<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2448-864X</journal-id>
<journal-title><![CDATA[Interpretatio. Revista de hermenéutica]]></journal-title>
<abbrev-journal-title><![CDATA[Interpret. Rev. herméneut]]></abbrev-journal-title>
<issn>2448-864X</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Instituto de Investigaciones Filológicas]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2448-864X2024000200121</article-id>
<article-id pub-id-type="doi">10.19130/iifl.irh.2024.2/010s2701wo577</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Gurrola + 60s en pop: un itinerario en la Fonoteca Nacional]]></article-title>
<article-title xml:lang="en"><![CDATA[Gurrola + 60s en pop: An Itinerary at the Fonoteca Nacional]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Escoto]]></surname>
<given-names><![CDATA[Daniel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,dannyescoto@gmail.com  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>00</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>00</month>
<year>2024</year>
</pub-date>
<volume>9</volume>
<numero>2</numero>
<fpage>121</fpage>
<lpage>150</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S2448-864X2024000200121&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S2448-864X2024000200121&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S2448-864X2024000200121&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Este artículo, resultado de una investigación en la Fonoteca Nacional de México, propone un acercamiento a grabaciones de audio como vía de interpretación a varios montajes del director y artista interdisciplinario mexicano Juan José Gurrola (1935-2007), para abordar cómo se apropió de distintos elementos pop durante sus primeros años de carrera (finales de los años cincuenta y década de los sesenta). La intención es complejizar la manera en que se ha planteado la relación Gurrola-pop, con un acercamiento específico desde documentos sonoros. Las principales experiencias artísticas mencionadas son los montajes teatrales de La piel de nuestros dientes, de Thornton Wilder; La cantante calva, de Eugène Ionesco y ¡Oh papá, pobre papá, estoy muy triste porque en el clóset te colgó mamá!, de Arthur Kopit. El espectáculo musical 2+8 en pop; los acontecimientos Tonadas y el Museo Dinámico de junio &#8217;67, y la película Tajimara, coescrita por Gurrola y Juan García Ponce.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This article, the outcome of a research at the Fonoteca Nacional (National Audio Archive), proposes an approach to audio recordings as a way of interpreting several stagings by the Mexican director and interdisciplinary artist Juan José Gurrola (1935-2007), to address how he appropriated different pop elements during his early career (late fifties, and all of the sixties). Thus, the intention is to enable a more complex understanding on the Gurrola-pop relationship, with a specific approach from sound documents. The main artistic experiences mentioned are the theater stagings of The Skin of Our Teeth, by Thorton Wilder; The Bald Singer, by Eugène Ionesco, and Oh Dad, Poor Dad, Mamma&#8217;s Hung You in the Closet and I&#8217;m Feelin&#8217; So Sad! by Arthur Kopit. The musical show 2+8 en pop; the occurrences Tonadas, and the Dynamic Museum of June &#8217;67; and the film Tajimara, cowritten by Gurrola and Juan García Ponce.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[teatro]]></kwd>
<kwd lng="es"><![CDATA[Juan José Gurrola]]></kwd>
<kwd lng="es"><![CDATA[pop]]></kwd>
<kwd lng="es"><![CDATA[años sesenta]]></kwd>
<kwd lng="es"><![CDATA[Fonoteca Nacional]]></kwd>
<kwd lng="en"><![CDATA[theater]]></kwd>
<kwd lng="en"><![CDATA[Juan José Gurrola]]></kwd>
<kwd lng="en"><![CDATA[pop]]></kwd>
<kwd lng="en"><![CDATA[sixties]]></kwd>
<kwd lng="en"><![CDATA[Fonoteca Nacional]]></kwd>
</kwd-group>
</article-meta>
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