos en el Bicentenario. Centenario Histórico de Lima. Siglo XIX]]></source>
<year>2022</year>
<page-range>201-10</page-range><publisher-loc><![CDATA[Lima ]]></publisher-loc>
<publisher-name><![CDATA[Municipalidad de Lima]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Estela-Vilela]]></surname>
<given-names><![CDATA[Carlos]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La sociedad de vidrio. El fotógrafo migrante Eugène Courret y la construcción de la memoria visual y las identidades en Perú durante la segunda mitad del siglo XIX]]></article-title>
<source><![CDATA[Artelogie]]></source>
<year>2021</year>
<numero>16</numero>
<issue>16</issue>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fuentes]]></surname>
<given-names><![CDATA[Manuel Atanasio. M. A]]></given-names>
</name>
</person-group>
<source><![CDATA[Guía de domicilio de Lima para el año de 1864]]></source>
<year>1863</year>
<publisher-loc><![CDATA[Lima ]]></publisher-loc>
<publisher-name><![CDATA[Imprenta del Autor]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fuentes]]></surname>
<given-names><![CDATA[Manuel Atanasio]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Maunoury; MM. Les Éditeurs du Monde Illustré]]></article-title>
<source><![CDATA[El Mercurio]]></source>
<year>1865</year>
<page-range>3</page-range></nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fuentes]]></surname>
<given-names><![CDATA[Manuel Atanasio]]></given-names>
</name>
</person-group>
<source><![CDATA[Lima. Esquisses historiques, statistiques, administratives, commerciales et morales]]></source>
<year>1866</year>
<publisher-loc><![CDATA[París ]]></publisher-loc>
<publisher-name><![CDATA[Firmin Didot Frères]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fuentes]]></surname>
<given-names><![CDATA[Manuel Atanasio]]></given-names>
</name>
</person-group>
<source><![CDATA[Lima; or, Sketches of the Capital of Peru, Historical, Statistical, Administrative, Commercial and Moral]]></source>
<year>1866</year>
<publisher-loc><![CDATA[Londres ]]></publisher-loc>
<publisher-name><![CDATA[Trübner &amp; Co]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fuentes]]></surname>
<given-names><![CDATA[Manuel Atanasio]]></given-names>
</name>
</person-group>
<source><![CDATA[Lima. Apuntes históricos, descriptivos, estadísticos y de costumbres]]></source>
<year>1867</year>
<publisher-loc><![CDATA[París ]]></publisher-loc>
<publisher-name><![CDATA[Firmin Didot]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gootenberg]]></surname>
<given-names><![CDATA[Paul]]></given-names>
</name>
</person-group>
<source><![CDATA[Imagining Development: Economic Ideas in Peru&#8217;s &#8220;Fictitious Prosperity&#8221; of Guano, 1840-1880]]></source>
<year>1993</year>
<publisher-loc><![CDATA[Berkeley ]]></publisher-loc>
<publisher-name><![CDATA[University of California Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Legault]]></surname>
<given-names><![CDATA[Sol]]></given-names>
</name>
</person-group>
<source><![CDATA[Making the Invisible Visible: Exhibiting Erotic Stanhopes]]></source>
<year>2005</year>
<publisher-loc><![CDATA[Toronto ]]></publisher-loc>
<publisher-name><![CDATA[Ryerston University]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Leonardi]]></surname>
<given-names><![CDATA[Nicoletta]]></given-names>
</name>
<name>
<surname><![CDATA[Natale]]></surname>
<given-names><![CDATA[Simone]]></given-names>
</name>
</person-group>
<source><![CDATA[Photography and Other Media in the Nineteenth Century]]></source>
<year>2019</year>
<publisher-loc><![CDATA[University Park ]]></publisher-loc>
<publisher-name><![CDATA[The Pennsylvania State University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lestang]]></surname>
<given-names><![CDATA[Hervé]]></given-names>
</name>
</person-group>
<source><![CDATA[Eugène Maunoury]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Leubel]]></surname>
<given-names><![CDATA[Alfredo G]]></given-names>
</name>
</person-group>
<source><![CDATA[El Perú en 1860, ó sea anuario nacional]]></source>
<year>1861</year>
<publisher-loc><![CDATA[Lima ]]></publisher-loc>
<publisher-name><![CDATA[Imprenta del &#8220;Comercio&#8221;]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<source><![CDATA[Lima, 1863. Vistas de la ciudad]]></source>
<year>2019</year>
<publisher-loc><![CDATA[Lima ]]></publisher-loc>
<publisher-name><![CDATA[Centro Cultural Inca Garcilaso de la Vega]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Majluf]]></surname>
<given-names><![CDATA[Natalia]]></given-names>
</name>
</person-group>
<source><![CDATA[Escultura y espacio público. Lima, 1850-1879]]></source>
<year>1994</year>
<publisher-loc><![CDATA[Lima ]]></publisher-loc>
<publisher-name><![CDATA[Instituto de Estudios Peruanos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Majluf]]></surname>
<given-names><![CDATA[Natalia]]></given-names>
</name>
</person-group>
<source><![CDATA[Eugène Maunoury]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Majluf]]></surname>
<given-names><![CDATA[Natalia]]></given-names>
</name>
</person-group>
<source><![CDATA[La invención del indio: Francisco Laso y la imagen del Perú moderno]]></source>
<year>2022</year>
<publisher-loc><![CDATA[Lima ]]></publisher-loc>
<publisher-name><![CDATA[Instituto de Estudios Peruanos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Majluf]]></surname>
<given-names><![CDATA[Natalia]]></given-names>
</name>
<name>
<surname><![CDATA[Wuffarden]]></surname>
<given-names><![CDATA[Luis Eduardo]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Índice documentado de fotógrafos activos en el Perú, 1841-1942]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Majluf]]></surname>
<given-names><![CDATA[Natalia]]></given-names>
</name>
<name>
<surname><![CDATA[Wuffarden]]></surname>
<given-names><![CDATA[Luis Eduardo]]></given-names>
</name>
</person-group>
<source><![CDATA[Documentos para la historia de la fotografía peruana, volumen publicado con La recuperación de la memoria. El primer siglo de la fotografía. Perú, 1842-1942]]></source>
<year>2001</year>
<publisher-loc><![CDATA[Lima ]]></publisher-loc>
<publisher-name><![CDATA[Fundación Telefónica y Museo de Arte de Lima]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Maunoury]]></surname>
<given-names><![CDATA[Eugène]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Asuntos personales. Protesta]]></article-title>
<source><![CDATA[El Comercio]]></source>
<year>1863</year>
<page-range>3</page-range></nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Maunoury]]></surname>
<given-names><![CDATA[Eugène]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Remitidos. Protesta]]></article-title>
<source><![CDATA[El Mercurio]]></source>
<year>1863</year>
<page-range>3</page-range></nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Maunoury]]></surname>
<given-names><![CDATA[Eugène]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Correspondance du Pérou]]></article-title>
<source><![CDATA[L&#8217;Illustration, Journal Universel]]></source>
<year>1863</year>
<volume>42</volume>
<numero>1070</numero>
<issue>1070</issue>
<page-range>157-8</page-range><publisher-loc><![CDATA[París ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[McCauley]]></surname>
<given-names><![CDATA[Elizabeth Anne. A. A. E]]></given-names>
</name>
</person-group>
<source><![CDATA[Disdéri and the Carte de Visite Portrait Photograph]]></source>
<year>1985</year>
<publisher-loc><![CDATA[New Haven ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[McCauley]]></surname>
<given-names><![CDATA[Elizabeth Anne]]></given-names>
</name>
</person-group>
<source><![CDATA[Industrial Madness: Commercial Photography in Paris, 1848-1871]]></source>
<year>1994</year>
<publisher-loc><![CDATA[New Haven ]]></publisher-loc>
<publisher-name><![CDATA[Yale University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[McElroy]]></surname>
<given-names><![CDATA[Douglas Keith]]></given-names>
</name>
</person-group>
<source><![CDATA[The History of Photography in Peru in the Nineteenth Century, 1839-1879]]></source>
<year>1977</year>
<publisher-name><![CDATA[University of New Mexico]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[McElroy]]></surname>
<given-names><![CDATA[Douglas Keith]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La Tapada Limeña: The Iconology of the Veiled Woman in 19th-Century Peru]]></article-title>
<source><![CDATA[History of Photography]]></source>
<year>1981</year>
<volume>5</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>133-49</page-range></nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[McElroy]]></surname>
<given-names><![CDATA[Douglas Keith]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Henry De Witt Moulton: Rays of Sunlight from South America]]></article-title>
<source><![CDATA[History of Photography]]></source>
<year>1984</year>
<volume>8</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>7-21</page-range></nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[McElroy]]></surname>
<given-names><![CDATA[Douglas Keith]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Eugenio Courret and the Courret Archive in Lima, Peru]]></article-title>
<source><![CDATA[History of Photography]]></source>
<year>2000</year>
<volume>24</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>121-6</page-range></nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="book">
<source><![CDATA[Memoria que presenta el Ministro de Estado en el departamento de Relaciones Exteriores y Culto al Congreso Nacional de 1862]]></source>
<year>1862</year>
<publisher-loc><![CDATA[Lima ]]></publisher-loc>
<publisher-name><![CDATA[Imprenta de &#8220;La Época&#8221;]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B39">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Poole]]></surname>
<given-names><![CDATA[Deborah]]></given-names>
</name>
<name>
<surname><![CDATA[Martínez]]></surname>
<given-names><![CDATA[Maruja]]></given-names>
</name>
</person-group>
<source><![CDATA[Visión, raza y modernidad. Una economía visual del mundo andino de imágenes]]></source>
<year>2000</year>
<publisher-loc><![CDATA[Lima ]]></publisher-loc>
<publisher-name><![CDATA[Sur]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B40">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rodríguez Villegas]]></surname>
<given-names><![CDATA[Hernán]]></given-names>
</name>
</person-group>
<source><![CDATA[Historia de la fotografía. Fotógrafos en Chile durante el siglo XIX]]></source>
<year>2001</year>
<publisher-loc><![CDATA[Santiago ]]></publisher-loc>
<publisher-name><![CDATA[Centro Nacional de Patrimonio Fotográfico]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B41">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Schwarz]]></surname>
<given-names><![CDATA[Herman]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Los tacos del Murciélago]]></article-title>
<source><![CDATA[Illapa Mana Tukukuq]]></source>
<year>2016</year>
<numero>10</numero>
<issue>10</issue>
<page-range>72-83</page-range></nlm-citation>
</ref>
<ref id="B42">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Scott]]></surname>
<given-names><![CDATA[Jean]]></given-names>
</name>
</person-group>
<source><![CDATA[Stanhopes. A Closer View. A History and Handbook for Collectors of Microphotographic Novelties]]></source>
<year>2002</year>
<publisher-loc><![CDATA[Witham ]]></publisher-loc>
<publisher-name><![CDATA[Greenlight Publishing]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B43">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Siegel]]></surname>
<given-names><![CDATA[Elizabeth]]></given-names>
</name>
</person-group>
<source><![CDATA[Galleries of Friendship and Fame: A History of Nineteenth-Century American Photograph Albums]]></source>
<year>2010</year>
<publisher-loc><![CDATA[New Haven ]]></publisher-loc>
<publisher-name><![CDATA[Yale University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B44">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Tauzin-Castellanos]]></surname>
<given-names><![CDATA[Isabelle]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La inmigración francesa al Perú: la familia Courret]]></article-title>
<source><![CDATA[Coordenadas, Revista de Historia Social y Regional]]></source>
<year>2019</year>
<volume>6</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>144-58</page-range></nlm-citation>
</ref>
<ref id="B45">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Urrutia Ceruti]]></surname>
<given-names><![CDATA[Jaime]]></given-names>
</name>
</person-group>
<source><![CDATA[Informes de los cónsules franceses en Lima, 1842-1877]]></source>
<year>2015</year>
<publisher-loc><![CDATA[Lima ]]></publisher-loc>
<publisher-name><![CDATA[Instituto de Estudios Peruanos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B46">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Velázquez Castro]]></surname>
<given-names><![CDATA[Marcel]]></given-names>
</name>
</person-group>
<source><![CDATA[La mirada de los gallinazos: cuerpo, fiesta y mercancía en el imaginario sobre Lima (1640-1895)]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Lima ]]></publisher-loc>
<publisher-name><![CDATA[Fondo Editorial del Congreso del Perú]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B47">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vifian López]]></surname>
<given-names><![CDATA[Daniel]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#8217;Plazas interrumpidas&#8217;: la estatuaria pública en Lima durante los gobiernos de José R. Echenique y Ramón Castilla (1852-1860)]]></article-title>
<source><![CDATA[Monumentos en el Bicentenario. Centenario Histórico de Lima. Siglo XIX]]></source>
<year>2022</year>
<page-range>20-163</page-range><publisher-loc><![CDATA[Lima ]]></publisher-loc>
<publisher-name><![CDATA[Municipalidad de Lima]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
