<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1665-8574</journal-id>
<journal-title><![CDATA[Latinoamérica. Revista de estudios Latinoamericanos]]></journal-title>
<abbrev-journal-title><![CDATA[Latinoamérica]]></abbrev-journal-title>
<issn>1665-8574</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional Autónoma de México, Centro de Investigaciones sobre América Latina y el Caribe]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1665-85742008000200137</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Modelos del mundo moderno: hacia un consenso de imágenes en el cine de Latinoamérica]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Albano]]></surname>
<given-names><![CDATA[Sebastião Guilherme]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal do Rio Grande do Norte  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2008</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2008</year>
</pub-date>
<numero>47</numero>
<fpage>137</fpage>
<lpage>161</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S1665-85742008000200137&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S1665-85742008000200137&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S1665-85742008000200137&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Mediante la categoría de consenso de imágenes, el autor reflexiona sobre una fase de la industria fílmica de Latinoamérica. Para ello se contrastan los modelos adoptados por Argentina, Brasil y México al constituir sus respectivas industrias culturales, los cuales revelan sus maneras de integrar la Modernidad. Al considerar los filmes producidos en el periodo y la historia de algunas de sus instituciones modernas, el estudio subraya cómo la cultura, la economía y la política son partes de un mismo sistema de civilización.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The article focuses on Latin American film industry. By analyzing the category of images of consensus, the author contrasts how Argentina, Brazil, and Mexico have integrated Modernity into their respective industrial-cultural models. In considering the history of modern institutions, the author underscores how culture, economics, and politics are part of the same system.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Latinoamérica]]></kwd>
<kwd lng="es"><![CDATA[Industria fílmica]]></kwd>
<kwd lng="es"><![CDATA[Consenso de imágenes]]></kwd>
<kwd lng="es"><![CDATA[Modernidad]]></kwd>
<kwd lng="en"><![CDATA[Latin America]]></kwd>
<kwd lng="en"><![CDATA[Film Industry]]></kwd>
<kwd lng="en"><![CDATA[Consensus of images]]></kwd>
<kwd lng="en"><![CDATA[Modernity]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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