<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0188-7017</journal-id>
<journal-title><![CDATA[Alteridades]]></journal-title>
<abbrev-journal-title><![CDATA[Alteridades]]></abbrev-journal-title>
<issn>0188-7017</issn>
<publisher>
<publisher-name><![CDATA[Universidad Autónoma Metropolitana, División de Ciencias Sociales y Humanidades]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0188-70172017000200055</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Posibilidades de emergencia de lo Unheimliche en el teatro posdramático]]></article-title>
<article-title xml:lang="en"><![CDATA[A Chance of Appearance of Unheimliche in Postdramatic Theater]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Toriz Proenza]]></surname>
<given-names><![CDATA[Martha Julia]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Centro Nacional de las Artes Centro Nacional de Investigación Teatral Rodolfo Usigli ]]></institution>
<addr-line><![CDATA[Ciudad de México ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2017</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2017</year>
</pub-date>
<volume>27</volume>
<numero>54</numero>
<fpage>55</fpage>
<lpage>66</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_arttext&amp;pid=S0188-70172017000200055&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_abstract&amp;pid=S0188-70172017000200055&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.mx/scielo.php?script=sci_pdf&amp;pid=S0188-70172017000200055&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Desde la perspectiva de la profunda inquietud que produce lo reprimido que retorna, en este trabajo se examina una obra de teatro contemporáneo caracterizada como teatro posdramático. Se privilegia la dimensión procesual de la creación artística y del hecho escénico. Por tanto, se aborda lo ominoso desde tres ejes de la producción artística: 1) el proceso de creación del texto posdramático, 2) el montaje de la obra y 3) la performatividad de la puesta en escena.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: From the perspective of a deep restlessness that renders what is repressed and returns, this paper analyzes a contemporary theater play considered as postdramatic theater. The dimensional process of artistic creation and dramatic facts are privileged. Therefore, ominousness is addressed from three different axes of artistic production: 1) the creative process of postdramatic text, 2) the staging of the play, and 3) the performativity of the staging.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[ominoso]]></kwd>
<kwd lng="es"><![CDATA[performatividad]]></kwd>
<kwd lng="es"><![CDATA[duplicación]]></kwd>
<kwd lng="es"><![CDATA[automatismo]]></kwd>
<kwd lng="es"><![CDATA[animismo]]></kwd>
<kwd lng="en"><![CDATA[ominousness]]></kwd>
<kwd lng="en"><![CDATA[performativity]]></kwd>
<kwd lng="en"><![CDATA[duplication]]></kwd>
<kwd lng="en"><![CDATA[automatism]]></kwd>
<kwd lng="en"><![CDATA[animism]]></kwd>
</kwd-group>
</article-meta>
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