<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2683-2208</journal-id>
<journal-title><![CDATA[Revista panamericana de comunicación]]></journal-title>
<abbrev-journal-title><![CDATA[Rev. panam. comun.]]></abbrev-journal-title>
<issn>2683-2208</issn>
<publisher>
<publisher-name><![CDATA[Centros Culturales de México A.C., Universidad Panamericana]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2683-22082022000100056</article-id>
<article-id pub-id-type="doi">10.21555/rpc.v4i1.2552</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La dimensión narrativa de la videollamada: un estudio de los actos de habla fílmicos en dos cortometrajes de Carlos Trujano]]></article-title>
<article-title xml:lang="en"><![CDATA[The narrative dimension of videocall: a study on film speech acts in two short films by Carlos Trujano]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Coghi]]></surname>
<given-names><![CDATA[Andrea]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Instituto Tecnológico y de Estudios Superiores de Monterrey  ]]></institution>
<addr-line><![CDATA[ Puebla]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<volume>4</volume>
<numero>1</numero>
<fpage>56</fpage>
<lpage>69</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2683-22082022000100056&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2683-22082022000100056&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2683-22082022000100056&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN. En el presente ensayo se considerarán dos cortometrajes del cineasta emergente Carlos Trujano producidos durante el contexto pandémico. Se destacará su doble valor en cuanto ejemplos de un método de desarrollo del trabajo fílmico durante los meses del encierro y por su fuerza narrativa, la cual involucra y desarrolla el potencial de la videollamada como medio de representación narrativa, contraparte ficcional del uso práctico que este canal de comunicación ha alcanzado en los últimos años. Gracias a una adaptación audiovisual del marco teórico de la teoría de los &#8216;actos de habla en la ficción literaria&#8217;, descrita en algunas obras de H. Miller, se analizará la manera en la que las dos obras Videollamada y Lucía y Luís de Trujano, en colaboración con la compañía Coteatro de la B.U.A.P., proponen dos formas alternativas de emplear el poder imaginativo del cortometraje y del medio de la videollamada, haciendo hincapié, en el primer caso, en la imitación de las dinámicas cotidianas crudamente vinculadas con la histeria colectiva relacionada con el Coronavirus y, en el segundo caso, en la posibilidad de construir una historia de ciencia ficción de gran poder emocional alrededor de una llamada de video. Se podrán identificar así dos extremos opuestos de los usos significativos de la mímesis artística y del acto performativo cinematográfico generados con la misma técnica y con medios bastante parecidos, así también se vincularán estas dimensiones con algunas consideraciones sobre el uso creativo de los medios de comunicación remota.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT. This essay will consider two short films produced during the pandemic period by the emerging filmmaker Carlos Trujano. A double aspect will be underlined in its value as a group of examples of a film production method in the lockdown months and in the narrative force, which involves and develops the prospect of the video call as a means of narrative representation, fictional counterpart of the practical use that this communication channel has achieved in the last few years. Thanks to an audio-visual adaptation of the theoretical framework of the &#8216;speech acts in literary fiction&#8217;, as described in some works by H. Miller, an analysis will be made on the way in which two works, Videollamada and Lucía y Luís by Trujano, made in collaboration with the Coteatro company of B.U.A.P., propose two alternative forms of employing the imaginative power of the short film and the means of video call, emphasising, in the first case, the limitations of everyday&#8217;s dynamics as crudely depending on the collective hysteria linked to Coronavirus and, in the second case, in the possibility of construction of a highly emotional science fiction story around a video call. Thus the identification of two opposite extremes will be possible: the meaningful uses of the artistic mimesis and the performative cinematographic act, generated with the same technique and with similar means; likewise these two dimensions will be linked to some considerations on the creative use of remote means of communication.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Carlos Trujano]]></kwd>
<kwd lng="es"><![CDATA[cine universitario mexicano]]></kwd>
<kwd lng="es"><![CDATA[videollamada]]></kwd>
<kwd lng="es"><![CDATA[actos de habla en el cine]]></kwd>
<kwd lng="en"><![CDATA[Carlos Trujano]]></kwd>
<kwd lng="en"><![CDATA[Mexican university cinema]]></kwd>
<kwd lng="en"><![CDATA[videocall]]></kwd>
<kwd lng="en"><![CDATA[speech acts in cinema]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
